Sunday, December 14, 1952: Sandwich histrionics

Lucy remarks about Charlie Brown's annoyance with her asking him to do something. This is another case of a character's personality becoming defined from another character's verbal recognition of it.

That happens because comics use exaggerated behavior as a way to communicating effectively to the reader. To show anger, you show a character actually kicking the thing he's angry at, even though a real person would not usually do such a thing. It illustrates anger effectively however, and I think readers subconsciously recognize this and adjust their expectations. But it also means that, to actually establish a character's personality, you have to describe it explicitly somewhere, and in a strip that doesn't (generally) use narration like Peanuts you have to do that by putting that description in the mouth of another character.

Schulz would become quite masterful about adjusting reader expectations. His characters are able to act out theatrically when necessary, but can also play it very far down at times.

I also like the serif lettering on "RATS!" in panel 7.

December 13, 1952: Lucy offhandedly remarks

I could remark something about her incredibly Lucy rage, but Charlie Brown's already done this in a previous strip. Lucy has too.

December 11, 1952: Zombie Linus!

Look at it in the wrong frame of mind and there's something gruesome about the last panel here. Be careful around TV kids, it'll transform your eyes into circular scribbles.

December 9, 1952: It's the classics for Schroeder

It is worth reminding the reader that light piano jazz would become inseparable from the animated adaptations of Peanuts, so we must assume that Schroeder's not speaking on behalf of Charles Schulz in this strip.

December 8, 1952: Charlie Brown changes his shirt

It is rather a long time to go on wearing the same shirt. But the other characters have their own distinctive looks, including Violet, so it's really unfair to pick on the kid for this.

I wonder what it was that caused Schulz to decide on that distinctive zig-zag pattern, which is not a style of shirt that I am aware of as ever being popular, or at least not other than in the sense of referencing Peanuts.

December 6, 1952: Delayed reaction

I think it's just the idea of "BOO" that startles Charlie Brown in this strip. A philosophical horror at the nature of the word.

I think it's almost funnier that Lucy's so confident that her trick will work.

December 3, 1952: Linus and the ball

Schroeder and Lucy have grown too much to be the strip's baby, now it's Linus' turn to have hapless infant adventures. After Linus grows to be the same age as the other characters, the strip doesn't get another new infant until Sally, and then she's the last one until Rerun, who doesn't show up for a long time.

December 3, 1952: WISHY-WASHY

This is the first time the term "wishy-washy" has been used in Peanuts, and the first time it is used to describe Charlie Brown.

As a kid, I wondered what it was about the term that made it so bad to be that. I'd say it has less of a negative connotation now, which may be why the later decades of the strip stopped using it.

Sunday, November 30, 1952: Lucy and Schroeder, before the strife

Lucy and Schroeder are two characters who have yet to interact much. I think this may be the first time they have spoken to each other. The next year is the one in which Lucy develops her crush on the beleaguered musician.

Snoopy's ears demonstrate amazing utility throughout the strip. He appears to be able to manipulate them through muscular action, which must mean he has some freak mutation that allows him to do this.

November 28, 1952: No one said you had to stay and listen

This is an extremely Calvin-like move on Charlie Brown's part, right down to the happy look on his face as he walks away.