Showing posts with label shermy. Show all posts
Showing posts with label shermy. Show all posts

Wednesday, October 3, 2012

August 8-13, 1955: How dare they sully the good name of Crockett?

Sunday, August 7 isn't on the gocomics site.
August 7:
Charlie Brown experiencing this kind of outburst is rare, through the overall history of the strip. This is more the kind of thing the other characters would do, although CB will do it if it regards someone he really admires. Less often Davy Crockett, more often Joe Shlabotnik.
August 8:
Linus hasn't spoken a word to another person yet, but he plays baseball. (Of course, Snoopy never speaks to another person -- or rather, doesn't say things other than "Boo.") Everyone remember Schroeder-the-musician, but Schroeder-the-catcher appears frequently, if less distinctively.
August 9:
Canine prodigies are disconcerting. Sarcastic ones moreso.
August 10:

Yeah Linus, I know how you feel. The blanket hasn't become a big element of the strip yet, but we're getting there.

August 11:

How does Schroeder know about used cars? I like how the kids don't refer to the baby sitters by name, just by their attributes and reputation. It's an impersonal relationship, that between the high school student and her temporary charges. The most legendary babysitter in comics would have to be Calvin's nemesis Rosalyn. It's really difficult to picture a character like her in Peanuts, and not just because she's an adult.

August 12:

Charlie Brown has mostly laughed at this kind of rejection up to now, but this is getting more to his familiar personality from later strips.

Aside:

Since the last post, the comics world took a grevious blow when Richard Thompson, creator of the best modern comic strip going by a wide margin, Cul De Sac, had to lay down his pen due to encroaching Parkinson's Disease. I'm sorry I wasn't about to work in more references to it in these posts; it is wonderful in a way that fans of Peanuts and Calvin and Hobbes will find familiar, but still manages to be distinct from both of them in both style and tone. Alice is kind of like Calvin but more realistic and much more random; Petey is like Charlie Brown except much more introverted and nervous. The strip ended just after its fifth birthday, and in far fewer newspapers than you'd expect from its extreme brilliance, but I'm still suffering from a strong sense of deja vu from when C&H closed up shop. Thompson says he's quitting because the disease made it hard to keep up with the strong deadlines of a newspaper strip, so I'm hoping, kind of like Michael J. Fox, that we haven't heard the last from him, or his brilliant creation maybe in some other form.

Tuesday, July 31, 2012

July 10-16, 1955: Snoopy and Croquet

Sunday, July 10:

How did Linus get into that crib so easily? Other than that, not a lot to say about this. Except maybe that "lap, lap, lap" and "smack, smack, smack" seem a little weird.

July 11:

Up to this point, class distinctions haven't really entered into Peanuts that much. We had that strip in which Shermy plays with his elaborate train set, then Charlie Brown goes home to play with his simple oval. This is just another version of that really. Still, it takes some effort to piece it together, but one can eventually detect a continuity effort to depict Charlie Brown's family as less well-off as the other kids. This comes to a head in a memorable Sunday strip in which Violet, after bragging about her dad, is dressed down quite effectively by Charlie Brown showing her where his barber dad works.

July 12:

Well you know what they say a stopped watch is still right twice a day, unless it's a daylight savings day, in which case it is possible that it could instead be right one or three times depending on circumstances.

July 13:

Snoopy seems to have an innate perching instinct which eventually finds expression atop his doghouse.

July 14:

Snoopy is a fun character to see in weird poses, which I suspect is the inspiration behind his imaginative flights of fancy in upcoming years. He's not there yet, but this is a step along the way.

July 15:

As Snoopy becomes more "filled out," and more humanoid, he also becomes much less mobile, which I think eventually comes to harm the fun of the character. Well, you're free to disagree with me.

July 16:

I'm reminded of that earlier Sunday strip in which Charlie Brown fills a wading pool from a hose, runs over to turn off the water, comes back to find Snoopy sitting in the water, and is so disgusted that he empties the pool and starts over. What's wrong with Snoopy sitting in the pool too? Is it wet dog smell?

Monday, July 23, 2012

June 27-July 2, 1955: More from Davy Crockett

Sunday, June 26 is missing from gocomics' archive.
 
June 27:

From the Wikipedia entry on "Coonskin Cap" (accessed 7/23/2012):

"In the 20th century, the iconic association was in large part due to Disney's television program Disneyland and the first three "Davy Crockett" episodes starring Fess Parker. In the episodes, which once again made Crockett into one of the most popular men in the country, the frontier hero was portrayed wearing a coonskin cap. The show spawned several Disneyland Davy Crockett sequels as well as other similar shows and movies, with many of them featuring Parker as the lead actor. Parker went on to star in a Daniel Boone television series (1964-1970), again wearing a coonskin cap.

