April 23, 1954: The aerodynamic properties of that ball seem unsuitable

Read this strip at gocomics.com.

It's harder to throw, but you can't expect it to go so far if the batter gets a good whack at it.  However, if he hits it really solidly it will probably take several minutes just to put the ball back together.

I think this is one of the few strips with Shermy, Schroeder and no one else.  (Charlie Brown is mentioned but not pictured.)

April 22, 1954: So, it's his umbrella?

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This is a silly strip, it doesn't really have a strong gag but it's visually appealing.  One has to wonder about the practicality of a dog owning an umbrella though.  How does Snoopy close it?

Sunday, April 11, 1954: I'm getting worried about Charlie Brown

Read this strip at gocomics.com.

I think this is a very important strip.  It establishes that Charlie Brown doesn't just play baseball but is kind of obsessed with it.  Of course it could well have been a transitory aspect of the character at this point, valid just for one strip, but already Charlie Brown is really the only character of Peanuts' cast who works here.  Linus is too young, Schroeder isn't so serious about anything that isn't music, and Shermy is kind of a non-entity.  Snoopy is still too dog-like, and anyway can't talk.  While Peanuts' girls aren't very girly overall, it would take a tomboy type to be this obsesses over sports, and "Peppermint" Patty is still many years away.

At the end of it we kind of feel sorry for Charlie Brown, standing alone in the driving rain, even as we recognize his predicament is his own making and continuing.  Part of that comes from Schulz's art, which is top-notch here.  One of the most effective techniques in his cartoonist's bag of tricks is the way he depicts rain, which requires great attention to line thickness and patience in just rendering all those lines.

It's very easy to mess up, but the effect is wonderful.  The way the lines blend in with each other in the last panel, how they get darker above the horizon to provide the illusion of a blurred backdrop, the care he takes to make sure that the important parts of the panels aren't too broken up by the crosshatching, it all demonstrates the immense care Charles Schulz took in rendering the strip.

Notice where a character has a dark portion of his clothes or hair, that he changes how he shades it in.  He's also careful to make sure the rain doesn't make it difficult to read a character's identity of expression.  Character faces are mostly unobscured.  This strip must have taken Schulz some serious time to put together, and all for one day's output.  Whether you think Peanuts has yet attained the status of art, it's certainly got the chops when it comes to craft.

Here's a question for you: who is the kid in the next-to-last panel?  Shermy is the character is most fits, but he ran away in the previous panel.  He is carrying a baseball glove in panel six and is holding it overhead in panel seven, so I guess there is some continuity there.  But looking closely at panel six, it's not entirely convincing the way he holds his glove there.  It looks huge there in any case.

March 25-27, 1954: Three, golly gee

Read these strips at gocomics.com.

More glued-together strips from Universal's slightly malformed archive.

March 25, 1954:
Patty is an expert at marbles.  I've had the same reaction that Patty gets from Charlie Brown and Shermy, from people who balk at playing Monopoly without the various house rules (like money on Free Parking or no auctions) that make that very long game much longer.

March 26, 1954:
Now isn't that a hellish visage to have suddenly thrust into your face?

March 27, 1954:
More developing of Charlie Brown's "loser" persona.  I wonder if Schulz knew he was fixing the kid's personality for all time in these strips, or if he thought it was just another story theme, like Linus' Newton-defying block building skills or Violet's mud pie fixation?

March 22-24, 1954: Three don't you see

Read this strip at gocomics.com.

More badly-framed strips from that odd place in the internet Peanuts archives, probably caused by an oversight when these were scanned in from print compilations.

March 22, 1954:
At this point in the strip, examples like yesterday notwithstanding, Patty is kind of like the female Charlie Brown.  Not in the sense of being defeated by the world, but in the sense of being an every-person suitable for use in general.  She is rather more competent than Charlie Brown though, and clearer-headed.

Again, the difference between Peanuts and other strips?  Poorer strips would probably end with a sarcastic comment from Patty and make that the punchline.  Competent strips would end with Charlie Brown pointing at Snoopy, and letting the reader laugh at that dumb kid himself.  Peanuts gives us that last panel, which sympathizes with Charlie Brown.  It recognizes that, hey, we're all stupid like this sometime, and when we realize that we are we should be embarrassed about it.  But we should also get out of the weather.

March 23, 1954:
MUDPIEZZZZZ

Violet's fixation on the preparation of mud pies is one of the earliest recognizable traits exhibited by a specific Peanuts character.  We haven't seen it for a while though.  As I've said previously, when you're sentenced to come up with a joke a day for the rest of your life, you use what you think of.  Schulz attacked this somewhat dismal craft without complaint, and frequently with genius.

March 24, 1954:
Charlie Brown's insecure personality is developing clearly now, but Schulz still gives him an out sometimes, with the kids calling for him. 

February 8-12, 14, 1954: The missing strips are back

The strips I mentioned yesterday as having been missing are back, so let's have a look at them.

