Sunday, June 19, 2012: Head over Heels

Lucy's loud voice is again reinforced as a character trait. But we also get some of the playful and energetic Snoopy of the classic era of the strip, which became less visible later when his proportions ballooned out. He's very dog-like here.

This might be the first somersault experienced by a character solely due to a very loud voice or sound.

June 13-18, 1955: "Dot" is a sound effect

June 13:

At this point the girls aren't always disgusted with, annoyed by or bored at the sight of Charlie Brown, as this strip shows. I think the thinness of the tree could be taken as a metaphor for the thinness of Violet's affections, which makes this strip poetic in a way.

June 14:

I had not heretofore suspected that "dot" was onomatopoeia. but it is a kind of appropriate noise for jabbing a piece of paper with a drawing instrument like a crayon or pencil.

June 15:

I expect that today's kids don't get messed up as much, on the average, during their summertime adventures.

June 16:

This is exactly the kind of thing a Lovecraft protagonist with unknown blood ties to fiendish creatures, ancient sorcerers or some godling's spawn would do, and it's also similar to such a being's probable reaction once he discovers the universe obeys his or her whims -- at least, if he didn't immediately faint from the shock.

June 17:

I think Charlie Brown just might not have been laughing at "Pig-Pen"'s ambitions. A bit of youthful can be good for a kid, although probably something along the line he'll probably have to clean up more. For example, I can't picture, say, Mitt Romney covered with dirt. (In fact, his skin looks stain-resistant, like maybe some kind of polymer.)

June 18:

Ah, the ease with which the winds of love turn when you're seven. The characters are seven now aren't they? Originally I think they were intended to be just before school age, but now we've seen some moments in school, they were probably aged to that point since school is a ripe source of storylines, although we haven't seen very many yet. (And when Rerun shows up and enters kindergarten both Linus and Lucy, being siblings, kind of have to age to make room for him.)

June 6-11, 1955: Great Composers of the American West

June 6, 1955

A running theme in Peanuts in the early days is Charlie Brown being dismayed at some obviously false notion one of his friends has come up with, and their refusal to see sense regardless of all other matters. Up until now it's been Lucy who's been Chuck's opponent in this, but sometimes Schroeder sneaks in there as well in his uncritical idolization of Ludwig Van Beethoven. Later on a variety of other characters fill this role, and their notions take on differing levels of actuality. The most-remembered example of this, of course, is Linus' fixation on the Great Pumpkin, which became one of the trademarks of the strip.

June 7

The humor in this sequence comes not just from Charlie Brown's reaction, but the incongruity of seeing a fur hat on the head of Schroeder's bust.

June 8

Sometimes Peanuts' comedy is kind of like a mathematical formula that could be solved for a number of different variables. Character personalities, and cultural signifiers like Beethoven and Davy Crockett, are what realize the jokes.

Schroeder is singing the refrain from the famous song "The Ballad of Davy Crockett," written by George Bruns and Thomas W. Blackburn, written to publicize the Disney movie Davy Crockett: King of the Wild Frontier. The song made the Billboard charts on March 26, 1955 and the strip was published June 6, so it was floating around the cultural mindspace at the time. Come to think of it, this explains some of the other Davy Crockett references in the strip. Here you go:

 

Incidentally, there is another, more recent, alternate-reality version of that song, written by They Might Be Giants:

 

June 9

Charles Schulz was from Minnesota, and although he moved around a bit (to Colorado and later to California), it typically expresses a midwestern kind of humor, self-deprecating and wry. For more, turn on A Prairie Home Companion on your local NPR station, or alternatively go get some Mystery Science Theater 3000 DVDs. Go on, I'll wait. (No I won't.)

June 10

Lucy's brand of evil is currently directly only towards her brother. It takes some time to fester and flower into the true breadth of its malevolence.

June 11

At the time Schulz's first son Monte would have been about four. I don't know if this is the title of a real book or one that Schulz made up for the strip.

Sunday, June 5, 1955: What's this? A piece of candy.

This one's more about Charlie Brown creating his own problem than any malice on Lucy's part. There are fun drawings of Snoopy in the first two panels, Schulz is loosening him up more and more. His body is longer now, and so is his snout, which enables him to smile a lot more broadly.

That's a good drawing of dismay on Charlie Brown's face in the next-to-last panel.

