Tuesday, November 22, 2011
Sunday, February 20, 1955: Lucy's not the most discriminating thinker
Sunday, November 13, 2011
Sunday, January 23, 1955: Charlie Brown's deep attachment to an ephemeral thing
Read this strip at gocomics.com.
This is one of those strip concepts Schulz returns to later. I remember there being a similar strip involving Snoopy, who befriends a snowman, and is heartbroken when it melts away. Cut to Charlie Brown and Linus, who have been watching. Linus: "Poor Snoopy, he's too sensitive." CB: "I notice he's not too sensitive to eat the carrot." I'm paraphrasing, but it happened more or less like that. Even the carrot eating is here, which makes me wonder if that later strip weren't a conscious callback on the part of Schulz.
Anyway, this strip provides a good example of Charlie Brown's developing depression. He really takes this too seriously. I mean, going so far as to beg the sun to stop shining? Wow. A futile statement of man protesting against the universe! I smell a thesis coming on....
As the first panel indicates, snowman building is an artistic statement with Charlie Brown. He's a sculptor who works in the medium of snow, and he's at least got Schroeder's admiration for it.
I wonder if this isn't some kind of statement, conscious or not, by Charles Schulz about the ephemeralness of his own medium? Peanuts will probably be around much longer than other concluded strips, mind you. There are a lot of forgotten newspaper comics out there.
Saturday, November 12, 2011
January 17-22, 1955: It Snow Trouble
Another snow pun for a title! Get used to them, it's far from the last....
We had another strip like this not long ago, where Charlie Brown didn't seem to come out of it too badly, but poor Snoopy was overwhelmed. Like in that strip, the funniest thing to me is how effortlessly Charlotte Braun belts out her words. There's a good set of lungs on the girl.
Oh no. Oh, no no no no no. What character in comicdom can get something as willfully wrong as can Lucy Van Pelt? Other than Mallard Fillmore, of course. Lucy actually knows she's wrong unconsciously, I think, which is why she sets herself against Charlie Brown's disagreement before she even hears his opinion. She's so happy with her discovery.
Notice... both here and in the previous strip, Schulz draws forward-facing characters with neutral expressions without a mouth, possibly for parity with the way he draws his characters when they face the side. He experimented with this a time or two before. He abandons it eventually.
I've had conversations with people that have gone exactly like this, right down to my depressed skulking away at the end.
Another mouthless face. And Lucy called Charlie Brown's face funny-looking.
Charlie Brown has some standard ways of expressing displeasure, which are already beginning to get set in. 1. "Good grief." 2. "I can't stand it." 3. "My stomach hurts."
Schroeder is practicing his scowl for the role.
Wednesday, November 9, 2011
Sunday, January 19, 1955: Nervous energy
Read this strip at gocomics.com.
Charlie Brown started out very slightly antisocial. Now he's moved into obsessive compulsive disorder. He's shown some signs of depression, but it hasn't really set in yet. The market isn't yet large enough to support five cent psychiatrist booths, but it's coming.
Tuesday, November 1, 2011
January 3-8, 1955: It snow problem
Snoopy vs. the Yard: Snowflakes
This is the first sign of strife between Lucy and Linus concerning Linus' blanket. Still, Linus' holding onto a security blanket hasn't been presented in anything other than positive terms otherwise -- this seems to be more Lucy selfishly claiming Linus' property as her own than shame or anger that he's carrying it around.
Lucy might have just a touch of OCD....
It is funny when a character defines a trait so completely that it causes extraordinary things to occur. Pig-Pen seems quite pleased by his accomplishment, and even the snowman itself seems happier than average.
Lucy's mood continues to sour. Although Linus hasn't spoken much yet, we can already see their relative ages beginning to approach each other.
It's like, the snow might all melt tomorrow, so might as well get your snowman quota for the year out of the way now.
It's becoming harder to find insightful things to say about every strip, and it was never the purpose of the blog to re-publish every strip anyway, so it is probable that soon we'll go back to only notable strips, of which there are still a good number at this point.
Monday, October 31, 2011
December 30, 1954-January 2, 1955: Once upon a time they lived happily ever after
gocomics' archives are missing the strips from December 27-29, 1954. Anyone have access to these strips? Perhaps it's just as well as, other than the Sunday strip, these aren't particularly inspiring, IMO.
The doggy tradition of eating anything offered to them has its pitfalls.
But the wool fibers are the best part!
Another of the surprisingly long-running series of strips involving Snoopy trying to watch television.
This is a good one. The exchange in the lead panel, "Charlie Brown" in a sing-song voice delivered by Lucy followed by a weary "Good grief" from the other, was probably duplicated in at least one football strip. We've had one strip so far in which Lucy pulled away the football that Charlie Brown was trying to kick (twice), but it was accidental, and it hasn't become a yearly tradition yet. This strip brings us closer to the antagonistic relationship that is at the heart of the football strips.
