Tuesday, November 9, 2010

June 25, 1953: Stop that draft

Peanuts

This is Lucy more as we recognize her, gloriously unreasonable.

Monday, November 8, 2010

June 24, 1953: Snoopy vs. the Yard

Peanuts

Another of those strips in which Snoopy, naive in the ways of yard equipment, investigates something and gets surprised by it. Here the reaction shot from Charlie Brown is needed to complete the joke.

Sunday, November 7, 2010

June 22, 1953: Lucy and the bugs

Peanuts

When I read this strip, I have a strong sense that we are now firmly in the era of classic Peanuts. The characters are solidly of that style, as opposed to the early or modern styles. There's still some evolution left to occur within the style, everything becomes just a little simpler over time and the characters get slightly more realistically proportioned, but we're mostly there now I think.

Two things that really drive this sense home for me. First, the theme and writing of the strip are solidly of the classic versions of the characters. We haven't really seen a crabby Lucy yet, but Lucy was never an entirely angry little girl, she has good days even in her tyrant years. And second, Charlie Brown's eyes when facing the reader, here, seem to be closer together than we've seen recently, which was the major thing about him that still harkened back to the old style.

Saturday, November 6, 2010

Sunday, June 21, 1953: Linus thinks

Peanuts

Being thoughts, this doesn't count as Linus' first words. I'm not even sure this counts as Linus' first thought balloons, but I can't find the strip in the archives in which he complains about "big kids," which is the prior use I remember so maybe that comes later. But I think it is the first example of Linus' voice really coming through clearly to the reader, even if it isn't audible to other characters.

Linus is interesting because we first get a few strips with him thinking before he actually starts talking. Sally also does this when she shows up. I think Rerun gets it too.

Friday, November 5, 2010

June 20, 1953: Peanuts' evolving sense of humor

Peanuts

A different strip would have Snoopy bite down on the bone, have a sight gag of his reaction, and then maybe him chasing Charlie Brown. In fact, Peanuts itself wouldn't really be above that kind of joke right now.

But where this strip shows growth is that Schulz purposely passed up the chance to draw a funny picture of Snoopy biting a rubber bone to make a strip where he's embarrassed because he expected treachery and didn't find it.

Schulz also avoided Talking Head Syndrome (where a strip's joke is entirely dialogue, using art pretty much solely to attribute speech) by giving us good drawings of mortified Snoopy, laughing Charlie Brown and thoughtful Patty.

Thursday, November 4, 2010

June 18, 1953: Lucy in a chase strip

Peanuts

Charlie Brown is enjoying that ice cream a little too ostentatiously, isn't he? That's why this strip is funny.

Although Lucy certainly becomes the most rancorous Peanuts character, this kind of harassment is not really what we think of as her "style," I think.

Wednesday, November 3, 2010

June 16-17, 1953: We Love Lucy: WINNAR FOREVAR

June 16, 1953
Peanuts

This is a brilliant strip. Lucy's ludicrous winning streak inflates bizarrely into megalomania, and all Charlie Brown can do is close his eyes in dismay. Sublimely silly!

June 17, 1953
Peanuts

Well at least he's charitable about it. Why should he deny Lucy the experience of winning another game of checkers?

Tuesday, November 2, 2010

June 13 and Sunday, June 14, 1953: The evil side of Charlie Brown

Charlie Brown isn't a very nice kid in these two comics.

June 13, 1953
Peanuts
Patty and Violet's reaction at the end here (including off-screen violence) is a bit exaggerated. I mean, they didn't have to follow CB's suggestions.

Sunday, June 14, 1953
Peanuts
This one is actually a little disturbing, considering that Schulz actually drew the flashbacks of Charlie Brown's antisocial behavior. Violet's reaction here seems quite justified. We can accept Charlie Brown's rueful chagrimace at the end as due to regret over personal failings rather than a "that's the way it goes" kind of resignation.

Is that how Violet fell off her tricycle? Because CB pushed her?

Who really throws lumps of sod at people? Did Schulz choose a clump of earth because it's less injurious than, say, a rock?

Wait a second, did he say plaid ice cream?

June 12, 1953: Gimmie that milk, fool

Peanuts

Setting aside why CB (using "Good Grief" for the second time) feels he needs to obey Lucy's request for his milk.... is she drinking through her nose? Why doesn't the liquid spill out?

(Sorry this is a little late. Blogger likes to sometimes take posts I mark for "scheduled" and set them to "draft" without telling me.)

Sunday, October 31, 2010

June 11, 1953: You DOG You

Peanuts

Snoopy in the first panel looks so serious. Snoopy in the second and third panels is a little weird. Snoopy looks a bit different when seen in three-quarters perspective, I think. His face changes shape a little, becomes more rounded and flatter. Peanuts is so stylized that the characters have what amounts to different designs when seen from different angles.