Showing posts with label ego. Show all posts
Showing posts with label ego. Show all posts

Sunday, August 7, 2011

Week of August 23-28, 1954: Charlie Brown still has an ego

August 23

Only the second bit of negativity we've heard from Pig-Pen, the first being in his introduction.

August 24

That's not Snoopy, someone switched his bust of Beethoven for a figurine of the RCA dog!

August 25

Is this sarcasm from Schroeder, or condescension?

August 26

Charlie Brown still has some of the old ego in him, I see. I wonder when is the moment when that's finally pounded out of him, and when it happens, if ultimately it's Lucy, or Patty and Violet who are the cause

August 27

Her beleaguered mother has resorted to trying to play her and Linus against each other. Lucy takes the long view here. Lucy is forward-thinking in the next Sunday strip too, although she doesn't look quite so far ahead.

August 28

This is a fairly standard comic inversion. Not really terribly noteworthy, but I've commented on all the other strips this week, so why not?

(If I do leave strips out, I will still link to the gocomics page for the absent strips. I don't think it's proper to present strips I don't have much to say about, since I'm hosting these copies to avoid hot linking gocomics, and not to provide an alternate archive of strips. As I said before, they are presented here for commentary purposes only.)

Friday, September 25, 2009

November 17, 1951: The Smartest Dog Alive

Peanuts

Snoopy hasn't been appearing for a bit lately. His design is subtly different here; he's wider, his body is thicker, he's less puppy-like, and his ears are rounder. His personality also continues to develop.

The problem, or the continuing battle I should say, of drawing a comic strip for years and years is coming up with new expressive ways to draw the characters. If you don't continue to find new ways to have them express themselves then you might as well be using clip-art. The change in the way Snoopy is drawn between the second and third panels is important, to illustrate his increasing pleasure as being complimented. His uplifted tail, his eyebrows and that aura around his head increase the perception of happiness, so the effect is so much greater in the last panel when it comes crashing down.