June 18, 1953: Lucy in a chase strip

Charlie Brown is enjoying that ice cream a little too ostentatiously, isn't he? That's why this strip is funny.

Although Lucy certainly becomes the most rancorous Peanuts character, this kind of harassment is not really what we think of as her "style," I think.

June 16-17, 1953: We Love Lucy: WINNAR FOREVAR

June 16, 1953


This is a brilliant strip. Lucy's ludicrous winning streak inflates bizarrely into megalomania, and all Charlie Brown can do is close his eyes in dismay. Sublimely silly!

June 17, 1953


Well at least he's charitable about it. Why should he deny Lucy the experience of winning another game of checkers?

June 13 and Sunday, June 14, 1953: The evil side of Charlie Brown

Charlie Brown isn't a very nice kid in these two comics.

June 13, 1953

Patty and Violet's reaction at the end here (including off-screen violence) is a bit exaggerated. I mean, they didn't have to follow CB's suggestions.

Sunday, June 14, 1953

This one is actually a little disturbing, considering that Schulz actually drew the flashbacks of Charlie Brown's antisocial behavior. Violet's reaction here seems quite justified. We can accept Charlie Brown's rueful chagrimace at the end as due to regret over personal failings rather than a "that's the way it goes" kind of resignation.

Is that how Violet fell off her tricycle? Because CB pushed her?

Who really throws lumps of sod at people? Did Schulz choose a clump of earth because it's less injurious than, say, a rock?

Wait a second, did he say plaid ice cream?

June 12, 1953: Gimmie that milk, fool

Setting aside why CB (using "Good Grief" for the second time) feels he needs to obey Lucy's request for his milk.... is she drinking through her nose? Why doesn't the liquid spill out?

(Sorry this is a little late. Blogger likes to sometimes take posts I mark for "scheduled" and set them to "draft" without telling me.)

June 11, 1953: You DOG You

Snoopy in the first panel looks so serious. Snoopy in the second and third panels is a little weird. Snoopy looks a bit different when seen in three-quarters perspective, I think. His face changes shape a little, becomes more rounded and flatter. Peanuts is so stylized that the characters have what amounts to different designs when seen from different angles.

June 9, 1953: Violet throws Charlie Brown out again

This strip is another episode of the "Violet evicts Charlie Brown" saga that has been going for some time. At some point, possibly when the art style became more detailed, this stops seeming cute and starts seeming cruel. It's not now because Violet has a change of heart, but eventually her reservations diminish.

Charlie Brown's playing with blocks seems odd here. Although he's represented as being very young, he and his friends more typically play cowboys or spaceships. Blocks are usually used for the (even) younger characters, Lucy and Linus.

Scribble of ire!

Sunday, June 7: More Than You Ever Wanted To Know About Jumping Ropes

Awesome. I think I even like the joke in the lead throwaway panels better than the main strip!

There are shades here of Linus' pontificating a litany of made-up sightings of the Great Pumpkin.

June 5, 1953: Back when Charlie Brown had self-esteem

I have to admit to feeling this way myself sometimes. I don't usually take Charlie Brown's tack to resolving it however, because... well, for exactly this reason.

In panel two, compared to the door, notice that Charlie Brown seems very small. There is no way he could reach the door handle. To state it plainly, usually the characters are drawn so they wouldn't have to reach up so far to reach doorknobs.

Made a minor edit....

June 4, 1953: Charlie Brown No Longer Exists

There is some kind of logical fallacy at work here, although I can't precisely identify it right now. It's the kind of thing I'd say "Absence of evidence is not evidence of absence" to.

June 1, 1953: Lucy's infatuation grows

More storm clouds on the horizon for poor Schroeder.

Compare, for a moment, the length of Schroeder's arms (the only straight arms in this strip) with those of the girls. It points out a notable quirk of Peanuts' art style, one that I seem to remember reading somewhere Schulz lamenting. That is, the normal length of the kids' arms only works if they're held straight. If they're bent they're obviously too short, so Schulz has to cheat them longer a bit. If he drew them longer when held straight they'd reach down too far, almost to the knees.