tag:blogger.com,1999:blog-38625371245795065.post2976037665289497209..comments2023-09-10T06:56:26.082-04:00Comments on Roasted Peanuts: September 25, 1951: More Schroeder at the KeysRodneyliveshttp://www.blogger.com/profile/03476187929555342435noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-38625371245795065.post-24049468011162528222009-08-21T02:35:18.681-04:002009-08-21T02:35:18.681-04:00Hmmmm. The complex score of the first panel is in ...Hmmmm. The complex score of the first panel is in what appears to be a thought balloon. The musical notes in subsequent panels are free-floating -- and much less complex. This suggests that Schroeder, at this stage, is IMAGINING far more complex music, but what everyone else is hearing is merely what a toy piano could actually play˙<br><br>...but he plays it WELL, which Charlie Brown and Patty can recognize.Your Obedient Serpenthttp://www.blogger.com/profile/07133256640355844314noreply@blogger.comtag:blogger.com,1999:blog-38625371245795065.post-50326704108031584402009-08-20T18:40:23.048-04:002009-08-20T18:40:23.048-04:00A highly astute post, Mr. H.A highly astute post, Mr. H.RABhttp://www.blogger.com/profile/01714171897239398438noreply@blogger.comtag:blogger.com,1999:blog-38625371245795065.post-92096304199230146202009-08-20T18:21:27.909-04:002009-08-20T18:21:27.909-04:00I do remember Lucy commenting once on how Schroede...I do remember Lucy commenting once on how Schroeder was able to play the black keys, even though they're just painted on.<br><br>I hadn't really thought much about the "triumph over reality" motif, but now I'll be all over it. Love your site!Richmondhttp://www.blogger.com/profile/09249037875191740453noreply@blogger.com