Sunday, January 23, 1955: Charlie Brown's deep attachment to an ephemeral thing

Read this strip at gocomics.com.

This is one of those strip concepts Schulz returns to later. I remember there being a similar strip involving Snoopy, who befriends a snowman, and is heartbroken when it melts away. Cut to Charlie Brown and Linus, who have been watching. Linus: "Poor Snoopy, he's too sensitive." CB: "I notice he's not too sensitive to eat the carrot." I'm paraphrasing, but it happened more or less like that. Even the carrot eating is here, which makes me wonder if that later strip weren't a conscious callback on the part of Schulz.

Anyway, this strip provides a good example of Charlie Brown's developing depression. He really takes this too seriously. I mean, going so far as to beg the sun to stop shining? Wow. A futile statement of man protesting against the universe! I smell a thesis coming on....

As the first panel indicates, snowman building is an artistic statement with Charlie Brown. He's a sculptor who works in the medium of snow, and he's at least got Schroeder's admiration for it.

I wonder if this isn't some kind of statement, conscious or not, by Charles Schulz about the ephemeralness of his own medium? Peanuts will probably be around much longer than other concluded strips, mind you. There are a lot of forgotten newspaper comics out there.

May 1, 1954: Warping a little girl's mind

Read this strip at gocomics.com.

What is Charles Schulz saying, that Lucy is interested in Charlie Brown's "Mangle Comics," "Disease Comics" and "Gory Comics," yet he's not interested in "The Little Bunnies," "Billy Bluebird," and "The Funny Foxes?"

Some possible takeaway points:
1. Boy's comics are ridiculously violent (although "Disease Comics" doesn't seem like the most marketable title).
2. Boy's comics are more universally interesting than girl's comics, which implies Lucy considers girls' comics to be lacking.
3. Lucy is brushing up on her evil skills. Although Charlie Brown presumably reads them all the time, and he's kind of fragile.

May 14-16, 1953: Comics, and the foundation of "Happiness Is"

This is mostly notable because it's Schulz engaging in more metacommentary about comics.



One of the more insipid trends in Peanuts is those cloying "Happiness Is..." pictures. I actually don't think they were ever that prevalent in the comics; I think they were used more in books and merchandising. Still, this is a step in that direction. It is also the first instance, to my eyes, of Charlie Brown bemoaning his fate in the recognized Charlie Brown manner.



I think that would actually be a funny strip, in a New Yorker kind of way. (Which means other people probably wouldn't think it'd be a funny strip.)

November 5, 1952: Charlie Brown is a budding cartoonist

The most interesting thing about this, beside the metahumor and Schulz playfully mocking his own pretensions, is that Charlie Brown's work on the comic is rather large. Of course, most cartoonists work at a scale we would consider to be very large, and artists for realistic strips are known to work larger still. But unless Charlie Brown were a serious comics groupie, he wouldn't know that. (Schulz may have been such a groupie himself; he might have known as a kid.)

October 18, 1952: Is that a blanket?

Is that a blanket that Linus is sitting on?

October 17, 1952: More comics

Some of the titles on the comics have violent names, like they did in the drugstore strip from some months back. Some of the titles are: "Zipp!" "Kill" "Wow!" "Smash" "Hate" "Killer Comix" "Slaughter" "War" "Ha! Ha!"

Sunday, June 22, 1952: For the Kiddies

I love this strip! I saw it when I was a little kid in an early Peanuts compilation and it's stuck in the back of my mind ever since. The "For the Kiddies" in funky script at the top drives the joke home.

Check out all the names: Mangle, Slaughter, Throttle, Jab, Terror, Choke, Crush, Run (something), Mob, War (twice), Thrill, Smash, Murder Comix, Killer, Hate, Ouch!, Hit!, Mur-something (maybe Murder again), Terror, Gouge, Stab!, Kick Komics, something I can't make out, Kill Komics, Murder Comics, Smash, and Blast Comics.

In addition to some rarely-seen cultural commentary from Charles Schulz in the form of those titles, we get Charlie Brown professing to being discouraged here. And the Druggist is basically an unseen character here.

Drug stores used to be an important center for the community. How far they've fallen since those days. I have never seen an operational soda fountain in a drug store in my life.

EDIT: Fixed comic.

Noveber 29, 1951: Comic books!

The kids' love of comic books is a staple of the early years of the strip. Part of this may be due to the fact that Universal Features Syndicate published comic books in those days, in which many of their newspaper strip characters, including the kids of Peanuts, would feature. I saw an issue of their classic title Tip Top on a dealer's shelf while at DragonCon a couple of weeks ago. It was selling for around $200 dollars, if I remember correctly.

Noteworthy is the fact that, as the decades rolled by and comic books lost their prominent place in kid culture, that nothing really moved in to replace them, except perhaps television. (As we've seen, in the earliest Peanuts strips the kids listened to radio instead of sitting watching TV.) Since then there's been rock music, action movies and video games, but the kids never really caught on to those things. One can only speculate what Schulz thought about those strange advents.

October 5, 1951: Inconsiderate druggist

How about that spread of comic books? Were those days really all that long ago? It's hard to read it here, but I think the comic in the bottom-right corner of panel 2 is Nancy! And beside it is Tip Top, which appears to be a Universal Features Syndicate comic from that period that featured new adventures of their comic characters. (Universal Features Syndicate is Peanuts' owner and distributor.)

This is as good a time as any to talk about the Peanuts comic books. These weren't compilations; they were actual comic books with material created specifically for them. I don't know much about them, but I do know that some (maybe all?) of them have Peanuts art not drawn by Charles Schulz. I remember seeing one book strip somewhere on the web that I saved a copy of (and was probably lost in a recent hard drive crash, unfortunately) which involved Linus and Snoopy meeting a small robot that grabbed Linus' blanket, inserted it into a slot on the robot's body, made a grinding noise for a panel, then neatly pooped it out into a pile of pastel threads.

Forget about Shermy and Faron. Gimmie back Blanket Pooping Robot!

Some information on them appears to be here. Here's Aaugh.com's history and guide to the books.