Showing posts with label storytelling. Show all posts
Showing posts with label storytelling. Show all posts

Friday, May 20, 2011

February 23, 1953: At the Writin' Fence


Read this strip at gocomics.com.

I think we can safely assume that the upper graffiti is Patty's doing.  It is important to the joke here that Lucy is depicted as very young, so as to provide an explanation for the illegible scrawl on the bottom of the fence.  In fact, I think Schulz is actually cheating Lucy slightly shorter than she usually is, so the joke is clearer.

The strip for February 12, 1954 (presented here, fourth down) has Shermy writing on a similar wall.  On that strip, njguy54 commented that Shermy's use of cursive was "interesting."  It was, there, since who writes in cursive on large, vertical surfaces?  But the use of cursive here is much more important, since it provides important visual similarity between the two writings.

Did Schulz plan the two strips at the same time?  Probably; there are many examples of similar strips separated by a small number of days, enough to suggest part of his creation strategy: to hit upon some idea, to mine it for joke potential, then to draw some or all of the ideas, ideally seperated by a few days to keep things mixed up.

At some point, I conjecture, Schulz realizes that he doesn't always have to spread the strips apart like this, and he takes to running "theme weeks," where a number of consecutive strips feature a similar premise.  That eventually leads to sequences of linear storytelling, such as Charlie Brown progressively leading his baseball team to failure.  (Another sequence leading to that is the upcoming Lucy in the Golf Tournament story that plays over consecutive Sundays.)

Wednesday, July 14, 2010

January 9 & 10, 1953: Onceuponatimetherewerethreebears...

Peanuts

Not to pile on the Calvin and Hobbes comparisons, but I seem to remember Calvin's Dad doing the same thing to get through a loathed reading of Hamster Huey and the Gooey Kablooie.

Lucy's response here demonstrates her developing personality; she is becoming less reluctant to express displeasure.

Peanuts

Another story-reading strip makes a Schroeder & Beethoven joke without actually showing Schroeder. A strip like this doesn't work unless the reader brings into it knowledge from other strips, a type of gag that doesn't work unless the characters have strongly defined personalities. (Or, in Schroeder's case, a strongly-defined personality quirk.)

Wednesday, April 28, 2010

Sunday, September 21, 1952: Man's Superiority Over Beast

Peanuts

I love this strip:

Lucy saying "Oh, my, yes!" in the second panel. No one says "Oh my!" anymore. It makes me want to revive it.

Snoopy's laughing poses in the last three panels show considerable visual ingenuity. The second panel there could be a counterpart for WEIRDSNOOPY. Snoopy has gone back to being small again in this strip, even though panel seven would probably read a little better if he were longer.

The funniest thing about this strip, I think, isn't Snoopy's laughing, or Charlie Brown's disgruntlement, but Lucy's silent watching of the hilarified dog. "This certainly is an odd thing that is happening to that animal. I should quietly observe the situation."

Sunday, January 3, 2010

April 3, 1952: How does Schroeder whistle chords?

Peanuts

This strip is really well-done from a storytelling standpoint. It sets up the premise, provides a comparison between CB's and Schroeder's abilities, shows Patty and Violet's opinion of those abilities, illustrates Schroeder's charisma and Charlie Brown's feelings of inadequacy, all in four panels.

Scribble of shame!