July 10-16, 1955: Snoopy and Croquet

Sunday, July 10:

How did Linus get into that crib so easily? Other than that, not a lot to say about this. Except maybe that "lap, lap, lap" and "smack, smack, smack" seem a little weird.

July 11:

Up to this point, class distinctions haven't really entered into Peanuts that much. We had that strip in which Shermy plays with his elaborate train set, then Charlie Brown goes home to play with his simple oval. This is just another version of that really. Still, it takes some effort to piece it together, but one can eventually detect a continuity effort to depict Charlie Brown's family as less well-off as the other kids. This comes to a head in a memorable Sunday strip in which Violet, after bragging about her dad, is dressed down quite effectively by Charlie Brown showing her where his barber dad works.

July 12:

Well you know what they say a stopped watch is still right twice a day, unless it's a daylight savings day, in which case it is possible that it could instead be right one or three times depending on circumstances.

July 13:

Snoopy seems to have an innate perching instinct which eventually finds expression atop his doghouse.

July 14:

Snoopy is a fun character to see in weird poses, which I suspect is the inspiration behind his imaginative flights of fancy in upcoming years. He's not there yet, but this is a step along the way.

July 15:

As Snoopy becomes more "filled out," and more humanoid, he also becomes much less mobile, which I think eventually comes to harm the fun of the character. Well, you're free to disagree with me.

July 16:

I'm reminded of that earlier Sunday strip in which Charlie Brown fills a wading pool from a hose, runs over to turn off the water, comes back to find Snoopy sitting in the water, and is so disgusted that he empties the pool and starts over. What's wrong with Snoopy sitting in the pool too? Is it wet dog smell?

Sunday, October 11, 1953: The CROQUET GAME

This is quite an interesting strip. In addition to carrying an extra title other than just "Peanuts," there are several different jokes competing for space in these eight complex panels.

- Every character appears except for Linus. However, Schroeder's only in the first three (in the third he hiding behind the tree), Shermy's only in two of them, and Snoopy's relegated to one.
- Although the major gag of the strip is Lucy's trying to bounce a croquet ball, the most interesting exchange is between Patty and Charlie Brown, which is a fairly good depiction of the direction Schulz is taking the round-headed kid. Patty's blunt statement is rather shocking; one can imagine her intent is to reassure Charlie Brown that it's not personal, but when put that way how could one take it as anything but?
- Lucy shows greater appreciation for experimental evidence here than she does in many later strips.

June 24, 1953: Snoopy vs. the Yard

Another of those strips in which Snoopy, naive in the ways of yard equipment, investigates something and gets surprised by it. Here the reaction shot from Charlie Brown is needed to complete the joke.

November 22, 1951: Starring Patty as the Queen of Hearts

It's the Scribble of RAGE! Grrar!

This seems very much like a Lucy maneuver. This seems a somewhat misogynistic strip, doesn't it? How would we feel about this if it was, say, Shermy who was his opponent?

August 2, 1951: Dogs are not sporting equipment

Snoopy is cute again. The look in his face in the last panel is great, as is how he holds his tail straight out, a nice touch.

Snoopy's appearance in the third panel is subtly closer to his intermediate-era appearance. There are three phases Snoopy's appearance goes through. So far we've seen him in his early look, where he's always on all-fours, is sometimes drawn in three-quarters' perspective, and he is obviously a puppy. It corresponds to the first few years of the strip.

After that, moving into the late 50s to 60s, we have middle-era Snoopy, where his body is longer, he sometimes goes about of two legs (and gets his weird foot-bouncing dance), his thought balloons become integral to the character, and he has much deeper relationships with the other characters. This is also when he picks up his prodigious imagination.

The modern-era Snoopy is when his snout thickens, his nose sticks out even more like a clown nose, and he becomes a creature almost unlike a dog, and is how the character is mostly remembered today.