"Crockett's new popularity initiated a fad among boys all over the United States as well as a Davy Crockett craze in the United Kingdom. The look of the cap that was marketed to young boys was typically simplified; it was usually a faux fur lined skull cap with a raccoon tail attached. A variation was marketed to young girls as the Polly Crockett hat. It was similar in style to the boys' cap, including the long tail, but was made of all-white fur (faux or possibly rabbit). At the peak of the fad, coonskin caps sold at a rate of 5,000 caps a day.[4] By the end of the 1950s, Crockett's popularity waned and the fad slowly died out. The fad is recalled by numerous cultural references, such as the wearing of coonskin caps as part of The Junior Woodchucks uniform in Disney's Donald Duck comics."

Peanuts was never above making, and making fun of, pop cultural references. The caps feature in this and the next four strips, making for one of Peanuts' earliest sequences.

June 28:

Another version of the previously-described "everybody or everything" style of joke, where the humor comes from watching an animal doing something in a human style. These jokes would lose their impact as Snoopy became humanized.

June 29:

I like Schulz's approach to drawing these caps, which is just different enough from Peanuts' normal art style to add punch to the joke.

June 30:

Good use of motion lines here, it is easy to picture Snoopy's motion in your head. This strip would probably be funnier it it cale before the June 28 strip, which already used the dog-wearing-cap sight gag.

And so Davy Crockett caps leave the strip. But probably not for long.

July 1:

Well, the Davy Crockett fad lasted a good while but it did eventually peter out. Those Davy Crockett shows were kind of like the Star Wars of the age. I don't know myself where that will end, but I hope it comes along soon.

July 2:

I recognize the name Willie Mays, but I guess Duke Snider's name didn't echo across the cultural landscape in the same way.

Friday, July 20, 2012

June 20-25, 1955: But is it art?

 
June 20:

A weird art error in this one, the rain is drawn in front of the word balloons in the second and third panels.

Inthe June 15 strip we saw Lucy freak out when she demanded the rain stop, and it did. Reader John Evans reminds us that there is a sequence with Linus later in which he says "Rain Rain Go Away, Come Again Some Other Day," it does, and he's disturbed by it. That sequence, compared to these two strips' close proximity, seems to imply an underlying current in Schulz's mind.

June 21:

As long as we're talking about insights into the mind of the creator, I imagine that this question was starting to weigh in as well.

 
June 22:

A comic strip? Can it be art? Now the question, if not completely settled, is at least easier to judge (despite the tremendously influential Krazy Kat), but then comics were regarded as almost a disposable kind of art form, purchased outright from the creator by a syndicate or publisher who then hired him to produce his own work, from which he could be fired at a moment's notice. Newspaper cartoonists now have an easier time of retaining control over their work thanks in no small part to the efforts of people like Bill Watterson who refused to think of their work in belittling terms. It is important to remember, however, that Charles Schulz did not have complete control over his work -- he never did regain the rights to his life's work, and throughout its entire run it was saddled with the name Peanuts, of which he was vocal in his dislike.

June 23:
Say what you want about the lacy border, it looks to me like a girl kite flyer would need to be quite skilled to keep that thing aloft.
 
 
June 24:

A back-and-forth conversation between Charlie Brown and Lucy is becoming one of the staples of the strip. Their different outlooks provide endless opportunities for humor. It is theorized by the author of Schulz and Peanuts that Lucy is based off of Charles Schulz's first wife Joyce, which might explain their their conversations are so frequent around now, as well as Lucy's growing antagonism over the years.

June 25:

Charlie Brown only added the rec room to be able to charge higher rent.

Wednesday, February 29, 2012

May 9-14, 1955: That's the way it goes

Note: Although this is still solidly Peanuts' classic period, there are sometimes strips of which there isn't much interesting to say. It has never been the aim of this blog to cover every Peanuts strip, just the most interesting ones. This doesn't matter for this post, but in the future I will start skipping over uninteresting strips again. This is so that A. I don't spend the rest of my life maintaining this blog, and B. because legally, we'd be on more unsteady ground if we ended up effectively mirroring gocomics' entire archive.

May 8, 1955, a Sunday strip, is missing from gocomics' archives.

I like the injection of a little horror into Peanuts' gag-a-day world. Would we be creeped out by mailman-shaped dog biscuits? I don't know what it is about serif lettering, such as used in Snoopy's "SHUDDER!," but Schulz uses it a lot in this stage of the strip.