February 9, 1954:

A nice inversion of the usual way these Schroeder vs. Charlie Brown strips go, with Schroeder proving to be the one who annoys Charlie Brown.  One of Schulz's particular observational gifts appears to be being able to see all sides of a situation.  No character is wholly admirable or horrible.

Scribble of ire!

February 10, 1954:

Snoopy vs., not the yard, but the living room.  Panel two is weird; it seems obvious that Snoopy is trying to pick the top up, but it's not something we often see Snoopy do.  Panel three isn't immediately readable, but thinking about it I think Snoopy is being pushed away by the top's rotational force.

 February 11, 1954:

Charlie Brown returns to the idea of perfection.  At first he thought he was perfect.  Now he aspires to perfection.  Soon he'll realize his faults (and those he doesn't see Lucy will be happy to point out) and despair of ever overcoming them.  Isn't this how it goes in real life?  There is no truth more clearly and bitterly seen than that which comes from disappointing disillusionment.

February 12, 1954:

Fence gags aren't common in Peanuts, but for some reason Schulz decided now was a good time for one.  There's another coming soon, with Patty and Lucy.

Sunday, February 14, 1954:

Lucy counting the stars.  This is the first one where she seems to be serious about it.  Interestingly here, the sky is not represented as solid black; instead the grass in the background is solid.  You can only really tell it's night from the characters' words and the moon hanging in the sky.

February 1, 1954: Status in Charlie Brown's neighborhood

Read this strip at gocomics.com.

There was a recent comment about Violet's family likely being wealthier than Charlie Brown's, which seems likely.  This strip is evidence that Shermy's might be too -- or at least he might be more of a train freak.

Shermy's train set is obviously set up in his family's living room, or some sort of sitting room.  How long must that have taken to set up, and how many times would his family have stepped on it by accident?

Sunday, January 31, 1954: Snoopy, Time Lord

Read this strip at gocomics.com.

This is the first strip that implies that Snoopy's doghouse has some extra-dimensional property, that it's bigger inside than outside, although one can take Schroeder's comment to suggest that the rec room is in a basement, and thus underground.  Dog houses don't usually have basements, true, but....

This strip is also evidence that Snoopy is not yet considered to be Charlie Brown's dog.  If Snoopy really were his, wouldn't he already know all this?  As a kid I stumbled upon this strip and wondered why the neighborhood kids were invited into Snoopy's doghouse while Charlie Brown was not, even though he was Snoopy's owner.  It seemed to project upon the kid a sense of being a social pariah that I think stuck with him when I read other, later strips.  Viewed in context with the Peanuts strips up to this point, he doesn't seem to be quite so excluded.

Does Snoopy's rec room have as low a clearance as his entrance?   That could be considered to be something of a flaw if the people he usually has over are all kids.

January 26-28, 1954: Cold weather gear

January 26, 1954:

January 27, 1954:

January 28, 1954:

The first two strips here are reminiscent of the bits from A Christmas Story where Ralphie's brother Randy is so over-covered with coats and scarves he can't put his arms down, or get up once knocked over.  I suppose that kids aren't bundled up so well with heat-preservers these days.  Of course Schulz grew up in, and at the time was living in, Minnesota, which is rather infamous for its harsh winters.

The third strip is a demonstration of Snoopy's boundless enthusiasm, which I think became less apparent in the final years of the strip.  Shermy is in the first panel mostly to give context to the object Snoopy is chasing; hockey pucks don't real well if they just show up unheralded.  I think the last panel is a rare design misstep on Schulz's part; the motion lines produced by Snoopy look to more like a solid object than an effect of the dog's motion.

January 25, 1954: Peanuts in THREE-DEEEE

Read this strip at gocomics.com.

To think the idle joke about a failed gimmick in movie-making from fifty years ago would be absolutely as relevant today as when it was first read.

This is another of those strips where the emerging, vague un-dog-like nature of Snoopy's personality is the source of the humor.  When I read these strips I'm reminded of a Warner Bros. cartoon directed by Chuck Jones, "A Pest in the House," one of the few with a joke that explicitly recognizes how weird is that arbitrary line between its animal characters as animals (things that Elmer Fudd hunts, that sleep in holes, that hope around the woods and float in ponds) and as human-like creatures (that pester hunters, who dress up in women's clothing, that play poker and golf, who hold jobs).

The cartoon in question begins with an announcer speaking: "Once upon a time there was a labor shortage.  It became so bad that employers would hire anybody."  A pause, then, when Daffy Duck zooms on-stage: "Or anything...."

There's another cartoon like that, made later,I think it's People Are Bunny, where Bugs Bunny and Daffy are competing in a radio program's stunt game for a mystery price, where they're racing each other to the studio.  At one point Daffy is flung into the air and left to helplessly fall to painful cartoon injury, and Bugs, looking up from the ground, casually remarks, "I wonder if Daffy will remember that he can fly?"  There is a crashing sound, then he adds, "I guess not."  Later in the same cartoon a similar remark happens regarding swimming.

Sunday, January 24, 1954: Lucy flips out

Lucy goes on a glorious campaign of destruction here.  It's the closest she's yet gotten to her malevolent destiny.

