May 9-14, 1955: That's the way it goes

Note: Although this is still solidly Peanuts' classic period, there are sometimes strips of which there isn't much interesting to say. It has never been the aim of this blog to cover every Peanuts strip, just the most interesting ones. This doesn't matter for this post, but in the future I will start skipping over uninteresting strips again. This is so that A. I don't spend the rest of my life maintaining this blog, and B. because legally, we'd be on more unsteady ground if we ended up effectively mirroring gocomics' entire archive.

May 8, 1955, a Sunday strip, is missing from gocomics' archives.

May 9

I like the injection of a little horror into Peanuts' gag-a-day world. Would we be creeped out by mailman-shaped dog biscuits? I don't know what it is about serif lettering, such as used in Snoopy's "SHUDDER!," but Schulz uses it a lot in this stage of the strip.

May 10

This is a very interesting strip. Who decided who plays what? We're left to assume it's Patty. Keep in mind, this is still solidly the 50s we're in, so we're probably left to assume that queer readings of this strip are unintended.

In any event, it probably doesn't matter much to their game who is who. I'm surprised one of 'em isn't Davy Crockett or some such.

May 11

More marbles. Decades from now, when the game of marbles has long vanished from the strip, I like to think of its legacy living on in the name of one of Snoopy's brothers, Marbles.

Cats will regularly do this at any excuse, and sometimes even without one.

May 12

We aren't privy to what Charlie Brown and Violet are arguing about. Actually, we don't know whatever it is is in the newspaper at all -- C.B. is holding a book.

May 13

Once you wind Schroeder up, it takes a while for him to run down. It must be nice to be able to lose one's self in a memory like that.

May 14

Even Snoopy's vaunted candy-detection abilities have their limits. Serif Z! Also, a serif'd "sigh," in lowercase.

September 26, 1951: Yeah, That'd Probably Be Asking Too Much

Another in the Schroeder-as-musical-prodigy series. There is also a first in this strip: it's the first time a character is represented as participating in a real-world organization or event, long before Snoopy's games at Wimbledon.

Let's note the progression of the joke:
Strip 1: Charlie Brown introduces Schroeder to the Piano. The gag: he takes to it immediately, and brilliantly. The punch comes from the suddenness of the ludicrous situation.

Strip 2: Strip beings with the ludicrous situation, set up by the past strip. The gag comes from examining its consequences. Punch is added by making it even more ludicrous, by taking the already-amazing event of a baby playing piano extremely well and making him a composer, one who's even titled his work despite being barely verbal.

Strip 3: Begins again with the ludicrous situation, but now takes it for granted. The punch comes from putting a lampshade on it; Schroeder is talented enough to tackle Braham's First Concerto but not the second because he's "only a baby," even though no baby (except maybe Mozart) could do any of these things. This also subtly normalizes the situation.

In tomorrow's strip it'll be completely normalized, and the humor will come from another character interacting with the bizarre sitation.