May 16-17, 19-20, 1955: Lucy and the Clover

(Skipped this time out are a couple of minor baseball gags. My blogging client seems to be displaying these locally at low resolution, so I don't know if they'll turn out unreadable when published.)

May 16

Charlie Brown and Lucy make a good team act. Charlie Brown tends to know things, but isn't strong-willed enough to express them with certainty. Lucy is headstrong but ignorant.

May 17

Shades of the much-anthologized instance where Lucy hands Charlie Brown a list of his faults.

May 19

Back to that four-leaf clover. How would one tell if one was luckier, really? One doesn't get killed in a car crash? Wouldn't it be luckier not to have crashed to begin with?

May 20

Charlie Brown's pose in the last panel is not the kind of thing he'd be seen doing in later years of the strip. There's still something of the old, more confident Charlie Brown still around.

 

Sunday, May 15, 1955: Linus takes out his frustrations

Read this strip at gocomics.com.

This calls forward to Charlie Brown's dismayed reaction at the end of A Charlie Brown Christmas. BTW, if when you watch that cartoon, after Charlie Brown walks off-screen, you immediately change the channel and pretend the show ended there, the outcome is a lot more realistic and also more in keeping with the general tone of Peanuts.

I think this strip is slightly stronger with the lead panels, as then there's a nice rule-of-threes progression up to the toy's deflation.

Cute determined expressions on Linus' face throughout here.

May 9-14, 1955: That's the way it goes

Note: Although this is still solidly Peanuts' classic period, there are sometimes strips of which there isn't much interesting to say. It has never been the aim of this blog to cover every Peanuts strip, just the most interesting ones. This doesn't matter for this post, but in the future I will start skipping over uninteresting strips again. This is so that A. I don't spend the rest of my life maintaining this blog, and B. because legally, we'd be on more unsteady ground if we ended up effectively mirroring gocomics' entire archive.

May 8, 1955, a Sunday strip, is missing from gocomics' archives.

May 9

I like the injection of a little horror into Peanuts' gag-a-day world. Would we be creeped out by mailman-shaped dog biscuits? I don't know what it is about serif lettering, such as used in Snoopy's "SHUDDER!," but Schulz uses it a lot in this stage of the strip.

May 10

This is a very interesting strip. Who decided who plays what? We're left to assume it's Patty. Keep in mind, this is still solidly the 50s we're in, so we're probably left to assume that queer readings of this strip are unintended.

In any event, it probably doesn't matter much to their game who is who. I'm surprised one of 'em isn't Davy Crockett or some such.

May 11

More marbles. Decades from now, when the game of marbles has long vanished from the strip, I like to think of its legacy living on in the name of one of Snoopy's brothers, Marbles.

Cats will regularly do this at any excuse, and sometimes even without one.

May 12

We aren't privy to what Charlie Brown and Violet are arguing about. Actually, we don't know whatever it is is in the newspaper at all -- C.B. is holding a book.

May 13

Once you wind Schroeder up, it takes a while for him to run down. It must be nice to be able to lose one's self in a memory like that.

May 14

Even Snoopy's vaunted candy-detection abilities have their limits. Serif Z! Also, a serif'd "sigh," in lowercase.

May 2-7, 1955: Lucy the Environmentalist

May 2

We could take a bad message away from here if we were to relate Lucy's silly concerns with those of the then-nascient environmental movement. Lucy's had enough weird notions in that head of hers from previous strips, however, that I find it possible to ignore that reading.

May 3

This is Peanuts' first "full" story, consuming every weekday strip for the week. The whole thing is her imposing her concerns upon her friends. I note that the only value judgement made by any of the cast members on her concerns is made here, by Charlie Brown. All of the other reacting characters wear Peanuts Expression #24, "blank observation." Her face in the first panel is vividly rendered. ("Good grief" sighting.)

May 4

It's easy not to notice that Pig-Pen is in this strip, but without his trademark dust cloud, perhaps because it would confuse the gag of the strip.

May 5

This strip and the previous this one are the same general joke, and they have exactly the same punchline. It feels like Schulz is padding out the story here.

May 6

It's not just that Lucy believes her friends are eroding the Earth, it's that she's vividly imagined it as becoming the size of a basketball, an image worthy of Antoine de Saint-Exupéry.

May 7

This isn't the first time Lucy has responded to a direct refutation of her beliefs with a non-sequitur counterattack. Lucy's not the sort to waste too much time on introspection.

