May 9-14, 1955: That's the way it goes

Note: Although this is still solidly Peanuts' classic period, there are sometimes strips of which there isn't much interesting to say. It has never been the aim of this blog to cover every Peanuts strip, just the most interesting ones. This doesn't matter for this post, but in the future I will start skipping over uninteresting strips again. This is so that A. I don't spend the rest of my life maintaining this blog, and B. because legally, we'd be on more unsteady ground if we ended up effectively mirroring gocomics' entire archive.

May 8, 1955, a Sunday strip, is missing from gocomics' archives.

May 9

I like the injection of a little horror into Peanuts' gag-a-day world. Would we be creeped out by mailman-shaped dog biscuits? I don't know what it is about serif lettering, such as used in Snoopy's "SHUDDER!," but Schulz uses it a lot in this stage of the strip.

May 10

This is a very interesting strip. Who decided who plays what? We're left to assume it's Patty. Keep in mind, this is still solidly the 50s we're in, so we're probably left to assume that queer readings of this strip are unintended.

In any event, it probably doesn't matter much to their game who is who. I'm surprised one of 'em isn't Davy Crockett or some such.

May 11

More marbles. Decades from now, when the game of marbles has long vanished from the strip, I like to think of its legacy living on in the name of one of Snoopy's brothers, Marbles.

Cats will regularly do this at any excuse, and sometimes even without one.

May 12

We aren't privy to what Charlie Brown and Violet are arguing about. Actually, we don't know whatever it is is in the newspaper at all -- C.B. is holding a book.

May 13

Once you wind Schroeder up, it takes a while for him to run down. It must be nice to be able to lose one's self in a memory like that.

May 14

Even Snoopy's vaunted candy-detection abilities have their limits. Serif Z! Also, a serif'd "sigh," in lowercase.

April 11-16, 1955: Phooey to you Schroeder

April 11

Charlie Brown doesn't have nearly the fixation on D. Crockett as Schroeder does on Beethoven, but his embarrassment makes the strip.

April 12

At first this seems like another joke on the size of C.B.'s head, but really any of the characters could see around that thin tree.  The angry look on Lucy's face is adorable.

April 13

There are a handful of strips that establish that Schroeder isn't simply a child prodigy, but actually has a music career.  Lucy's general apathy towards music makes her choice of crush an odd one; Schroeder doesn't actually have much personality other than his music.

April 14

The first line drive Charlie Brown ever dodged (although it looks more like it bowled him over, dodging is how it's described in later strips).

April 15

This is more of a Lucy kind of strip, but neither her right field position nor her incompetence at baseball have been firmly established yet.

April 16

 For some reason, I can easily imagine one of Thurber's dogs in Snoopy's place here.

January 10-15, 1955: Lucy is hard on toys

January 10

A disturbing insight into Lucy's attitude towards property.

January 11

For some reason this strip reminds me of that disco version of Beethoven's 5th Symphony.

January 12

That's kind of hyperbolic. Lucy didn't even know what a metronome was before Monday!

January 13

Girls in Peanuts tend to be rather more rough-and-tumble than in other strips. Lucy, of course, eventually gets to where she won't think twice about returning a slug in the jaw for an insult. "Peppermint" Patty won't even be arriving on the scene for many years yet.

January 14

When someone tells you to close your eyes, yeah, it's usually a good idea not to if you can get away with it. Anyway, why doesn't Violet just rummage through her candy bag facing the other way?

January 15

An enthusiastic speech by Schroeder, boldly staking his claim as the neighborhood artist.

December 6-11, 1954: The Fussbudget Sonata

December 6

This is an intensified version of a previous snubbing strip.  Charlie Brown still hasn't quite started taking snubs to heart.

December 7

Charlotte Braun won't be with us long folks.  I mentioned before, I seem to remember, that her niche would be taken over by Lucy (whose fussing becomes better-illustrated as Schulz turns up her volume), and some parts of her character design would later be refined and used for Sally.

December 8

Charlotte Braun rarely appears in collections -- I think gocomics' archive and of course the Fantagraphics volumes are pretty much it.

December 9

Come on now, Lucy isn't really that bad a girl, at least not yet.

