November 15, 1952: Head of the household

1. Did Schulz chafe at the apparently simplistic art style of Peanuts? Did he throw in the realistic closeup of the telephone in the first panel to show he could draw in a more detailed style?

2. Lucy's expression in the last panel is very interesting. Comic strips so often come down to the same basic faces over and over again. People don't tend to think about it, but it's harder to come up with non-standard face expressions than you'd think. Here I think Lucy's expression might be a little overdone, but you can still get the point of the joke from her words combined with the expression, so it's okay.

October 21, 1952: Snoopy takes offense

The third panel here is a good depiction of emotion. It's easy to represent happiness, just draw a smile. Anger is a scowl and slanted-downward eyebrows. Snoopy's emotion here is wounded pride, which is rather harder to represent. It helps that the dialogue clearly tips us off as to how Snoopy feels.

December 29, 1951: Where did he get tinder?

The icicle-dripping word balloon in the second panel is nice.

Let's talk for a moment about the Peanuts characters' repertoire of expressions.

1. Neutral: No mouth at all when viewed in profile, a small dot or dash when viewed from the front

2. Mild Surprise/Interest: Neutral, but with small, upside-down-U eyebrows over the eyes. See Violet in panel four here.

3. Happy: Triangular mouth in profile, standard smile from the front or a faked profile triangle.

4. Angry: Eyebrows drawn as one long line from the front ("unibrow"), diagonal eyebrows going down towards nose when viewed in profile. Mouth is Neutral if mild anger, or a horizontal line if stronger.

5. Worried: Similar to Angry, but with slanted eyebrows arcing up at the nose line. Also, no unibrow. Mouth as in Neutral. Charlie Brown in all frames here, also Violet in panel three.

March 17, 1951: A bona-fide supraman

Charlie Brown and Patty at a table, another suspiciously kid-sized one, and have dinner as if they were married.  Charlie Brown's expressions in panels two and three make this one for me.  His logic is from what I like to call the Yossarian School of Philosophy.