May 27, 1953: Falling off the Tricycle

This is a funny strip I think.

Charlie Brown is the most versatile, by far, member of the cast. He can by turns be a smart-aleck, a victim, a bit of a jerk, a bit stupid, sly, witty, determined or hopeful.

Patty is becoming less of a foil for Charlie Brown, and Violet is turning against him generally. Those two characters mostly exist to bounce off of CB; Schulz seems less able to think of things for them to do on their own. Shermy has even less of his own existence.

Schroeder probably has the deepest private life of all the characters. Lucy and Linus sometimes each get strips to themselves, although, strangely, not too many with just the two of them. Snoopy gets his own strip sometimes too; he hasn't made a habit of having his own thoughts yet, though, so most of the time his strips have to be pantomime which is harder to write.

How do you fall off a tricycle?

March 14, 1952: He's not THAT snoopy

Snoopy's appearance has been gradually progressing all this time, but this strip seems like one of the more obvious changes.

The later jokes of Snoopy acting a lot like a person, and being treated like one, evolved out of gags such as this one. When Snoopy has been half-human for twenty years it is hard to get humor out of his doing things not expected of dogs, or being treated as human.

Really, what could the girls be so defensive about? They're, what, six?

November 30, 1951: However....

This strip is a kind of mirror of the first Peanuts strip, in which Shermy, in panel 3, said "Good ol' Charlie Brown" right before adding "Oh, how I hate him!"

Funny, lots of later retrospectives of Peanuts make it a point to show that first strip, but then skip over the first couple of years, the ones we're going through now. That first strip, though in the original art style,

If you pay attention, this strip marks a slight change to the characters. They've been changing slowly this whole time of course, but they're subtly taller here than before, or so it seems to my eye anyway. It might just be because they're sitting down in all the panels; usually Schulz has to cheat a little when characters are shown sitting, since the lengths of their arms and legs make it difficult to show them bending cleanly.