Sunday, June 19, 2012: Head over Heels

Lucy's loud voice is again reinforced as a character trait. But we also get some of the playful and energetic Snoopy of the classic era of the strip, which became less visible later when his proportions ballooned out. He's very dog-like here.

This might be the first somersault experienced by a character solely due to a very loud voice or sound.

Sunday, September 19, 1954: It's no fun if you just give it to him

The week of September 13-18 is missing from gocomics.com. It's just completely gone; the strip browse sequence goes directly from the Sunday strip of September 12 to the following Sunday.

Read this strip at gocomics.com.

This is a good strip to contemplate how Snoopy's design has changed so far.

He began as a very puppyish dog, much smaller than any of the other characters. While very cute, he looked almost like a piece of clip-art. Many strips these days use images of their characters in various stock poses, but not Peanuts. Schulz gradually began loosening up the design of the characters. Snoopy is the character that would develop into the loosest, and although he's not there yet, he's a lot more flexible here than he was in those first comics.

Snoopy becomes quite thin (especially when standing upright) before expanding into the "balloon animal" shape of later strips. The drawings of him in the first panels are particularly engaging. The wide smile is a distinctive mark of classic Snoopy. I notice in panels six and eight, where you can't see his mouth at all, his snout looks a little thicker than in the other strips.

Week of August 16-21, 1954: Airplanes must fly around clouds or else crash

August 16

It is odd to think of Pig-Pen as going to kids and bumming sand off of them. I can understand if he's unnaturally attuned to the stuff, but it can't be that expensive can it?
August 17

Lucy is kinder here than she was back on February 15 16, but it's still a mean trick.
August 18

At this point Pig-Pen is rolling along as if he's going to become a major character. It won't be for too much longer I think.
August 19

One problem with the week-at-a-time format is, often there's just not much to say about a strip. I'll probably start leaving some out before long -- I didn't mean this to become a repost of every strip....
August 20

If Peanuts were still being printed er, I meant written today, Lucy would be denying climate change. Charlie Brown's reaction is priceless. I find this kind of reaction funnier than the headaches and stomaches the poor kid's afflicted with later.
In the last panel, Lucy's laughing expression, with the slanted eyebrows, is atypical for Peanuts.
August 21

Charlie Brown brings his hand to mouth in wonder in the third panel is nice. Peanuts kid arms are usually drawn as simple tubes, so I find the shape of his arm there interesting. Not hugely interesting, but still.

April 7, 1954: Snoopy doesn't "do" fetch

Read this strip at gocomics.com.

Snoopy is both centered a bit more as being owned by Charlie Brown here, he uses a thought balloon, and shows some of the Snoopy-like personality at the end.

On the matter of Snoopy's ownership, there is a quite informative, unofficial FAQ on Peanuts hosted on www.fivecentsplease.org.  It is item 4.29.  It is detailed and informative and is probably the definitive statement on the growing certitude over who owns Snoopy, and I'm pasting that item here.  It's seems to be pretty much the last word on the matter:

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Casual fans generally assume that Snoopy always has belonged to Charlie Brown, at least since the beagle was returned to the Daisy Hill Puppy Farm after briefly being taken homeby his first owner, a little girl named Lila (this story lending itself to the second big-screen Peanuts film, "Snoopy Come Home").

But it didn't start out that way. When Peanuts first began in late 1950, with its small roster of characters, Snoopy was more a "neighborhood dog" who might pop up with any of the newspaper strip's first stars: Charlie Brown, Patty or Shermy. On October 25, 1950, for example, Snoopy can be seen eavesdropping as Patty makes a call from her toy telephone ... which definitely seems to be inside her house. In the November 7 strip that year, Snoopy is in Charlie Brown's house; and on several occasions Snoopy is shown keeping company with Shermy. On February 2, 1951, Patty quite clearly tells Charlie Brown that Snoopy lives in "that direction" ... which does NOT point to Charlie Brown's house.

The first suggestion that Snoopy might have a specific connection to Charlie Brown comes on April 11, 1951, when the beagle shows up dressed in a zig-zag shirt just like Charlie Brown. But even here, it's hard to be sure; Snoopy might simply be making fun of poor ol' Chuck.