This is a very interesting strip. Who decided who plays what? We're left to assume it's Patty. Keep in mind, this is still solidly the 50s we're in, so we're probably left to assume that queer readings of this strip are unintended.

In any event, it probably doesn't matter much to their game who is who. I'm surprised one of 'em isn't Davy Crockett or some such.

More marbles. Decades from now, when the game of marbles has long vanished from the strip, I like to think of its legacy living on in the name of one of Snoopy's brothers, Marbles.

Cats will regularly do this at any excuse, and sometimes even without one.

We aren't privy to what Charlie Brown and Violet are arguing about. Actually, we don't know whatever it is is in the newspaper at all -- C.B. is holding a book.

Once you wind Schroeder up, it takes a while for him to run down. It must be nice to be able to lose one's self in a memory like that.

Even Snoopy's vaunted candy-detection abilities have their limits. Serif Z! Also, a serif'd "sigh," in lowercase.

Sunday, February 5, 2012

April 4-6 & Sunday April 10, 1955

April 4
A bit of simple wordplay, but one could take it to provide a lesson on the difficulty in living up to the divine. If one was disposed that way, that is."Pig-Pen" was the first minor character introduced into Peanuts, and is by far the longest-lived. Although present only in a very small proportion of strips, Schulz obviously found the character more compelling even than later "major" characters like Frieda and Eudora. Unlike the rather bland Eudora however (about the most I can remember about her is that she wore a hat and was a girl), Pig-Pen still has a strong personality, and is almost unique among the Peanuts kids in that he doesn't really seem to have any hangups. Linus is the closest to that blissful state, but even he had the blanket for a while, and the Great Pumpkin too.

 
April 5

A weird hanging question ends this strip. The point is clear -- there is nothing to say what we believe now won't be seen as similarly bizarre to people hundreds of years from now.

 
April 6

I think the Neighborhood League, if such an organization actually exists, should probably reconsider their retaping regulations.This is probably a joke on kids playing with laughably decrepit baseballs, but not having had what one might call a sporting childhood I am unfamiliar with the lore in that area.

 
gocomic's archive is missing strips for the 7th through the 9th of April, 1955. Can anyone tell us what the Fantagraphics collections have for those days?

 
Sunday, April 10

Oh, what a tremendously formative strip. It's not the first time Charlie Brown has expressed a mania for baseball (I think we've had one other strip so far where he's wanted to play while everyone else has gone inside), but this one seems rather more Charlie Browny, especially his expression in panel 7, that's pretty iconic right there.

Monday, November 21, 2011

February 14-19, 1955: Snoopy hates that balloon

February 14
Sight gag.  Did kids of Charlie Brown's age play hockey?  I think he's around seven at this time.

The splash lines around Charlie Brown's head are very effective.  If I have occasion to draw a splash, I find I do it the same way.  I probably picked that up from Peanuts.

February 15
Modern times.  If this strip were updated for the present day Charlie Brown's farm would probably be industrial agribusiness.

February 16
Brutal honesty.  More cartooning banter between Charlie Brown and Schroeder.  What is it about Schroeder that makes him a good test audience for C.B.'s work?  It might have to do with him being the mot artistically-developed of Schulz's personalities.

February 17
Turnabout.  That is a very angry Snoopy there in panel three.  On panel two though, in my experience deflating balloons don't go swish.  Instead they make a noise that is charitably referred to as a raspberry.  I wonder if this has to do with a change in balloon construction in the fifty-five years since this strip.

February 18
Unexpected honestly mixed with ignorance.  This is the first time any of Schulz's characters has really engaged in writing. While the  intellectual development of the characters is fluid depending on the needs of the strip, there does seem to be a sort of consistency to it.  To my knowledge Schulz doesn't use Lucy for jokes about school reports, like he does for Peppermint Patty or Sally, which sort of implies the character is a good writer just from the absence of examples of her being bad at it.

And can't you just imagine Lucy writing a newspaper column?  Probably "Diary of a Fussbudget" can be found on the Opinion page.

February 19

Another sight gag.  More lines like the surprise lines in the first strip.  Sometimes Snoopy is disdainful of being expected to perform dog-like activities, but sometimes he goes along with it.

Monday, August 8, 2011

EXTRA: The Peanuts Wiki

There is one, a Peanuts Wiki that is, and it's pretty good! Check out the article on Shermy, where it notes:
Schulz said he had no regrets about dropping Shermy from the cast, and stated many years later that it had gotten to the point by then where he only used Shermy in situations where he "needed a character with very little personality".