It's also pretty witty. "Once upon a time they lived happily ever after. The end." That's what we call simplifying the equation right there.
Wednesday, June 1, 2011
Sunday, March 14, 1954: Snowball Fail
Charlie Brown doesn't have it in him to make a really evil face, such that Calvin could or, closer to home, Lucy of a few years from now. There is sort of that aspect of Calvin picking on Susie here, although it's usually more of an outside source that gives him his comeuppance.
Chagrimace!
Monday, May 16, 2011
February 20, 1954: Violet's short attention span
Tuesday, May 10, 2011
Sunday, February 7, 1954: The nerve-wracking sled ride
Read this strip at gocomics.com.
In an unusual inversion from the norm in later strips, here it's Charlie Brown's imagination that's active and Snoopy is the realist. I can't help but think Charlie Brown realizes his little sled ride's kind of pathetic; otherwise why would he talk it up with exclamations like "Down! Down! Down!" or "Racing like the wind..."
The chain he's using to hang onto the sled is a nice touch, as is the care Schulz uses to draw the sled. It's very well-rendered!
The lead panels, which can be kept or left off of a strip at the newspaper's option, are a continual problem with Peanuts' storytelling. Schulz has to write each strip so that it works either with or without those panels, which sometimes messes with his timing. Here he presents what is probably a little too much lead-in, which slightly damages the joke.
EDIT: As Sarah Loyd rightly noticed, Snoopy is sporting a chagrimace in the next-to-last panel.
Sunday, April 17, 2011
January 7, 1954: Anyone want to buy half a snowman?
Read this strip at gocomics.com.
Wow, that's a smug look on Charlie Brown's face in the third panel. Whatever happened to annoy Patty, anyway? The "inside" of the snowman is shaded for some reason, like it was filled with chocolate. The carrot and buttons are missing, so it actually looks like Patty took slightly more than half of it.
Chagrimace!
Monday, March 28, 2011
Sunday, December 6, 1953: Snoopy appreciates the source of beta-carotene
Read this strip at gocomics.com.
It's amazing how much care Schulz put into Peanuts' backgrounds in the old days. Look at all the different kinds of tree, the houses, the snow and the path. Patty has a couple of very nice poses in this one too, especially with her shovel. Charlie Brown running up to see her in panel 4 is also very good; panel 4 overall is one of the most beautiful of the whole strip's run. The characters, despite their stylistic deformations, are realized in three dimensions very well.
Of course dogs will eat just about anything, but is it weird that Snoopy likes carrots so much that he'd swipe one off a snowman?
Wednesday, August 4, 2010
February 4, 1953: Schroeder the Ordinary Kid
Thursday, June 3, 2010
Sunday, November 2, 1952: I've been tricked!!
A favorite strip of mine! Also a chase, this time after Lucy who is beginning to show her true colors.
Tuesday, November 10, 2009
January 22, 1952: I bet she has a darkroom too
Overall the early Peanuts strips hold up fairly well. But there will eventually come the day when most people won’t know of the sometimes complicated decisions needed to take a physical photograph.
Saturday, October 31, 2009
January 9, 1952: Mush! Mush!
It took me a little while to make sense of this one. At the size the strip is rendered by default in my browser, it was hard to tell Shermy apart from Charlie Brown. CB is the one driving the sled, not Shermy.
Beyond that, I think the word "mush" is interpreted by Shermy as short for "mushy."
Snoopy sure looks happy to be pulling Charlie Brown's sled. His question mark in the last panel adds a slight extra punch to the joke.
Friday, October 30, 2009
January 8, 1952: Schroeder steps out
Schroeder's first strip outside. No mention of music here. I notice that the baby Schroeder has a much better throwing arm than Violet. Maybe all that piano playing strengthened his arm muscles?
Monday, October 26, 2009
Sunday, October 25, 2009
New Year's Eve, 1951: Well, I hope so!
Saturday, October 24, 2009
December 29, 1951: Where did he get tinder?
The icicle-dripping word balloon in the second panel is nice.
Let's talk for a moment about the Peanuts characters' repertoire of expressions.
1. Neutral: No mouth at all when viewed in profile, a small dot or dash when viewed from the front
2. Mild Surprise/Interest: Neutral, but with small, upside-down-U eyebrows over the eyes. See Violet in panel four here.
3. Happy: Triangular mouth in profile, standard smile from the front or a faked profile triangle.
4. Angry: Eyebrows drawn as one long line from the front ("unibrow"), diagonal eyebrows going down towards nose when viewed in profile. Mouth is Neutral if mild anger, or a horizontal line if stronger.
5. Worried: Similar to Angry, but with slanted eyebrows arcing up at the nose line. Also, no unibrow. Mouth as in Neutral. Charlie Brown in all frames here, also Violet in panel three.