November 22-27, 1954: Phooey to you, Charlie Brown!

November 22, 1954

People haven't really given apples to teachers, that I'm aware of, in the years since 1954, where as Charlie Brown remarks was already an outdated notion. And yet, we get this joke, the lore of teacher-apple-giving still lives. (My guess, which could easily be wrong, is that the custom arose as a way of helping to support teachers, who were traditionally spinsters.)

November 23, 1954

Oh, how I love this strip. It's awesome. I love it so much that, over on Metafilter, I've started using "phooey" as a general term of disdain, usually against people who are trolling or spouting incredibly stupid opinions. (Them: "I don't vote, and I don't see why anyone should!" Me: "Phooey to you. Phooey all over you.")

I think why I love this, more than how funny and yet satisfying it is to read "Phooey to you Charlie Brown," is that Schroeder says it twice. The first time we don't know why he's angry; the second time reminds us of his anger. It is perfectly constructed, it reads great, the sentence has a great rhythm, just, wow. This is one of my favorite strips to date.

November 24, 1954

This is either the beginning, or close to the beginning, of Lucy's obsession with bugs, which drives a good number of strips to come.

November 25, 1954

In case you hadn't noticed, Charlie Brown embarrasses easily.

November 26, 1954

A strip like this reminds us of how relatively recent casual sexism was. I'm not sure many comic characters could get away with Charlie Brown's rude summation, although to Schulz's credit it is rare that a male character gets away with declaring superiority to females without some form of rejection, refutation or comeuppance. Calvin might declare how much better boys are than girls, but he certainly wouldn't be allowed to get away with it.

November 27, 1954

The animated adaptions of Peanuts, in addition to not showing adults, also replaced speech with muted trumpet noises. I think the later days of the comic tried to get away with not printing adult words, but in the early days at least Schulz was not above the occasional adult speech balloon.

Sunday, August 15, 1954: And cheap at that price

Read this strip at gocomics.com.

Another chapter in the unfolding story of Lucy's mother's desperate search for peace and quiet.

This is a particular favorite strip for me. It has several funny drawings that suit the story perfectly, it reveals something about Lucy's personality, and along the way it paints a vivid picture of the dynamic between Lucy's mother (who needs Lucy to be out of the house sometimes) and father (who foots the bill).

Sunday, April 18, 1954: Who needs peppermint?

Read this strip at gocomics.com.

Here we have one of the more interesting questions about the Peanuts strip.  Schulz and Peanuts makes the claim, if I remember it correctly, that the two Pattys, the original and the "Peppermint" variety, were based on the same person.  At first that assumption seems laughable, despite the two sharing the same name, but think.  Besides this strip, every physical contest we've seen Patty in (marbles, mostly, and mostly against Charlie Brown), she's won.  And their times in the strip don't intersect very much; one wanes right when the other waxes.

Oh well.  Idle speculation aside, I think this strip has a hilarious final panel.  I don't know of any other strip that would think to end it so understatedly, or half as effectively.

One weird thing though: look at the backgrounds of the last two panels.  They're completely different!

March 15-17, 1954: Three for free

Read these strips at gocomics.com.

Three more conjoined strips, caused when whoever scanned these forgot to crop.

March 15, 1954:
A funny strip in general.  Charlie Brown is not one to let a card go to waste, even if it's not really suited for its purpose.  At least we should be glad Schroeder isn't giving out Beethoven's Birthday cards.  Yet.

March 16, 1954:
Snoopy is using thought balloons!  I think he used them one time before, but this time I think it "takes."  Good faces on Snoopy here.

March 17, 1954:
Patty is unexpectedly a marbles shark.  Not as bad as Lucy at checkers, but still.  What do marbles champs do with all their winnings?  She must have a huge collection of the things by now.  I wonder if the marbles companies engineered the whole "playing for keeps" idea, the same way Wizards of the Coast put playing "for ante" in the official rules to Magic: The Gathering?

March 4-6, 1954: Three more glued together

Read these strips at gocomics.com.

Second verse same as the first.

February 4, 1954:
Linus: kid of impossibility!  This is what I was talking about, some time back, about the Van Pelt children being kind of... uncanny.  While Lucy grows into her powers and becomes a supervillainess, Linus, taking Jesus Christ as his model, chooses the role of teacher.  Well, eventually.

February 5, 1954:
Poor ol' Charlie Brown.  Poor ol' frustrated Charlie Brown.

February 6, 1954:
This is a great strip!  I love the third panel especially:

We know these characters so well now that, even without the other three panels, we're pretty sure which of the two kids is saying YES and which was saying NO.  But even by their postures, Violet seems just that much more adamant.

A points of note in the art:
In the zoomed-in panel, notice that the characters don't look as angry in the other panels; their emotion is diluted by the energy they're putting into shouting.

P.S. There is a They Might Be Giants song for every occasion.

Sunday, January 31, 1954: Snoopy, Time Lord

Read this strip at gocomics.com.

This is the first strip that implies that Snoopy's doghouse has some extra-dimensional property, that it's bigger inside than outside, although one can take Schroeder's comment to suggest that the rec room is in a basement, and thus underground.  Dog houses don't usually have basements, true, but....

This strip is also evidence that Snoopy is not yet considered to be Charlie Brown's dog.  If Snoopy really were his, wouldn't he already know all this?  As a kid I stumbled upon this strip and wondered why the neighborhood kids were invited into Snoopy's doghouse while Charlie Brown was not, even though he was Snoopy's owner.  It seemed to project upon the kid a sense of being a social pariah that I think stuck with him when I read other, later strips.  Viewed in context with the Peanuts strips up to this point, he doesn't seem to be quite so excluded.

