May 9-14, 1955: That's the way it goes

Note: Although this is still solidly Peanuts' classic period, there are sometimes strips of which there isn't much interesting to say. It has never been the aim of this blog to cover every Peanuts strip, just the most interesting ones. This doesn't matter for this post, but in the future I will start skipping over uninteresting strips again. This is so that A. I don't spend the rest of my life maintaining this blog, and B. because legally, we'd be on more unsteady ground if we ended up effectively mirroring gocomics' entire archive.

May 8, 1955, a Sunday strip, is missing from gocomics' archives.

May 9

I like the injection of a little horror into Peanuts' gag-a-day world. Would we be creeped out by mailman-shaped dog biscuits? I don't know what it is about serif lettering, such as used in Snoopy's "SHUDDER!," but Schulz uses it a lot in this stage of the strip.

May 10

This is a very interesting strip. Who decided who plays what? We're left to assume it's Patty. Keep in mind, this is still solidly the 50s we're in, so we're probably left to assume that queer readings of this strip are unintended.

In any event, it probably doesn't matter much to their game who is who. I'm surprised one of 'em isn't Davy Crockett or some such.

May 11

More marbles. Decades from now, when the game of marbles has long vanished from the strip, I like to think of its legacy living on in the name of one of Snoopy's brothers, Marbles.

Cats will regularly do this at any excuse, and sometimes even without one.

May 12

We aren't privy to what Charlie Brown and Violet are arguing about. Actually, we don't know whatever it is is in the newspaper at all -- C.B. is holding a book.

May 13

Once you wind Schroeder up, it takes a while for him to run down. It must be nice to be able to lose one's self in a memory like that.

May 14

Even Snoopy's vaunted candy-detection abilities have their limits. Serif Z! Also, a serif'd "sigh," in lowercase.

February 21-26, 1955: Beware the Rhinoceros

February 21

Schroeder gets out of the house some.  Playing ice hockey on a frozen pond is sort of a winter analogue for vacant lot baseball. I wonder how much this happens anymore.

February 22

The second time Snoopy uses his imagination leads off a week-long sequence, and I think this is the bit that really causes it to "take."  They're a good opportunity to expand the character into something unique, and they have the additional virtue of making possible a lot of really fun drawings.  Snoopy's open smile upon finding his victim is my favorite part of this one.

February 23

In these early strips Snoopy usually restricts himself to being some kind of animal.  A rhinoceros is an interesting choice -- not a lion or a bear an elephant or something more usually recognized as a strong, powerful animal.  Not that rhinos are slouches of course -- just that I'd think they would be thought of iconically by their horn, not their strength and size.

Charlie Brown seems worried that Snoopy actually thinks he's a rhinoceros.  But how would he have been able to figure out what Snoopy was pretending to be?

February 24

WHOOPS!  I think this is the first time Snoopy has actually attacked anyone on-panel.

February 25

Some rhinoceroses are self-conscious about their appearance.  Anyway, a real rhino bump would be nothing to joke about.

February 26

Up until now Lucy's crabby personality has manifested in three primary ways: by reputation (her mother calling her a fussbudget), her dealings with Linus, and in defending her strange opinions against Charlie Brown.  Here is a fourth: the bucket of cold water on Snoopy's head.  It's also the first instance of her physically standing up to another character, here in the second panel.

I really love the goofy grin on Snoopy's face in the first panel.

January 24-29, 1955: Snoopy unmoors from reality

January 24

Another early Linus/Snoopy interaction. That's a rather overstated frown in the last panel there.

January 25

A simple gag about a kid not understanding an idiom. Yeah yeah, let's get to the real reason we're here:

January 26

THIS. One of the most important strips in Peanuts' entire run. The first strip in which Snoopy fantasizes about being something else. In these four panels we see the origin of the World War I Flying Ace, Joe Cool, and a hundred World Famous things. They are cute strips of course, but there are strange depths buried there.

This strip is a bit problematic mechanically though. Schulz uses a thought balloon for Snoopy's thoughts in the first panel, but in the second the balloon does double-duty as a thought and speech balloon, which makes it seem like Snoopy is speaking in English.

