Sunday, April 11, 1954: I'm getting worried about Charlie Brown

Read this strip at gocomics.com.

I think this is a very important strip.  It establishes that Charlie Brown doesn't just play baseball but is kind of obsessed with it.  Of course it could well have been a transitory aspect of the character at this point, valid just for one strip, but already Charlie Brown is really the only character of Peanuts' cast who works here.  Linus is too young, Schroeder isn't so serious about anything that isn't music, and Shermy is kind of a non-entity.  Snoopy is still too dog-like, and anyway can't talk.  While Peanuts' girls aren't very girly overall, it would take a tomboy type to be this obsesses over sports, and "Peppermint" Patty is still many years away.

At the end of it we kind of feel sorry for Charlie Brown, standing alone in the driving rain, even as we recognize his predicament is his own making and continuing.  Part of that comes from Schulz's art, which is top-notch here.  One of the most effective techniques in his cartoonist's bag of tricks is the way he depicts rain, which requires great attention to line thickness and patience in just rendering all those lines.

It's very easy to mess up, but the effect is wonderful.  The way the lines blend in with each other in the last panel, how they get darker above the horizon to provide the illusion of a blurred backdrop, the care he takes to make sure that the important parts of the panels aren't too broken up by the crosshatching, it all demonstrates the immense care Charles Schulz took in rendering the strip.

Notice where a character has a dark portion of his clothes or hair, that he changes how he shades it in.  He's also careful to make sure the rain doesn't make it difficult to read a character's identity of expression.  Character faces are mostly unobscured.  This strip must have taken Schulz some serious time to put together, and all for one day's output.  Whether you think Peanuts has yet attained the status of art, it's certainly got the chops when it comes to craft.

Here's a question for you: who is the kid in the next-to-last panel?  Shermy is the character is most fits, but he ran away in the previous panel.  He is carrying a baseball glove in panel six and is holding it overhead in panel seven, so I guess there is some continuity there.  But looking closely at panel six, it's not entirely convincing the way he holds his glove there.  It looks huge there in any case.

December 12, 1953: Mitten applications

Why does Patty look so concerned in the last panel?  I think it's less because of Charlie Brown's inventive use for a mitten as the fact that it looks like Snoopy is wearing one of her dresses.  Check it out in the first panel here.

Patty's dress has the same wide-spaced crosshatching that Snoopy's sweater has here.  The pattern of Patty's dress is of course covered up by her coat, which is why Schulz can use it for Snoopy's attire; otherwise the reader would be left wondering if there was some point of connection between the two.  I think it looks very nice on the dog, as it gives his sweater a kind of quilted look.

August 6, 1953: The weirdness of Patty's dress

Lucy exhibits surprising self-awareness here.  She loses these introspective powers as she comes into her own as neighborhood terror.

It's worth noting, for a moment, the bizarre attributes of Patty's dress. All the girls typically wear skirts in this phase of Peanuts' development. Some time earlier, when a girl bent over Schulz didn't bother to wrap the skirt around the legs. In this strip, however, he cheats Patty's legs and skirt longer as she stoops down to Lucy's height.

Even more interesting, however... look at the cross-hatch pattern on her dress. Does something look odd about it? It's like the cloth is a shaped hole in the paper, revealing the pattern behind it. Due to the small size of the panels on the page, I think the pattern reads better this way than if it were more realistically drawn.

I love it when comic strips do things like this. A contemporary example, to borrow from outside the artform for a moment, is in the Monkey Island series of computer games. Most of them feature a salesman character named Stan who wears a loud checked sportcoat. The pattern on the coat is applied across the folds of cloth in much the same way as the pattern on Patty's dress. This fan drawing on Stan (taken from here) illustrates the effect:

Recently the series made the jump to polygonal, 3D graphics. The pattern on his coat is considered to be such an integral part of the character that the developers went to special trouble to preserve the effect (source page):

September 29, 1951: Shermy's dog?

In this strip, it seems that Shermy is Snoopy's owner.

I like this one for the cross-hatching work on the rain in the second and third panels. It's just a really cool effect!