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It's been slow going here due to interference from other projects. The blog's not dead quite yet though.

May 29-June 4, 1955: Ol' Aerial Ears

On gocomics.com's archive, this sequence begins here.

Sunday, May 29

I should certainly say Lucy drives Charlie Brown crazy. She has caused him to hallucinate his kite string turning into a heavy anchor chain! It's not like we can believe that was one of the "few things" Lucy had. The question remains how Charlie Brown was able to run that chain up high enough into the air so that it could ground the kite with such a resounding CLANK, not to mention how Lucy brought it to him in the-- you know what, skip it.

May 30

Pinky Lee was the star of a children's TV show in 1954 and 1955. His catchphrase was "You make me so mad!" The Wikipedia page on him notes that he collapsed on-air later in 1955, which the audience of children had assumed was part of his goofy act. This basically ended Pinky's role on the show, although contrary to rumors at the time he didn't die until 1993.

June 1

By my reckoning, this is the first time Linus has ever had an attack due to the absense of his blanket. Lucy's attitude towards her brother's flannel dependence varies from warmly supportive to fierce antagonism.

June 2

At least he didn't say Beethoven!

June 3

I spoke too soon. Good grief!

June 4

He still COULD have licket Crockett, he just had something else to do.

June 5

Snoopy powers demonstrated: prehensile ears & improved auditory reception.

 

May 22-28, 1955: Scenes from an Illustrated Childhood

Sunday, May 22

These old Sunday strips show off just what Schulz was capable of when his drawing hand was at its best. Just look at all that. In panel 6 Charlie Brown is leaping a barbed wire fence, and those cans in panel 9 can't exactly be safe to wade through either.

These strips show us a kind of iconic, idealized version of the world of kids that largely doesn't exist anymore, one made up of unfenced backyards, vacant lots, junkyards, back alleys and broken fences.

May 23

Lucy doesn't have many weaknesses, or at least ones that she'll admit to, but rollerskates are one of them.

May 24

The Peanuts characters are accident-prone.

May 25

Shades of Calvin and his bicycle here. And a scribble of ire!

A character displaying affection, love, tolerance, pleasure, joy? These things are not funny. Conan! What is funny in life?

May 26

Lucy turns into quite the feminist later on, this attitude turns out to be fairly atypical of her.

May 27

It's possible to miss it if you just glance at the strip, but the joke here is that Lucy is missing one skate, which is the one that Snoopy's riding.

May 28

Violet and her mud pies again. Old habits die hard. Y'know, I don't remember if we've ever seen any of the Peanuts kids eat one of those mud pies. I'd assume that they're just playing, but that look of distaste on Charlie Brown's face implies that he at least has considered eating one of the things. I guess kids had stronger immune systems back then.

May 16-17, 19-20, 1955: Lucy and the Clover

(Skipped this time out are a couple of minor baseball gags. My blogging client seems to be displaying these locally at low resolution, so I don't know if they'll turn out unreadable when published.)

May 16

Charlie Brown and Lucy make a good team act. Charlie Brown tends to know things, but isn't strong-willed enough to express them with certainty. Lucy is headstrong but ignorant.

May 17

Shades of the much-anthologized instance where Lucy hands Charlie Brown a list of his faults.

May 19

Back to that four-leaf clover. How would one tell if one was luckier, really? One doesn't get killed in a car crash? Wouldn't it be luckier not to have crashed to begin with?

May 20

Charlie Brown's pose in the last panel is not the kind of thing he'd be seen doing in later years of the strip. There's still something of the old, more confident Charlie Brown still around.

 

May 2-7, 1955: Lucy the Environmentalist

May 2

We could take a bad message away from here if we were to relate Lucy's silly concerns with those of the then-nascient environmental movement. Lucy's had enough weird notions in that head of hers from previous strips, however, that I find it possible to ignore that reading.

May 3

This is Peanuts' first "full" story, consuming every weekday strip for the week. The whole thing is her imposing her concerns upon her friends. I note that the only value judgement made by any of the cast members on her concerns is made here, by Charlie Brown. All of the other reacting characters wear Peanuts Expression #24, "blank observation." Her face in the first panel is vividly rendered. ("Good grief" sighting.)

May 4

It's easy not to notice that Pig-Pen is in this strip, but without his trademark dust cloud, perhaps because it would confuse the gag of the strip.

