September 18, 1953: Made in Taiwan

Wait, what?! Is Snoopy wearing an ear-wig? And how does he blush through fur? WHAT THE HELL ARE YOU SNOOPY?!

September 17, 1953: Flimsy reason

Charlie Brown and Patty discuss why they like each other. I think this one is fairly interesting for that. How many of us like someone just because they like you back. Is that enough? Should it be? I actually think that yes, it should be, given that the initial liker isn't guilty of any gross defects that would preclude reciprocal liking. (Favorite phrase of the hour: "reciprocal liking.")

Patty's incidental jumping rope here is interesting because the characters are more realistically-proportioned than in the earliest days of the strip. Schulz doesn't have to distort the length of Patty's arms in order to get the rope around her huge, bulbous head, although she still must hold her arms at an angle that looks a little weird when you think about it.

Specifically, in the first panel. Maybe my knowledge on rope-jumping technique is faulty, but most kids don't hold their arms straight out, or let the rope fold in the air like Patty does. Schulz has to cheat it a little. These cheats are not a sign of artistic defeat, quite the opposite: it shows that he's put thought into depicting these weird little figures and how they could participate in typical childhood pastimes.

Chagrimace!

September 15, 1953: Well he certainly recovered quickly

This one's interesting because Violet shows some remorse for an awful thing she said to Charlie Brown. She actually hasn't said a lot of hurtful things yet in the strip though; that's a few years down the pike.

September 15, 1953: Snoopy. vs the Yard: Butterfly II

Be careful what you want!

I like this one for the variety of sounds Snoopy makes in the last one. Especially "fooey." Very descriptive.

September 14, 1953: Snoopy vs The Yard: Butterfly

It's not yard equipment, but it's the same idea; something in the world confuses Snoopy terribly. It's a light, whimsical strip.

Is that one butterfly in the last panel flying fast, or is it multiple butterflies. Are they defending the first one, or is it just a happenstance swarm? For some reason my initial reading was the former, but now that I look at it I think it's intended to be a swarm.

Sunday, September 13, 1953: Three shades of green

Another bit of metaphorical art in the title panel. This is one of my favorite strips, Schroeder's personality comes out very vividly here.

September 11, 1953: Turn your head, Ludwig

I'm rather fond of this one. It's a good example of an idea you simply don't see in other comic strips. What is it about it that makes it possible for Peanuts, but not other comics?

This expression is similar to a chagrimace, but it's subtly different. Charlie Brown's emotion is of amusement, not dismay.

September 10, 1953: SUPPER'S READY!!

Thanks, Lucy.

She takes another step along the path from sweet-natured little girl to pint-sized Dracula.

September 9, 1953: Hearing marshmallows

Part of the fun of the character is that Snoopy is both a person and not, and Schulz can decide for himself which he is more like. When one is expected and the other provided, there is humor in that moment.

This is a weird place in the development of Snoopy's visual development. He's thicker here than in the years to come. He gets longer and leaner for a while, but afterwards seems to pull back a bit into the "balloon animal" shape of the later years of the strip.

I might have missed one or two, but this is the first time I can recall seeing a single, serif Z representing sleep. Such Zs become an important part of the strip's comic language.

September 8, 1953: Two bears fighting

Here, Charlie Brown and Lucy's roles are neatly reversed from their later personalities. That look in Lucy's face in particular is one she never seems to adopt later. It's an expression that only rarely shows up in Peanuts, but it does happen once in a while.