Stronger evidence comes September 12, 1951, when we see that Charlie Brown has a picture of Snoopy in his room ... which seems to suggest that the beagle is, at last, specifically bonded with Chuck. (Or maybe not. A few weeks later, Snoopy goes "home" ... to Shermy's house!)

On December 15, 1951, Charlie Brown repairs Snoopy's doghouse ... which certainly suggests that our beagle's home is in Chuck's yard. Unfortunately, on April 3, 1953, Patty and Schroeder ask a passing Charlie Brown what color he thinks THEY should paint Snoopy's house!

That latter incident notwithstanding, by 1953 Snoopy still is visiting other kids in their homes, but there are no strong indications that he lives with anybody except Charlie Brown. On November 28, 1953, for example, Charlie Brown tells Snoopy to go to bed, and both definitely are in Chuck's house.

But ambiguity creeps in once more. On December 5, 1954, after slipping Snoopy a piece of candy that came from Pig Pen's pocket, Charlie Brown says, "Psst ... Snoopy, ol' pal ... you'd better come home with me, and have a drink of water." Take note of the words "with me" ... one would think, if Snoopy lives with Charlie Brown, that Chuck would simply say, "You'd better come home."

Finally, on October 15, 1955, Charlie Brown gives Snoopy some food from the dinner table, while saying, "There you are, old friend" ... a phrase that strongly suggests ownership. A few weeks later, on November 1, Charlie Brown gives Snoopy his dinner in front of the family TV set ... definitely in Chuck's house. On November 3, Charlie Brown tells Violet that "All the dogs in the city [now] have to be kept tied up." Violet asks if he has tied up Snoopy, and Charlie Brown says "Of course ... what else could I do?" Clearly, at this point, Violet is identifying Snoopy as Charlie Brown's dog. And a few weeks later, on November 18, Charlie Brown tells Patty that he has Snoopy (who's no longer roped to a tree) "tied up with a sense of obligation" ... another strong indication of ownership.

Feeding Snoopy becomes more of a habit; on December 8, Charlie Brown tells Shermy that he'll be out in a minute, after he "attends to the hound." On March 10, 1956, Charlie Brown tells Lucy that Snoopy always brings his supper dish to him when he (Snoopy) is hungry.

On December 14, 1956, Charlie Brown buys Snoopy a new collar ("...something more masculine"). On November 14, 1957, Charlie Brown refers to Snoopy as "My pal" and says that "Everyone should have a dog to greet him when he comes home."

And finally -- FINALLY -- we get the smoking gun on September 1, 1958, as Charlie Brown is writing a letter to his pencil-pal. As his faithful friend peers onto the table to see what's going on, Charlie Brown adds, "Oh, yes, I also have a dog named Snoopy. He's kind of crazy." As of that moment, Snoopy is -- without question -- Charlie Brown's dog!

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Wow, not until September, 1958 huh?

Sunday, January 10, 1954: Snoopy and a Baby #1

Read this strip at gocomics.com.

The times when there's a baby on hand for Snoopy to wordlessly react with are relatively short when compared to the length of Peanuts, which is a shame because I think they're among the funniest, most whimsical strips of its run.  Snoopy develops a great double-team act with Sally when she arrives on the scene.

Snoopy's head drawn in profile in panel 5 is archetypal Snoopy.  There is just a hint of the direction the character would be taken in later there.

August 22, 1953: Snoopy vs. the Yard: The Ball

Another chapter in the tale of a poor young dog's persecution by lawn equipment.

August 15, 1953: Snoopy punches the clock

This one's linked mostly for the perfect view of Snoopy from a three-quarter perspective. We don't see him in the hand puppet pose anymore, but still this is an unusual depiction of the dog if you look closely. Snoopy's face appears to be narrower when viewed from the side than from an angle. Notice, you only rarely see a character's face straight-on; they're almost always at least a little angle in there. In most of the kids' cases this is probably so their nose doesn't look funny since that C-shape best reads as a nose in profile. Although Snoopy doesn't have the nose problem, his snout is even harder to read straight on. It's like how Mickey Mouse, in cartoons, his ears are always shown in profile, and sometimes artists depicting the mouse have to be clever so they read correctly.