December 10

There's something about the way Lucy looks straight up that looks a little weird.  In the second panel, is that her chin or her cheek?

December 11

Is this an early example of Schroeder warming slightly to Lucy, or is it sarcasm on his part?

Lucy has been described, and has self-identified, as a fussbudget before, but I think here it's starting to become a defining attribute.  I think a lot of people's impressions of the characters originated from the early collections (some of which I read as a kid in first grade -- I devoured all their Fawcett Peanuts collections), and we're just starting to get to the era where strips would frequently be drawn from for those reprints.  That's the era that started frequently referring to Lucy as a fussbudget, so they would come to figure prominently in perceptions of the character.

The paddleball bit with Charlie Brown is a wholly unnecessary, but nice, touch.

Week of August 23-28, 1954: Charlie Brown still has an ego

August 23

Only the second bit of negativity we've heard from Pig-Pen, the first being in his introduction.

August 24

That's not Snoopy, someone switched his bust of Beethoven for a figurine of the RCA dog!

August 25

Is this sarcasm from Schroeder, or condescension?

August 26

Charlie Brown still has some of the old ego in him, I see. I wonder when is the moment when that's finally pounded out of him, and when it happens, if ultimately it's Lucy, or Patty and Violet who are the cause

August 27

Her beleaguered mother has resorted to trying to play her and Linus against each other. Lucy takes the long view here. Lucy is forward-thinking in the next Sunday strip too, although she doesn't look quite so far ahead.

August 28

This is a fairly standard comic inversion. Not really terribly noteworthy, but I've commented on all the other strips this week, so why not?

(If I do leave strips out, I will still link to the gocomics page for the absent strips. I don't think it's proper to present strips I don't have much to say about, since I'm hosting these copies to avoid hot linking gocomics, and not to provide an alternate archive of strips. As I said before, they are presented here for commentary purposes only.)

Sunday, July 18, 1954: The nature of nothing

Read this strip at gocomics.com.

From the Wikipedia article on Virgil Thomson:
"[...] Thomson was famous for his revival of the rare technique of composing "musical portraits" of living subjects, often spending hours in a room with them before rushing off to finish the piece on his own. Many subjects reported feeling that the pieces did capture something unique about their identities even thought nearly all the portraits were absent of any clearly representational content."

A sly strip. Schroeder's looks of concentration, followed by his throwing his hands up, are important for understanding that he's giving up. I think it works better this way, allowing us to see him throwing in the towel, than being told directly that he's got nothing, which would seem a bit harder on Charlie Brown's feelings.

Week of May 17-22, 1954: Dirges and Disappointments

May 17:

Snoopy used to do more dog-like things, like howl at the moon. Most dogs don't bother pro-rating the volume of their howling according to the amount of moon visible, though, because they don't comprehend fractions.

May 18:

The story of this strip seems at first, pretty much, to be "character does something foolish, which is rapidly undone due to its foolishness, so there."

Here's a thought experiment. If this strip involved Lucy stacking a vertical column of blocks, which eventually went too high and toppled over, causing her to say "Rats!", would it be a strip-worthy scene? What if it involved another character, like leaving out a bag of candy which Charlie Brown or Snoopy then came along and ate?

For some reason I'm very interested in this idea, to an extent that surprises me. It is my view that this strip works more for the "Rats!" at the end than the situation itself; it's about Lucy's learning that the world doesn't work the way she expects, and the disappointment she feels. This is a frequent theme of Peanuts.

May 19:

The universe never supplies just the right amount of water, Snoopy.

May 20:

This joke is deceptively complex. Lucy confuses the mood of a piece of music as being a value judgement on its quality.

You know you can tell where a dirge is on a vinyl record by looking closely at the grooves with a magnifying glass? The plastic is grayer at that point.

May 21:

Didn't we see this one before, or something like it? I can't find it in the archives though, despite my at-times-obsessive tagging.

May 22:

What kind of gas is in that balloon to be able to hold up that thick rope? What kind of strength must Lucy have to be able to hold it so casually?

February 5, 1954: Charlie Brown has to be honest

Read this strip at gocomics.com.

This strip is a counterpart to earlier strips about the disparity in musical knowledge between Schroeder and Charlie Brown.

