October 8, 1952: Sick and Tired of Always Being the Bassoon

Another strip in which a character reacts to something undepicted that's just happened off-camera. Fairly funny I guess.

October 6, 1952: Lucy's Happy Dance

Lucy's developing her egotism nicely I see. I don't really get how CB can take solace in the fact he came in second. I assume Schroeder is peeved in the last panel because he knows coming in last is the true measure of ability.

Sunday, October 5, 1952: Bumpity-bump

I've already mentioned that the Sunday strips were almost certainly not done on the same schedule as the weekday ones, which is why this Sunday strip mentions that Lucy has been going all week even though she has been seen without the ball in a couple of the intervening weekday installments.

I'm not quite sure why Charlie Brown sees Lucy's quest as a threat to his sanity. Maybe it has to do with the noise, or maybe he sees her possible accomplishment as a threat? Maybe he just doesn't want to live in a world in which a little girl can bounce a ball for an entire week. (Speaking of which, doesn't she sleep?)

I am not sure, but this may be the last strip in which Lucy refers to herself in the third person.

October 3, 1952: Depressed kids

I'm rather glad to see a strip about depression in which Prozac or other pharmaceuticals do not come up.

October 2, 1952: Two years

This brings to a close the second year of the strip.

In the second year were introduced both Lucy and Linus. Schroeder learned to talk. Charlie Brown's psychological problems began to become more evident. Shermy, already on his way towards irrelevance, only appeared a small number of times. Schulz's art style, fired in the crucible of a daily comic strip, has evolved considerably. Most of the characters have gradually eased into their classic looks, all except for Charlie Brown (who's oval remains as a vestige of the original style), Snoopy (who has so far changed fairly little) and Linus (who is currently the strip's baby).

In the next year there aren't any major character introductions, but Schulz's art style evolves a bit more. Snoopy and Charlie Brown both draw closer to their later forms. The very next month has the first of the strips where Charlie Brown fails to kick Lucy's football. But most importantly this is the year in which Peanuts' writing really matures into something recognizable and wonderful.

For comparison's sake, here is the strip from one year before:


And here is the strip one year to come:

October 1, 1952: HA HA METAHUMOR

Peanuts has sometimes been taken seriously by folks, including Schulz himself, but there are moments like this every once in a while. There isn't really any connection, other than motive, between Schroeder's discovery and his remarkably knowledgeable comment. I can picture Schulz laughing at the idea of a character annoyed at being in a comic strip and looking for any excuse to work it in.

September 30, 1952: Hic! Hic! Hic!

Linus doesn't seem to be too unhappy about his predicament in the last panel. Technically this is the first thing he ever says.

September 29, 1952: Linus and Schroeder

A little like how Fozzie Bear and Miss Piggy are rarely seen together (although for different reasons), you rarely see Linus and Schroeder in the same panel. As for why Linus reminds Schroeder of Beethoven, your guess is as good as mine.

The characters in this strip are solidly "Classic-era" Peanuts. The only characters who still have a bit of developing to do are Charlie Brown (whose thick oval eyes still reminds us a bit of earlier strips) and Snoopy (who so far has developed the least).

Sunday, September 28, 1952: Lucy and the Ball

Lucy's attempt to set a record bouncing that ball continues next Sunday as well.

September 27, 1952: "Well! If it isn't Charlie Brown!"

A funny strip. Lucy is certainly enjoying herself in this one!