Comic images from gocomics.com.

 

EXTRA: Charlie Bro

Via Progressive Ruin, from an entertaining post on Rubber Cat Productions.

Take the drawing of Charlie Brown on the cover of the first Fantagraphics Peanuts collection and turn it upside down. Presto:

It takes a second for your brain to adjust to the new mouth and eyebrows, but then he turns from an upset young boy into an insufferably smug, big-chinned guy with a goatee. IT'S CHARLIE BRO.

May 1, 1955: Silly Snoopy, rope-jumping is for kids

Read this strip at gocomics.com.

A wonderful strip, mostly for the expressions on Snoopy's face. It's a difficult strip to visualize in motion though. Schulz is depicting the dog jumping rope as a (soon to be) standard Snoopydance, but it looks like he's skipping in a lot of little hops, if his hind feet are technically leaving the ground at all.

I think the strip works a little better with the lead-up panels giving Snoopy's enthusiams a little time to warm up, rather than just having him jump in after watching Lucy for a single frame.

 

April 25-30, 1955: I'm Well Read

April 25

At least it wouldn't all melt before she could eat it. The word "Boy" in the third panel is both serif'd and contains lowercase letters.

April 26

Once in a while Schroeder says something that indicates there's a slight change he could end up reciprocating Lucy's crush someday. It's quite rare, but it happens once in a while.

April 27

As has been remarked in the comments before, there really aren't a lot of Pig-Pen strips when measured as a percentage of all the Peanuts strips Schulz draw. He's fairly common in this period though.

April 28

Somewhat uncharacteristically, Pig-Pen gets angry at the way people refer to him here. It's a bit difficult, through all the grime, to read his expressions of ire. I'm not quite sure I get this strip though -- I sense there's something about it, maybe some context from the time, that I'm missing. I'm not actually sure the girls are judging his appearance, although if they're not then why would Schulz use Pig-Pen here?

April 29

I think Schulz spelled it "SKWEEK" in the third panel just to mix things up a bit. We get another funny drawing of Snoopy here, who is already the most plastic of the Peanuts characters.

April 30

My favorite thing about this strip is the slight irregularity in Snoopy's jaw in the third panel, indicating Snoopy chewing. Lucy's mouth seems to be missing in the first panel.

 

Sunday, April 24, 1955: Of course we're playing for 'keeps!'

 Read this strip at gocomics.com.

Lucy is still flexible enough to be used with her earlier, naive personality.  Innocent characters in Peanuts tend to be capable of amazing feats, abilities that they lose as they gain maturity.  That explains Linus' various skills, Snoopy's occasional reality-defying flights of fancy, and Lucy's skill at shooting marbles here.  Like a guardian angel, this ability protects the character from those who would take advantage.

April 18-23, 1955: Watson come here, I need groceries

April 18 

More of Pig-Pen's philosophy, which could be regarded either as kind of profund or as indicative of the lengths he'll go through to excuse his willful messiness.

April 19

Fun with halftone!  It definitely is possible to get mad at someone who's really neat, if they're still marking up the wall, although I suppose the Van Pelt folks could just tell people it's wallpaper.  Really freaky wallpaper.

April 20

Lucy believe, if you're losing on one front, just open up another.

April 21

Snoopy has the advantage of having a flatter head.  It'd be a lot harder for Charlie Brown to balance like that.  By the way, this strip demonstrates well how much Snoopy's body shape has changed.  He still has a little ways to go before he starts to balloon out.

April 22

You can't please all the people all the time.  There's kind of a Betty-and-Veronica thing going on between Patty and Violet here.

Charlie Brown's rather pleased with himself in the second panel.

April 23

I never got much use out of tin can telephones as a kid, beans or not.  I figured out much later that they really depend on the string between cans to be pulled tight, which it obviously isn't here.  Anyway the matter is moot, as the first panel makes it clear that whoever it is Charlie Brown is talking to is standing right off panel, well within earshot.

Tin can telephones have passed into the lore of kid life, as something that children make to amuse themselves, even though I imagine in this age of cell phones and casual texting that this type of playground technology is hardly ever put into practice anymore.  This hasn't stopped the things from soaking into our culture -- an episode of the My Little Pony cartoon (don't laugh) used one in a scene, and that "Kids Next Door" cartoon from some years back used them as an essential communications tool for its weird kind of tree fort tech.

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