Sunday, August 16, 1953: Full Frontal Snoopy

More three-quarters' drawings of ol' Snoops. We also get more of his thoughts, again delivered as speech balloons. Here it is obvious that none of the kids can hear his thoughts. I think we're approaching the point soon where Schulz abandons the speech balloons for the dog's thoughts and switches over fully to thought bubbles.

Sunday, July 19, 1953: Snoopy's come to accept the sprinkler

This strip, if your only experience with Peanuts is the later era, is striking in how it treats Snoopy like just a dog. No abundant imagination, no literary pretensions, no "world famous" anything, no Woodstock, no "Happiness is" smarm, no walking on his back legs, and no thought bubbles.

This strip is, I think, padded out a bit. Particularly Schroeder's line "We can't.. we just can't" and Lucy's "You don't understand," both of which seem kind of hollow; the only reason they don't just say "We can't because he's sitting in the sprinkler" is because that would spoil the reveal. Probably panels seven and eight could be removed and the rest rearranged to make the point in fewer panels. Remove the top line of three panels and just four remain, exactly the length of a classic Peanuts daily strip.

Still not a bad strip though. It is a funny joke in the end. Snoopy's smiling expression sells it for me.

Sunday, May 31, 1953: Snoopy's not fond of fetch

Another of the earliest strips in which Snoopy gets thought balloons. He becomes much more of a real character with them, instead of just a creature that does funny things and has funny things happen to him.

Snoopy refers to chasing the ball as a way of making a living. Is kind of a throwaway line, but it does imply that Charlie Brown must be feeding him, putting another point in the owner column.

I'm not sure why I'm fascinated by the symmetrical gasping and panting in panel six. Seems a bit overdone, though.

January 18, 1953: Linus' security ball

Linus demonstrates that he might have some security issues. He's so happy in the second panel!

Just because I thought was funny, the Peanuts strip up at comics.com today was this one from 1963:



It's nice to see Schulz, even at the height of Peanuts' popularity, not taking the strip all that seriously.

Sunday, October 5, 1952: Bumpity-bump

I've already mentioned that the Sunday strips were almost certainly not done on the same schedule as the weekday ones, which is why this Sunday strip mentions that Lucy has been going all week even though she has been seen without the ball in a couple of the intervening weekday installments.

I'm not quite sure why Charlie Brown sees Lucy's quest as a threat to his sanity. Maybe it has to do with the noise, or maybe he sees her possible accomplishment as a threat? Maybe he just doesn't want to live in a world in which a little girl can bounce a ball for an entire week. (Speaking of which, doesn't she sleep?)

I am not sure, but this may be the last strip in which Lucy refers to herself in the third person.

Sunday, September 28, 1952: Lucy and the Ball

Lucy's attempt to set a record bouncing that ball continues next Sunday as well.

September 20, 1952: Snoopy the Daschund

Snoopy gets longer when he runs or lays down. Look at his appearance two days ago:



He has a much greater volume when he's in motion! It's easier to draw a larger animal when moving; it's hard to picture a little lump like Sitting Snoopy getting up and having a stroll. I expect that Schulz noticed this too, which may be why the dog gradually increases in size.

The strip itself is another on the theme of Snoopy steals something then eludes his human pursuers in some manner. Kind of light as far as gags go.

The "YIPE!" is a little interesting. Schulz has been using these outline letters for onomatopoeia for a while, and they, like the fancy question-marks, are a subtle trademark of the early strip. They're fairly striking.

July 24, 1952: Lucy and Snoopy

1. Lucy's edging still-closer to the position of strip bully. That's rather a weird choice, I'd think, for a character who was introduced as one of the youngest of the cast, and a girl at that.

2. Snoopy's personality develops a bit too. That's a devious expression he's wearing in the last panel.

3. We also discover another thing he can say, and he can say it in serif lettering!

4. Scribble of ire!

April 28, 1952: Adult word-balloon!

Schulz probably used one of these rarely-seen adult-spoken word balloons due to the difficulties in depicting muted trumpet on the comics page.

Lucy's eyes are growing out of their wide-circled phase slowly.

August 22, 1951: That's a mean baby

The look on Schroeder's face in the first panel is fairly unique for him. Also, behold the return of the scribble of ire!