Saturday, October 24, 2009

December 29, 1951: Where did he get tinder?

Peanuts

The icicle-dripping word balloon in the second panel is nice.

Let's talk for a moment about the Peanuts characters' repertoire of expressions.

1. Neutral: No mouth at all when viewed in profile, a small dot or dash when viewed from the front

2. Mild Surprise/Interest: Neutral, but with small, upside-down-U eyebrows over the eyes. See Violet in panel four here.

3. Happy: Triangular mouth in profile, standard smile from the front or a faked profile triangle.

4. Angry: Eyebrows drawn as one long line from the front ("unibrow"), diagonal eyebrows going down towards nose when viewed in profile. Mouth is Neutral if mild anger, or a horizontal line if stronger.

5. Worried: Similar to Angry, but with slanted eyebrows arcing up at the nose line. Also, no unibrow. Mouth as in Neutral. Charlie Brown in all frames here, also Violet in panel three.

Friday, October 23, 2009

Decembet 27, 1951: Schroeder, not Snoopy

Peanuts

Not one of the funnier strips, but worth linking for the image of Snoopy sleeping in three-quarter perspective in the first frame, and his angry look in panels three and four.

Oh, and for the record: Parcheesi sucks.

Thursday, October 22, 2009

December 26, 1951: Charlie Brown has lips!

Peanuts

Doesn't Charlie Brown's mouth look funny in the first panel?

Wednesday, October 21, 2009

Christmas Day, 1951: Singing In Type

Peanuts

Sure it's mostly sentimental instead of funny, but imagine how long it must have taken Charles Schulz to render the typeface in the fourth panel.

Note: Snoopy runs with Shermy in the first panel. The mystery of his ownership continues!

Tuesday, October 20, 2009

Christmas Eve, 1951: Please Deposit Presents On Doormat

Peanuts

This is another Calvin-like scheme, but more importantly to us, this joke prefigures some of Linus' obsession over the Great Pumpkin.

Monday, October 19, 2009

December 22, 1951: And A Bite For Beethoven

Peanuts

The teddy bear in panel two is only there to make sense out of his inclusion in Patty's words in panel three.

Although this is a baby joke strip, Schulz still slipped in that Beethoven reference in there.

Charlie Brown gets no respect.

Sunday, October 18, 2009

December 21, 1951: Who is that?

Peanuts

Snoopy looks a little closer to his classic appearance here. He's subtly larger than before.

But the real reason to link to this one is... who is that kid on the left-hand side of panel three? It's not Shermy, and Charlie Brown's already in this panel. It could be Schroeder, but the last time we saw him he was still an infant!

Saturday, October 17, 2009

Friday, October 16, 2009

December 19, 1951: Words of Flattery

Peanuts

This strip seems to me to be more like the "classic" Peanuts era, as opposed to the "early" era we've seen so far. It seems to me to be more about examining Charlie Brown's personality than something that kids do. The characters have been mostly placeholders up to this point, but this seems to say something about a specific little boy, instead of a Platonic archetype.

Thursday, October 15, 2009

December 15, 1951: Doghouse Roof

Peanuts

At what point did Patty stop hanging out with Charlie Brown, and go to being more, along with Violet, of a co-antagonist?

My theory is it was about the time that Linus aged to the point of being CB's primary friend. Maybe it was something nagging at Schulz, how the main character of his strip, despite being around six or seven years old, seemed to be spending most of his time with girls. Shermy, for whatever reason, never seemed to relate to him the same way.