April 25-30, 1955: I'm Well Read

April 25

At least it wouldn't all melt before she could eat it. The word "Boy" in the third panel is both serif'd and contains lowercase letters.

April 26

Once in a while Schroeder says something that indicates there's a slight change he could end up reciprocating Lucy's crush someday. It's quite rare, but it happens once in a while.

April 27

As has been remarked in the comments before, there really aren't a lot of Pig-Pen strips when measured as a percentage of all the Peanuts strips Schulz draw. He's fairly common in this period though.

April 28

Somewhat uncharacteristically, Pig-Pen gets angry at the way people refer to him here. It's a bit difficult, through all the grime, to read his expressions of ire. I'm not quite sure I get this strip though -- I sense there's something about it, maybe some context from the time, that I'm missing. I'm not actually sure the girls are judging his appearance, although if they're not then why would Schulz use Pig-Pen here?

April 29

I think Schulz spelled it "SKWEEK" in the third panel just to mix things up a bit. We get another funny drawing of Snoopy here, who is already the most plastic of the Peanuts characters.

April 30

My favorite thing about this strip is the slight irregularity in Snoopy's jaw in the third panel, indicating Snoopy chewing. Lucy's mouth seems to be missing in the first panel.

 

Sunday, July 12, 1953: A page-turner

The various characters are picking up quirks that help to differentiate them. In the near future:

Lucy is a reader, but also gets facts wrong readily and laughs off suggestions that she might be wrong. Charlie Brown, on the other hand, when he gets something wrong he's very self-conscious about it, and Lucy's continued willful ignorance will give him ulcers. Linus, even when he starts really talking, is pretty quiet. Patty and Violet aren't that different, but Violet is more antagonistic, cold, sometimes even hostile to Charlie Brown. Schroeder, well, is obvious. Snoopy has problems with inanimate objects.

I think it's obvious that Shermy is in the pool in the first panel, but it's less evident that the kid he's with is Schroeder. It probably is, but that's mostly because I don't think Schulz would throw an extra in there just to have one.

January 9 & 10, 1953: Onceuponatimetherewerethreebears...

Not to pile on the Calvin and Hobbes comparisons, but I seem to remember Calvin's Dad doing the same thing to get through a loathed reading of Hamster Huey and the Gooey Kablooie.

Lucy's response here demonstrates her developing personality; she is becoming less reluctant to express displeasure.



Another story-reading strip makes a Schroeder & Beethoven joke without actually showing Schroeder. A strip like this doesn't work unless the reader brings into it knowledge from other strips, a type of gag that doesn't work unless the characters have strongly defined personalities. (Or, in Schroeder's case, a strongly-defined personality quirk.)

May 6, 1952: The monster is sighted

This is the first strip in which Lucy does something actively antagonistic against another character (who is not her unseen father). It is also quite a clever little joke on pool ol' Charlie Brown.

February 4, 1952: Albert Payson Terhune

Albert Payson Terhune. He wrote about collies.

Daily reading time for a dog? Very cute drawings of Snoopy here by the way. Especially in the third, although it looks vaguely un-Snoopy-like.

january 16, 1952: But he CAN read music?!

The wavy line around Schroeder’s head is an interesting idea for showing embarrassment. Imagine what the frame would look like without it. The joke seems like it would be just a little flatter with just his blush, hands and expression illustrating his reaction.

January 14, 1952: And I thought I was the only kid who read that stuff.

Schroeder should have been more specific. At least he’s talking, and isn’t on that piano.

October 10, 1951: Humph!

Schulz had been heard to say that Beethoven was Schroeder's idol primarily because it was a funny word, but it cannot be denied that the idea of a young child fixating upon the notoriously stern composer adds a certain complexity to his character, which this and later strips take advantage of.

January 23, 1951: Why he's called "Snoopy"

Snoopy's personality continues to develop.  Clearly, here is a dog of uncommon intelligence.  At least we now know why he's called "Snoopy."

December 22, 1950: Put your hand inside the Snoopy head

Another somewhat pointless strip, Schulz must have been close to his deadline for some of these.  Snoopy is especially cute and puppet-like in this one however, especially in panel two, where we get a three-quarter perspective into his smiling mouth, and in panel four, where his eyes are winningly far apart.  As Snoopy became a much stranger creature later on, Schulz would lose the ability to draw him like this; Snoopy became a creature of imagination far more than a placeholder dog in a world of child jokes.