May 5

This strip and the previous this one are the same general joke, and they have exactly the same punchline. It feels like Schulz is padding out the story here.

May 6

It's not just that Lucy believes her friends are eroding the Earth, it's that she's vividly imagined it as becoming the size of a basketball, an image worthy of Antoine de Saint-Exupéry.

May 7

This isn't the first time Lucy has responded to a direct refutation of her beliefs with a non-sequitur counterattack. Lucy's not the sort to waste too much time on introspection.

Comic images from gocomics.com.

 

May 1, 1955: Silly Snoopy, rope-jumping is for kids

Read this strip at gocomics.com.

A wonderful strip, mostly for the expressions on Snoopy's face. It's a difficult strip to visualize in motion though. Schulz is depicting the dog jumping rope as a (soon to be) standard Snoopydance, but it looks like he's skipping in a lot of little hops, if his hind feet are technically leaving the ground at all.

I think the strip works a little better with the lead-up panels giving Snoopy's enthusiams a little time to warm up, rather than just having him jump in after watching Lucy for a single frame.

 

April 25-30, 1955: I'm Well Read

April 25

At least it wouldn't all melt before she could eat it. The word "Boy" in the third panel is both serif'd and contains lowercase letters.

April 26

Once in a while Schroeder says something that indicates there's a slight change he could end up reciprocating Lucy's crush someday. It's quite rare, but it happens once in a while.

April 27

As has been remarked in the comments before, there really aren't a lot of Pig-Pen strips when measured as a percentage of all the Peanuts strips Schulz draw. He's fairly common in this period though.

April 28

Somewhat uncharacteristically, Pig-Pen gets angry at the way people refer to him here. It's a bit difficult, through all the grime, to read his expressions of ire. I'm not quite sure I get this strip though -- I sense there's something about it, maybe some context from the time, that I'm missing. I'm not actually sure the girls are judging his appearance, although if they're not then why would Schulz use Pig-Pen here?

April 29

I think Schulz spelled it "SKWEEK" in the third panel just to mix things up a bit. We get another funny drawing of Snoopy here, who is already the most plastic of the Peanuts characters.

April 30

My favorite thing about this strip is the slight irregularity in Snoopy's jaw in the third panel, indicating Snoopy chewing. Lucy's mouth seems to be missing in the first panel.

 

Sunday, April 24, 1955: Of course we're playing for 'keeps!'

 Read this strip at gocomics.com.

Lucy is still flexible enough to be used with her earlier, naive personality.  Innocent characters in Peanuts tend to be capable of amazing feats, abilities that they lose as they gain maturity.  That explains Linus' various skills, Snoopy's occasional reality-defying flights of fancy, and Lucy's skill at shooting marbles here.  Like a guardian angel, this ability protects the character from those who would take advantage.

April 18-23, 1955: Watson come here, I need groceries

April 18 

More of Pig-Pen's philosophy, which could be regarded either as kind of profund or as indicative of the lengths he'll go through to excuse his willful messiness.

April 19

Fun with halftone!  It definitely is possible to get mad at someone who's really neat, if they're still marking up the wall, although I suppose the Van Pelt folks could just tell people it's wallpaper.  Really freaky wallpaper.

April 20

Lucy believe, if you're losing on one front, just open up another.

April 21

Snoopy has the advantage of having a flatter head.  It'd be a lot harder for Charlie Brown to balance like that.  By the way, this strip demonstrates well how much Snoopy's body shape has changed.  He still has a little ways to go before he starts to balloon out.

April 22

You can't please all the people all the time.  There's kind of a Betty-and-Veronica thing going on between Patty and Violet here.

Charlie Brown's rather pleased with himself in the second panel.

April 23

I never got much use out of tin can telephones as a kid, beans or not.  I figured out much later that they really depend on the string between cans to be pulled tight, which it obviously isn't here.  Anyway the matter is moot, as the first panel makes it clear that whoever it is Charlie Brown is talking to is standing right off panel, well within earshot.

Tin can telephones have passed into the lore of kid life, as something that children make to amuse themselves, even though I imagine in this age of cell phones and casual texting that this type of playground technology is hardly ever put into practice anymore.  This hasn't stopped the things from soaking into our culture -- an episode of the My Little Pony cartoon (don't laugh) used one in a scene, and that "Kids Next Door" cartoon from some years back used them as an essential communications tool for its weird kind of tree fort tech.