The action lines of Charlie Brown pumping the top handle are a little more detailed than is usual.  The arc of musical notes over the top in the second frame is nice.

Christmas Day and New Year's Eve, 1953

December 25, 1953:

December 31, 1953:

The Christmas strip is another message to the reader, which I don't think generally work for Peanuts, but at least there's a joke to it this time. It's funny that, if you give him enough space, Charlie Brown draws his letters with serifs.

The New Year's Eve strip isn't holiday-specific, but is funny. It's something of a follow-up. I love Schulz's giant serif Zs, which we can take to indicate the sound, and loudness, of Snoopy's snoring. Schulz returns to this particular gag later.

The motion lines make it look like Snoopy is being thrown out of a basement.

November 23 & 28, December 31 1953: Sleepy Snoopy

November 23, 1953:

 November 28, 1953:

December 31, 1953:

I'm taking a couple of these out of order to collect some thematically similar strips.  All have to do with a sleeping Snoopy and all have to do with sight gags.

The first strip is another early thought balloon strip, and one that uses the standard tail on the balloon, too!  Schulz seems like he's finally decided to settle on this convention.

In the second strip, is that an indoor bed for Snoopy?  It would seem that would fix him as Charlie Brown's dog, but I don't think we can absolutely say that until a character states it explicitly.

The third strip is one that Schulz would come back to later, and is visually inventive in how it uses the size of the 'Z' to represent the loudness of Snoopy's snoring.  (It's also one of the earliest, though not the first I think, of a large serif 'Z' to represent sleep, which is a very Peanuts convention.)

November 20, 1953: "Aus Der Tiefe"

Read this strip at gocomics.com.

There are certain personality characteristics that Peanuts characters exhibit.  Here is exhibited one that we might call "mischevious."  Snoopy has it definitely, and Lucy might have some of it.  Charlie Brown used to have to, as we see here, but kind of grows out of it.

Yet another reason to love Peanuts: you have just read a strip about the pronunciation of a German particle.  That's not something you'll typically find in Dennis the Menace.

In panel 2, Charlie Brown is sitting on the far end of Schroeder's toy piano.  That thing must be really heavy to avoid being upended.

November 12, 1953

Read this strip at gocomics.com.


This is the second instance of the "Snoopy dance" that I count, and it's livelier and more Snoopy-like here.  We can probably add this to his list of powers:
7. Ability to dance (polka, hopak)

More shockingly, it features Schroeder saying something positive about polka!

Snoopy's tongue in panel 2 is strange because it's of realistic length for a dog, that is to say, it's loooong.  Also, the way that his front legs flap about is unusually realistic.  These are very entertaining drawings of early Snoopy.

September 22, 1953: Hey, goodnight kid!

Schroeder's awesome. (Although it does look a bit like his piano has an oversized hood ornament.)

Sunday, September 13, 1953: Three shades of green

Another bit of metaphorical art in the title panel. This is one of my favorite strips, Schroeder's personality comes out very vividly here.

September 11, 1953: Turn your head, Ludwig

I'm rather fond of this one. It's a good example of an idea you simply don't see in other comic strips. What is it about it that makes it possible for Peanuts, but not other comics?

This expression is similar to a chagrimace, but it's subtly different. Charlie Brown's emotion is of amusement, not dismay.

September 4, 1953: Wash your mouth out with soap young man

Sacrilege!

August 11, 1953: Schroeder and Snoopy

I'm at one of those points again where I feel like I need to link every strip. It's because this is such a formative period in Peanuts history. Many of the things we've seen frequently in later strips and compilations got their start in this period.

Here, it's the team of Schroeder and Snoopy. Snoopy works well with many characters, but Schroeder most teams only with him or Lucy. Up to this point we've also seen him and Charlie Brown in the strips where Charlie Brown draws a cartoon, and the two sometimes meet on the pitchers' mound.

It might be interesting to do a statistical analysis of which characters appear with which other ones, in what frequency. I'm not gonna do it, though.

I'm not sure, but this might be the first time we've seen a single 'Z' in a word balloon used to signify sleep. Later on Schulz has some fun with this convention, especially with giant, serif'd Zs.