Monday, July 11, 2011

Week of June 7-12, 1954: Requiem for Miss Frances

June 7

Besides some cute drawings of Snoopy and the very dense hatching of early Peanuts rain, not really a lot of interest here. We do see a character involved in a paper route for the first time, I guess that's notable.

June 8

The abuse from Violet gets harsher as time goes by, but at least it's direct. Lucy is more a get-under-your-skin kind of tormentor.

I looked up Miss Frances; she was the host of a then-famous TV program for children called Ding Dong School. The Wikipedia page for her says that she was mentioned in exactly four Peanuts strips, this being the first. It is something of a shame that she's so obscure today, a relic from the early days of TV. She died in 2003. You can watch an episode of her show if you have access to that relic of the early days of the Web, RealPlayer. Or, here's an episode from YouTube, in three parts, starting here. Part 2. Part 3. There seems to be at least one more episode on YouTube. Dig that organ music!

It's a bit shocking how short-lived memory of TV programming can be. Romper Room and Captain Kangaroo, both deceased shows that date back to the early days of TV, are also receding into obscurity, and I've actually seen those while they were airing.

June 9

Being right means more to Charlie Brown than being in pain. Notice the use of the parenthesis around his eyes. This is evolving into a standard way to express focus. Of course Lucy and Linus have those parenthesis as part of their neutral expression.

June 10

Snoopy has the advantage of having a lot more face over which to stretch his mouth. (His smile may not look too much bigger than Charlie Brown's here, but you're forgetting he has a whole other side to his head over which to pull that grin.)

June 11

Most of the time (eventually) Charlie Brown reacts to Lucy's naive approach to astronomy with a sigh, a headache, or a weary "I can't stand it." Here, he participates.

June 12

A fairly clever strip, and one that relies on the visual nature of the medium. I suppose kids today would wonder why he spells "for" here as "four" instead of the obviously correct rendering, "4". Ha ha, but I kid kids today.

Sunday, July 10, 2011

Sunday, June 6, 1954: String and rope

Read this strip at gocomics.com.

This isn't the first time Charlie Brown has flown a kite, I think. It doesn't count as the beginning of the kite-flying-failure aspect of his character either, since all of the characters are holding (or jumping, or are tied to) some piece of string, and two are actually running with them.

Also different are the character's attitudes at the end. All of them are wearing a "dumbfounded" expression, including Charlie Brown. More frequently after causing a kite crash, Charlie Brown's expression is more like dismay, or disgust.

One thing I wonder about... in the last panel, three of the characters are sticking their tongues out. This is a bit of graphic shorthand sometimes used in comics (especially older ones) to represent dumbfoundedness or annoyance. But where did this convention get started? It doesn't seem like a particularly obvious connection to make, to stick out your tongue in the face of a blameless accident. How did this get invented? (While we're at it, when did "Z" become the universal signifying letter for sleep?)

Notice that Shermy is walking Snoopy here, making the dog's owner more doubtful again.

All of the current characters are represented in this strip except Linus.

Wednesday, July 6, 2011

Week of May 17-22, 1954: Dirges and Disappointments

May 17:

Snoopy used to do more dog-like things, like howl at the moon. Most dogs don't bother pro-rating the volume of their howling according to the amount of moon visible, though, because they don't comprehend fractions.

May 18:

The story of this strip seems at first, pretty much, to be "character does something foolish, which is rapidly undone due to its foolishness, so there."

Here's a thought experiment. If this strip involved Lucy stacking a vertical column of blocks, which eventually went too high and toppled over, causing her to say "Rats!", would it be a strip-worthy scene? What if it involved another character, like leaving out a bag of candy which Charlie Brown or Snoopy then came along and ate?

For some reason I'm very interested in this idea, to an extent that surprises me. It is my view that this strip works more for the "Rats!" at the end than the situation itself; it's about Lucy's learning that the world doesn't work the way she expects, and the disappointment she feels. This is a frequent theme of Peanuts.

May 19:

The universe never supplies just the right amount of water, Snoopy.

May 20:

This joke is deceptively complex. Lucy confuses the mood of a piece of music as being a value judgement on its quality.

You know you can tell where a dirge is on a vinyl record by looking closely at the grooves with a magnifying glass? The plastic is grayer at that point.

May 21:

Didn't we see this one before, or something like it? I can't find it in the archives though, despite my at-times-obsessive tagging.

May 22:

What kind of gas is in that balloon to be able to hold up that thick rope? What kind of strength must Lucy have to be able to hold it so casually?