August 8-13, 1955: How dare they sully the good name of Crockett?

Sunday, August 7 isn't on the gocomics site.

August 7:

Charlie Brown experiencing this kind of outburst is rare, through the overall history of the strip. This is more the kind of thing the other characters would do, although CB will do it if it regards someone he really admires. Less often Davy Crockett, more often Joe Shlabotnik.

August 8:

Linus hasn't spoken a word to another person yet, but he plays baseball. (Of course, Snoopy never speaks to another person -- or rather, doesn't say things other than "Boo.") Everyone remember Schroeder-the-musician, but Schroeder-the-catcher appears frequently, if less distinctively.

August 9:

Canine prodigies are disconcerting. Sarcastic ones moreso.

August 10:

Yeah Linus, I know how you feel. The blanket hasn't become a big element of the strip yet, but we're getting there.

August 11:

How does Schroeder know about used cars? I like how the kids don't refer to the baby sitters by name, just by their attributes and reputation. It's an impersonal relationship, that between the high school student and her temporary charges. The most legendary babysitter in comics would have to be Calvin's nemesis Rosalyn. It's really difficult to picture a character like her in Peanuts, and not just because she's an adult.

August 12:

Charlie Brown has mostly laughed at this kind of rejection up to now, but this is getting more to his familiar personality from later strips.

Aside:

Since the last post, the comics world took a grevious blow when Richard Thompson, creator of the best modern comic strip going by a wide margin, Cul De Sac, had to lay down his pen due to encroaching Parkinson's Disease. I'm sorry I wasn't about to work in more references to it in these posts; it is wonderful in a way that fans of Peanuts and Calvin and Hobbes will find familiar, but still manages to be distinct from both of them in both style and tone. Alice is kind of like Calvin but more realistic and much more random; Petey is like Charlie Brown except much more introverted and nervous. The strip ended just after its fifth birthday, and in far fewer newspapers than you'd expect from its extreme brilliance, but I'm still suffering from a strong sense of deja vu from when C&H closed up shop. Thompson says he's quitting because the disease made it hard to keep up with the strong deadlines of a newspaper strip, so I'm hoping, kind of like Michael J. Fox, that we haven't heard the last from him, or his brilliant creation maybe in some other form.

September 26, 1953: That's the way it goes

Second time Charlie Brown has said "That's the way it goes" in a week.

Shermy gets a taste of the lovelorn longing that CB would adopt later. One interesting thing here is the subplot, concerning Snoopy and a Scribble of Ire, which is rather rare in a four-panel strip. It serves as a commentary on the main plot, yes, but it isn't what I'd call important. For the record, dogs don't really make good arm-rests.

Snoopy goes through the Four Stages of Annoyance here: Observation, Recognition, Exasperation and Rejection.

March 28, 1953: Patty and Violet Reject Charlie Brown

They've done stuff like this before, but this time it seems explicit and personal, which positions the characters more towards being antagonists.

Valentine's Day, 1953: The First Time Charlie Brown Got No Valentines

The Little Red-Haired Girl is some time off, but still, this is the first time Charlie Brown is depressed from getting no valentines. It's got a "chagrimace" and everything.

Aren't school valentines a shamefully artificial thing these days anyway? In order to prevent kids from feeling rejected, I seem to remember that we were encouraged to just give one to everyone in class, regardless of gender.

Sunday, October 19, 1952: Snoopy dance!

It's Snoopy's first time doing the "Happiness" dance, here with forelegs folded in a Russian style. It's also Snoopy's first time as the life of the party.

It's not his first time with a thought balloon. If I'm remembering right, it is the third legitimate time his thoughts have been represented. One of the two times was with the now-familiar thought bubble (with small circles replacing a tail), and the other time was like it is here, with a tail on the balloon. It is also the second time Snoopy's doghouse has been depicted with a TV antenna.

This is an important strip along Snoopy's development. Except for the way it is drawn, it could easily be a strip from ten years later. It is solidly Classic, as opposed to Early, Peanuts.

As far as the question of Snoopy's ownership, this is another step away from his being owned by Charlie Brown or another kid, back towards his being a neighborhood dog who's just "around," although he does seem to own his own house. (And a TV set and electrical power.)

September 5, 1951: Before the fall

This strip is sort of like a middle-era strip in theme, except instead of Charlie Brown being left at the end to endure his rejection in solitude, Violet makes up with him immediately.

April 17, 1951: The bird's a solo act

No thought balloons yet, but Snoopy's dealings with a decidedly non-Woodstock bird are looking more human.  Something to notice: when Snoopy's head is facing the "camera" in three-quarters perspective, his eyes are a little closer together than in previous strips. Earlier he looked almost fish-eyed, but they've begun to migrate to the front.  Over time, all the characters' eyes would move closer together, which helped to give them a more mature appearance as the situations became more complex.

February 24, 1951: Does this qualify as gross-out humor?

This strip marks the beginning of a strange theme, Violet's fascination with making mud pies.  The "pardon my fingers" comment is a nice touch.

By the way, I just noticed that none of the other characters, besides Snoopy, have met Violet yet.  Patty and Shermy have yet to see her.

The book Schulz and Peanuts: A Biography by David Michaelis observes that most of the characters in Peanuts had analogues in people from Schulz's life.  While this is an appealing explanation to me, I wonder how accurate it is.  While I think an artist ultimately takes everything he creates from his life in some fashion, I'd say that sources are often heavily obfuscated.

The book notes that the name "Van Pelt," the last name of Lucy and Linus, was taken from some real-life friends of Charles and Joyce Schulz.  The name of the two Patties, both vanilla and "Peppermint" varieties, come from the same person, a cousin of Charles Schulz, with the later character being closer to the actual person.

Schulz often picked unusual names for characters: Linus. Marcie. 5. Eudora. Woodstock.