Showing posts with label whew. Show all posts
Showing posts with label whew. Show all posts

Thursday, February 2, 2012

Sunday, April 3, 1955: Security Snoopy

Read this strip at gocomics.com.

Lucy continues her develop into the strip's primary villain.

We haven't had a huge amount of Snoopy/Linus interaction so far.  In coming strips, a major point of contention with them is Linus' blanket, so this strip kind of foreshadows that.

We get that weird look from Linus again in the second panel.  It looks a lot like he's pining for a pacifier.

In the third panel, Linus and Snoopy share a single 'Z' balloon.  I may be wrong, but when two characters are asleep near each other I believe they tend to get separate Zs.  I'm unsure whether I should look for deep meaning in their commonality of snoring, however.

Wednesday, November 9, 2011

Sunday, January 19, 1955: Nervous energy

Read this strip at gocomics.com.

Charlie Brown started out very slightly antisocial. Now he's moved into obsessive compulsive disorder. He's shown some signs of depression, but it hasn't really set in yet. The market isn't yet large enough to support five cent psychiatrist booths, but it's coming.

Saturday, October 1, 2011

November 28, 1954: CTHULHU COMMANDS IT

Read this strip at gocomics.com.

This is a momentous strip: it marks the first appearance of imposing, wrathful Lucy. While all the Peanuts characters are complex, I think it's safe to say that this aspect of Lucy's personality will grow and become the most prevalent. It's certainly the most memorable.

It is interesting, I think, that so many of Lucy's most memorable attributes have arisen so rapidly, and over consecutive Sunday strips. Last week we saw a particularly extreme example of her fussiness. The week before saw the first really empathic treatment of her affection for Schroeder. Schulz and Peanuts puts forth the theory that Lucy's character (other than some early bits inspired by their young daughter) was adapted from Charles Schulz's wife Joyce. If we accepted that, then these strips might suggest some marital strife at the time.

It is my own theory that, when forced to create a lot of material over a long period, that it's impossible to avoid revealing and using aspects of your inner self, that eventually it comes out onto the page one way or another. However, I don't think it's necessarily the case that we can draw a direct line from Joyce to Lucy. I think a canny creator will obfuscate matters, and end up combining aspects from different people to write his characters. Still, the rapidity with which Lucy is approaching her mature form suggests (but certainly doesn't prove) Schulz had some kind of breakthrough or epiphany as he was drawing these strips.

Some meta stuff:
Sorry the blog has been slow lately. I've been trying to catch up with old projects (especially In Profundis), and it's left me a little bereft of energy. Am plugging away at them though.

Friday, March 18, 2011

November 21, 1953: The Trepidation of an Engine


Read this strip at gocomics.com.

In those days, comic artists would draw all four panels of a strip, even if nothing much changes between them.  Notice how the scribble of the grass sort of trails off to the bottom-right of the frame.  I think Schulz was going for a stylistic effect there.

Monday, January 31, 2011

October 4, 1953: Snooopy vs The Yard: Another Realistic Bird

Peanuts

Unlike previous bits of suburban malice directed at the poor beagle, this one has the mental capacity to actually be contemptuous.

Those are some very good bird drawings, and Snoopy himself looks great in the second frame. Isn't that branch awfully low to the ground though?

Thursday, January 28, 2010

May 9, 1952: Oh no no no no no no no

The image for May 8 is broken on Comics.com's site.

Peanuts

Lucy would show her gratitude towards Charlie Brown for not demolishing her block tower by pulling away a football more than 40 times.