Does Snoopy's rec room have as low a clearance as his entrance?   That could be considered to be something of a flaw if the people he usually has over are all kids.

December 20, 1953: Sorry I asked!

Read this strip at gocomics.com.

I love this strip!  It presents the world of the kids in a way that makes it seem all real, like there's always a dozen things happening at once.  My favorite joke in it, however, is the one in the lead two panels, which is just a throwaway but has some pleasing off-screen violence.

The metaphorical opening panel uses Charlie Brown's trademark zig-zag shirt pattern, but the zig-zag is nowhere to be seen elsewhere in the whole strip, and is in fact a little uncommon in the strip at this point considering the kid usually covers it with a jacket in the winter months.  Maybe he was just reminding the reader of it.

There is a lot of prototype Calvin and Hobbes here, both in the snowman gag and the humorous sled crash at the beginning.

December 14, 1953: Lucy goes that extra mile

Read this comic at gocomics.com.

In this strip, we begin to see that Schulz is becoming more careful about showing emotions.  It's not just the hilariously shaken image of Linus in the last panel, it's that we can't get a good read on why Lucy did this.  She betrays no satisfaction or joy throughout the process.  It's like she's just doing what her mother told her like a good little girl.  But why is she sneaking up on her blissful brother?  Why is she shouting at him?  Later on the thrust of whole strips turn on whether a character's mouth was drawn with a slightly upturned stroke.

This is the third strip to use the "somersault" visual shorthand for violent disruptive motion.  The first time was in the first football strip (which has still yet to become a yearly thing).  The second time was, interestingly, another instance involving Lucy shouting near Linus.

Sunday, November 15, 1953: The Great Experiment

Read this strip at gocomics.com.

More to add to the list of Snoopy's powers:
8. Super hearing
9. Teleportation (induced by hearing candy wrapper)

For his sake, I hope we can add:
10. Immune to canine chocolate toxicity

This strip actually reads better without the two lead panels.  Try it out!  We don't need to be told twice that they're running an experiment.  All the important facts are presented without the optional panels, and they aren't repeated.

Finally, importantly, the strip is just funny.

October 30, 1953: We may call this the "Lucy Loophole"

I love this one.

The Lucy Loophole:
When considering how useful a specific thing is for a purpose, do not forget how useful it is as a general thing for that purpose but used in an unexpected way.

Sunday, September 20, 1953: Photographing Snoopy

We get a lot of funny drawings of Snoopy in this one, as well as establishing the dog's mischievous personality. Bill Watterson would reprise this strip much later, with Calvin in Snoopy's place and Calvin's dad in the role of photographer. I couldn't find a copy of that one on the internet, but one difference between the two approaches to the idea is that Calvin's dad tries to fool Calvin by saying "click" several times, and the strip ends with Calvin's making a funny face; there is no reaction shot at the end.

September 18, 1953: Made in Taiwan

Wait, what?! Is Snoopy wearing an ear-wig? And how does he blush through fur? WHAT THE HELL ARE YOU SNOOPY?!

Sunday, September 13, 1953: Three shades of green

Another bit of metaphorical art in the title panel. This is one of my favorite strips, Schroeder's personality comes out very vividly here.

Sunday, August 9, 1953: KRINKLE

I think this is one of the funnier strips, but it's also interesting for the action poses Charlie Brown uses while hiding (although his head seems unnaturally large in the crawling pose).

June 16-17, 1953: We Love Lucy: WINNAR FOREVAR

June 16, 1953


This is a brilliant strip. Lucy's ludicrous winning streak inflates bizarrely into megalomania, and all Charlie Brown can do is close his eyes in dismay. Sublimely silly!

June 17, 1953


Well at least he's charitable about it. Why should he deny Lucy the experience of winning another game of checkers?

Sunday, June 7: More Than You Ever Wanted To Know About Jumping Ropes

Awesome. I think I even like the joke in the lead throwaway panels better than the main strip!

There are shades here of Linus' pontificating a litany of made-up sightings of the Great Pumpkin.

May 12, 1953: Snoopy's duplex

This strip is a variant of those previous sight-gag strips in which Snoopy's house had a TV antenna and where he lived in a hotel.

It's funny, but it also slowly pushes the edge on what is seen as "normal" in the Peanuts world. Snoopy's growth into his vibrant later personality is gradual, the change accomplished slowly through strips like this.

April 21, 1953: Put 'em up, Snoopy

A very funny strip. The key to the humor, I think, is how Linux Linus maintains the same expression through it, just as if he knows how Snoopy will react.

Contrast this with Snoopy's discomfort around cats during Faron's short-lived stint on the strip, and his total fear of the dreaded Cat Next Door, he of the doghouse-rending claws.

EDIT: Made the correction above. Damn muscle memory.

February 27, 1953: Presaging Calvin

This one is sort of a companion strip to the one two days ago, where Lucy gives Charlie Brown a (pseudo-)scientific reason not to cut bread. Anyway, I wish folks online would be as ready to admit the ultimate source of their data.

This is a very Calvin-esque attitude for Charlie Brown.

February 25, 1953: Charlie Brown takes an oath

I love this strip. The joke is actually kind of subtle, that Lucy's fussiness (slowly being established through showing, instead of just telling) might actually have a rational basis, and that Charlie Brown could be convinced of it. (Or, alternatively, Charlie Brown has a very dry sense of humor.)

I can't imagine any other comic strip choosing to make this kind of joke in exactly this way. Maybe Bloom County, but no it'd have made it a little sillier. Maybe Mutts (with Mooch in Lucy's role?), but no, Earl wouldn't take Charlie Brown's line at the end. This style of humor, in comics, is unique to Peanuts.

I can imagine Lucy's making this explanation on Ask Metafilter or something. (Her username would be "fussbudget," of course.)