October 28, 1952: Fickle Lucy

There are some character combinations that seemed to inspire funny situations to Schulz, while some others didn't get used much. Lucy is funny with many other characters (Charlie Brown and Linus now, Snoopy and Schroeder later on). Patty is most often shown interacting with Charlie Brown or Violet. Maybe that's one of the things that led to poor Shermy's obsolescence, he doesn't have many other characters who react to him.

October 27, 1952: Snoopy and Linus

Snoopy and Linus get to be a double-act at times. When Sally joins the strip later, she and Snoopy team up occasionally, sometimes against Linus.

Sunday, October 26, 1952: Lucy's First Halloween

Lucy's fearsomeness is not yet firmly established, so this strip was probably intended more being a general strip about kids instead of specifically about the characters.

October 25, 1952: Taking notes at Bridge

To get this joke, you must know that remembering what cards have already been played is an essential skill for playing Bridge well. Any serious Bridge player would know taking notes like this is not allowed.

If you know nothing about the game, you would not believe the levels of anal-retentiveness involved in high-level Bridge. There are elaborate systems of bidding designed to communicate to your partner information about your hand, but there are also rules regarding this, that if you use such a system the other team must be aware of it. I don't really understand it entirely myself.

October 24, 1952: That's how you know it's Lucy

This is the first real sign of Lucy's loud, angry persona. Not in what she does; she's been cranky before. The key element is how Charlie Brown recognizes it, and Patty reacts to it in the last frame.

The letters of the word BANG here appear to be stenciled or pasted, or at least drawn with mechanical aid, instead of hand-drawn. I wonder if that was how they were originally rendered or if the syndicate replaced them?

October 23, 1952: Snoopy fails to get the paper

The first panel contains an excellent drawing of Snoopy walking. You can plainly see here that he's changed a lot since his original appearance:



Although, looking at Patty there, he's not changed nearly as much as the other characters. If Peanuts' art style remained like that throughout the strip's run, would it be as popular? It does look very fifties.

October 22, 1952: Thanks for clarifying, girls

Instances like this can't be good for a kid's self-esteem. It is difficult to imagine, by the way, these little kids playing bridge. Charlie Brown's supposed to be about four or five right now, although it's possible that it's not Contract Bridge.

I'd like to point out that Charlie Brown breaks the fourth wall in the last panel.

October 21, 1952: Snoopy takes offense

The third panel here is a good depiction of emotion. It's easy to represent happiness, just draw a smile. Anger is a scowl and slanted-downward eyebrows. Snoopy's emotion here is wounded pride, which is rather harder to represent. It helps that the dialogue clearly tips us off as to how Snoopy feels.

October 20, 1952: Bridge column

I remember looking with just as much bewilderment at the bridge column in our local paper as a kid.

Glancing at the last panel by itself, it looks very close to the classic Peanuts look. Patty is almost completely in that style, Charlie Brown's head is just a little too oval and his eye a little too thick.

Sunday, October 19, 1952: Snoopy dance!

It's Snoopy's first time doing the "Happiness" dance, here with forelegs folded in a Russian style. It's also Snoopy's first time as the life of the party.

It's not his first time with a thought balloon. If I'm remembering right, it is the third legitimate time his thoughts have been represented. One of the two times was with the now-familiar thought bubble (with small circles replacing a tail), and the other time was like it is here, with a tail on the balloon. It is also the second time Snoopy's doghouse has been depicted with a TV antenna.

This is an important strip along Snoopy's development. Except for the way it is drawn, it could easily be a strip from ten years later. It is solidly Classic, as opposed to Early, Peanuts.

As far as the question of Snoopy's ownership, this is another step away from his being owned by Charlie Brown or another kid, back towards his being a neighborhood dog who's just "around," although he does seem to own his own house. (And a TV set and electrical power.)