I think maybe part of the reason Schulz drew this one is just so he could draw lots of tiny little things flying around the room.  Anyway, I didn't know Violet had a stamp collection.

The lead panels, as usual, aren't needed to get the joke, although they do explain why Schroeder is involved in the mob.  (Linus is too young for such things.)  Of all the offended chasers, everyone seems to be yelling at Lucy except for Charlie Brown, who is uncharacteristically grim-faced.

January 16 & Sunday, January 17, 1954: Trials of a Baby

January 16, 1954:

Sunday, January 17, 1954:

Surprisingly many of Peanuts characters have a special talent, one that overrides the limitations of real life.  Snoopy has many such "powers."  The force of Lucy's anger (later on) is terrifying to behold.  Charlie Brown's ability to lose has already been been demonstrated while playing checkers.  And Linus has a way of making or doing things that doesn't seem quite "right."  Stacking the blocks like he does in the first strip is an example.  He's also great at blowing up balloons halfway, and other unlikely feats of what I'm going to call, for lack of a better term, dexterity.

The second strip is the first time we get something akin to a stream of dialogue from Linus.  Until now his words have been things like "dottie dottie" or loud laughs of derision in the face of Lucy's selfishness, but here are several full sentences.  Noteworthy, however, is that although his words are in speech bubbles so generally are Snoopy's, and neither character has been shown using full sentences to communicate with the other characters.

I like how big kids are represented as running in herds that clean the floor of toys in their wake, like cattle devouring whole fields of grass.

January 13-15, 1954: Snoopy's ears creep me out

January 13, 1954:

January 14, 1954:

January 15, 1954:

Snoopy's ears demonstrate once more how they can be held rigid in place in weird poses at will.  They're almost like additional limbs.  Of course they have their limits: they don't seem capable of supporting much weight, and they don't seem capable of supporting Violet's ire, that killjoy.

The third strip gives us a lot more Snoopy drawings than the standard daily strip.  I love the one at the top-left of the third panel, where you only see his feet peeking into the frame.  But there's a three-quarter "puppet head" view of Snoopy smiling in that one too, which we haven't seen for quite a while.

Charlie Brown is the one giving Snoopy his walk, which points the "owner" needle more firmly towards him again.  But we've still gotten no concrete indication of whose dog Snoopy is.  This may be the first time, however, that Snoopy's relentless enthusiasm has gotten on the kid's nerves, which is an oft-used gag over Peanuts' run.

January 9, 1954: Counting stars gaiden

Read this strip at gocomics.com.

Charlie Brown's exasperation at Lucy counting stars is one of the more iconic strip themes of early Peanuts.  So far by my count we've only seen one Lucy star counting strip, and she more guesses than counts in that one.

January 6, 1954: Ribbit

Read this strip at gocomics.com.

Snoopy looks kind of frog-like in the first panel here.

"Have you ever been a dog?"  "Of course not."  I think this strip is actually funnier if you give it the 3eanuts treatment.

December 20, 1953: Sorry I asked!

Read this strip at gocomics.com.

I love this strip!  It presents the world of the kids in a way that makes it seem all real, like there's always a dozen things happening at once.  My favorite joke in it, however, is the one in the lead two panels, which is just a throwaway but has some pleasing off-screen violence.

The metaphorical opening panel uses Charlie Brown's trademark zig-zag shirt pattern, but the zig-zag is nowhere to be seen elsewhere in the whole strip, and is in fact a little uncommon in the strip at this point considering the kid usually covers it with a jacket in the winter months.  Maybe he was just reminding the reader of it.

There is a lot of prototype Calvin and Hobbes here, both in the snowman gag and the humorous sled crash at the beginning.

December 11, 1953: World-shaking calamity

Read this strip on gocomics.com.

This is a bigger deal to Charlie Brown than the rest of us because such a large percentage of his hair is disarranged.  (75%, that one on the back of his head passed unmolested.)

This does seem to make it clear that Charlie Brown has exactly four hairs.

December 4, 1953: Winter in Peanutsland

Read this strip at gocomics.com.

This strip has some very nice backgrounds in it.  Later on Schulz, for whatever reason, would largely abandon tying to depict his characters' world in such detail, so let's enjoy it while it lasts.

Sunday, November 15, 1953: The Great Experiment

Read this strip at gocomics.com.

More to add to the list of Snoopy's powers:
8. Super hearing
9. Teleportation (induced by hearing candy wrapper)

For his sake, I hope we can add:
10. Immune to canine chocolate toxicity

This strip actually reads better without the two lead panels.  Try it out!  We don't need to be told twice that they're running an experiment.  All the important facts are presented without the optional panels, and they aren't repeated.

Finally, importantly, the strip is just funny.

November 9, 1953: Get yer dog off the football field

Read this strip on gocomics.com

I think this one may be a bit too abrupt. It'd probably be more entertaining to watch Snoopy get tackled in the third panel, rather than obscuring the collision behind that huge POW splash.

I am putting this strip down as containing Charlie Brown, Schroeder and Shermy, but only because those are the only three human male characters old enough to play football.