Sunday, July 31, 2012: 1,000 posts!

This strip is a solid point of development towards Snoopy's status as a foil to Charlie Brown. There's a lot of other classic elements in this strip: Charlie Brown's failures as a ball player, Schroeder's role as catcher, Snoopy kind of playing a role as a fielder and his playfulness, and CB's impotent reaction to it at the end.

Notice:

* The short distance between the pitcher's "mound" and home plate, and how Charlie Brown has to throw the ball in an arc to avoid the strip's title.

* Snoopy's cloud of "R"s in panel five.

* The tiny Patty off the field in panel six. There's another tiny figure in the background, but I can't tell who it is.

* Panel nine: "Oh good grief!"

* The vigor and looseness of the entire sequence. I think this is Peanuts art at its height right here.

* Snoopy's smug expression in the last panel. That dog!

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And that's 1,000 posts, I think! (Blogger's numbering might be counting some future posts I have scheduled that haven't appeared yet.) Posts have been slow as of late, and for that I apologize, but it's been some weird times out here. We've got some interesting strips coming up though so it should pick up for a while, hopefully I can keep up the energy through the next thousand.

Four Years

I overshot it by a few days, but it's true: we've now reviewed four years of Peanuts. Only 45 to go!

In the upcoming year, 1954-55:

• We meet the second minor character, and the first really temporary character. You can tell just from the name that Charlotte Braun isn't going to stick around for long.
• Lucy grows into her role as cast bully, gaining useful practice by terrorizing her brother Linus.
• We catch a fleeting glimpse of an adult's hand! Gasp!
• The long-running strip template of Lucy pining away after Schroeder the aloof musician really gets established.
• Snoopy begins imagining things, which marks the real beginning of the character we're familiar with today.
• We get the first letter that a character writes that's depicted as words hanging in the air.
• Lucy doesn't believe what Charlie Brown tells her some more times, and Charlie Brown develops an epic series of stomaches in response.

December 30, 1952: The Disdain of a Dog

Linus is the most recent character to bear that weird, slanted frown, which turns up frequently around this time.

More interesting perhaps is that this strip clearly shows how Snoopy's design has progressed. His snout is thicker, his ears clearly rise up off his head a little, he sets a better pose standing, and he seems to definitely be a larger animal than the early form of the character. He seems a bit more like a real dog here.

500 posts!

October 2, 1952: Two years

This brings to a close the second year of the strip.

In the second year were introduced both Lucy and Linus. Schroeder learned to talk. Charlie Brown's psychological problems began to become more evident. Shermy, already on his way towards irrelevance, only appeared a small number of times. Schulz's art style, fired in the crucible of a daily comic strip, has evolved considerably. Most of the characters have gradually eased into their classic looks, all except for Charlie Brown (who's oval remains as a vestige of the original style), Snoopy (who has so far changed fairly little) and Linus (who is currently the strip's baby).

In the next year there aren't any major character introductions, but Schulz's art style evolves a bit more. Snoopy and Charlie Brown both draw closer to their later forms. The very next month has the first of the strips where Charlie Brown fails to kick Lucy's football. But most importantly this is the year in which Peanuts' writing really matures into something recognizable and wonderful.

For comparison's sake, here is the strip from one year before:


And here is the strip one year to come:

November 12, 1951: 50 Words or Less

These kinds of essay contests used to be all over the place. There was a woman some time back who managed to support her family entirely on winning contests such as this one, and writing jingles, and the like. There was a book about her, written by a daughter, but I've forgotten the title. (Probably one of you out there remembers it....) Anyway, if such a person could exist, who could win these contests with any kind of consistency, then it implies pretty strongly that there is a certain technique to winning them, maybe a specific type of phrase that resonated with contest judges.

Now, contests are a lot more likely to be about being the person who just happens to draw a winning game piece. A lot less vulnerable to gaming, but entirely uninteresting as "games."

200 posts!