Charlie Brown's wide, amused smile is, in its way, as funny as Snoopy's snarl.

January 27

Lucy is willfully wrong about something else. Some notes here:
1. The subplot about Charlie Brown's paddleball is a nice touch.
2. The letters asked about and responded with are written with serifs and with little single-quotes around them.
3. Charlie Brown's annoyance that Lucy refuses to believe 'F' follows 'E' in the alphabet is interesting. He seems to care that Lucy get her facts straight, and takes it personally when she refuses to see reality. That's admirable in a way, but will probably cause him problems later in life, for there is no shortage of Lucys in the world.

January 28

When I was a kid, I would read these strips where Lucy is referred to calmly as a fussbudget, and the sarcasm flew roughly two miles over my head. It didn't help that Lucy would then respond without a trace of irony. The humor of Peanuts could be really dry sometimes.

January 29

Violet's smile throughout this strip is vaguely infuriating.

Sunday, February 7, 1954: The nerve-wracking sled ride

Read this strip at gocomics.com.

In an unusual inversion from the norm in later strips, here it's Charlie Brown's imagination that's active and Snoopy is the realist.  I can't help but think Charlie Brown realizes his little sled ride's kind of pathetic; otherwise why would he talk it up with exclamations like "Down! Down! Down!" or "Racing like the wind..."

The chain he's using to hang onto the sled is a nice touch, as is the care Schulz uses to draw the sled.  It's very well-rendered!

The lead panels, which can be kept or left off of a strip at the newspaper's option, are a continual problem with Peanuts' storytelling.  Schulz has to write each strip so that it works either with or without those panels, which sometimes messes with his timing.  Here he presents what is probably a little too much lead-in, which slightly damages the joke.

EDIT: As Sarah Loyd rightly noticed, Snoopy is sporting a chagrimace in the next-to-last panel.

October 16, 1953: Er, how long have you been sitting there?

These strips where one character is doing something imaginative or outlandish and another character is revealed to be watching, and smiling, leaving the acting character to walk away blushing, are rather common. I can't help but speculate that maybe Schulz experienced an occasion like that when he was young?

(Still a bit slow, should be remedied in a couple of days.)

October 14, 1953: The inner life of animals

Okay, stop for a moment and imagine if you didn't know Snoopy was particularly weird. Back in the day Peanuts was still a young strip and we didn't yet know that Snoopy was a dog in name only, a bizarre creature whose imagination was so rich and powerful so as to have reality-warping powers. And then you run into this:



What is going to become of that dog, indeed. Note that, despite some hints, it's still not certain who owns Snoopy. He's still just a neighborhood dog at this point. The Daisy Hill Puppy Mill Farm backstory of the later years of the strip is still some time off.

April 16, 1953: Playing Guns with Girls

The gender norms of Peanuts are worthy of examination. They're rather complex.

For decades, all the female characters wore dresses nearly all the time. Late in the strip's run Lucy's default outfit changed to what looks like a jogging suit.

Considering that the strip is still in the early 50s this isn't surprising. The girls, however, don't appear to be so traditional regarding to their choices of games to play. They play dolls and house (or Mud Pie Chef) sometimes, but they've been just as apt to play Cowboys and Indians, or Space Hero.

This is really progressive if you think about it: even as late as Calvin and Hobbes, Susie, when playing, is nearly always seen at some girl-oriented activity like playing Tea Party or House. (This is probably because it's so entertaining to watch Calvin react to stereotypically feminine things.)

Sunday, February 24, 1952: Sure I've heard of crocodiles

The throwaway first-panel joke, I think, is funnier than the rest of it, though Patty's comment in panel 5 is pretty good.

September 11, 1951: Snoopy the Lion

Snoopy's animal mimicry talents lead him towards the wild animal fancy that kindles his prodigious imagination.

August 29, 1951: Dog as shark

Ah-ha! It is the first glimmer of Snoopy's capacity for imagination, which if memory serves began when Snoopy fantasized being different kinds of dangerous wild animals.