Wednesday, May 25, 2011
Sunday, February 28, 1954: Willful Little Lucy
Read this strip on gocomics.com.
How much of this is meant to depict Lucy herself being stubborn, and how much just a very young kid rebelling against her parents? I think often, in Peanuts, cases of the latter evolve over time into cases of the former. That is, strips intended as general observations end up getting sorted by character, and so the kids accrete characteristics over time and in this way become complex.
In the lead-in panels, Schulz shows Lucy being contented with a word balloon containing a musical note. I suppose it's meant to represent her humming. It's not the first time he's done this.
Labels:
bed,
bedtime,
fit,
fussbudget,
lucy,
lucysparents,
musicalnote,
rebellion,
toys
Tuesday, May 24, 2011
February 27, 1954: Eleven?
Read this strip at gocomics.com.
Counting stars again? We've had four strips so far on the subject:
Charlie Brown gets her started
Lucy isn't keeping track
Standing on one chair
What about it?
There's just something marvelously quixotic about it, in a profound sense. What could be a more hopeless endeavor than to count all the stars?
NOTE: I'm not sure where my mind was yesterday whenb I wrote this, but I just noticed it doesn't actually have to do with counting stars, although it does involve touching one. Have been a little distracted over last few days.
Labels:
chair,
charliebrown,
countingstars,
lucy,
quixotic,
stars
Monday, May 23, 2011
February 26, 1954: Charlie Brown Cartoons Again
Read this strip at gocomics.com.
Another "Charlie Brown, Cartoonist" strip. Schulz used these a lot both to poke fun at himself and, perhaps, at other cartoonists. At the time, I think he was still working at Art Instruction, Inc.
This strip is interesting for other reasons though. The look on Schroeder's face the whole time is fascinating. He isn't upset in the last panels; it's more like he thinks Charlie Brown has rejected him. Or maybe he's just sad that his criticism didn't find reception in CB's round head.
Labels:
cartoonists,
cartoons,
charliebrown,
criticism,
schroeder,
sigh
Sunday, May 22, 2011
February 25, 1953: The Peanut Butter Sandwich That Broke the Camel's Back
Read this strip at gocomics.com.
I love this one.
How is Peanuts unlike other comic strips? Look here. It's not that Charlie Brown ripped the sandwich apart. It's Lucy's expression of dismay, and her horrified observation, "He tore it to pieces with his bare hands...."
Labels:
anger,
blush,
charliebrown,
fussbudget,
horror,
jelly,
lucy,
peanutbutter,
rarr,
sandwich
Saturday, May 21, 2011
February 24, 1954: In sync, no less
Read this strip at gocomics.com.
Do they mean to be insulting? They said it at exactly the same time, and with wide smiles. I'm guessing they rehearsed this.
Labels:
charliebrown,
insults,
patty,
pictures,
violet
Friday, May 20, 2011
February 23, 1953: At the Writin' Fence
Read this strip at gocomics.com.
I think we can safely assume that the upper graffiti is Patty's doing. It is important to the joke here that Lucy is depicted as very young, so as to provide an explanation for the illegible scrawl on the bottom of the fence. In fact, I think Schulz is actually cheating Lucy slightly shorter than she usually is, so the joke is clearer.
The strip for February 12, 1954 (presented here, fourth down) has Shermy writing on a similar wall. On that strip, njguy54 commented that Shermy's use of cursive was "interesting." It was, there, since who writes in cursive on large, vertical surfaces? But the use of cursive here is much more important, since it provides important visual similarity between the two writings.
Did Schulz plan the two strips at the same time? Probably; there are many examples of similar strips separated by a small number of days, enough to suggest part of his creation strategy: to hit upon some idea, to mine it for joke potential, then to draw some or all of the ideas, ideally seperated by a few days to keep things mixed up.
At some point, I conjecture, Schulz realizes that he doesn't always have to spread the strips apart like this, and he takes to running "theme weeks," where a number of consecutive strips feature a similar premise. That eventually leads to sequences of linear storytelling, such as Charlie Brown progressively leading his baseball team to failure. (Another sequence leading to that is the upcoming Lucy in the Golf Tournament story that plays over consecutive Sundays.)
Thursday, May 19, 2011
February 22, 1954: The sun is a mass of incandescent gas
Read this strip at gocomics.com.
We're here on the ground floor of another emerging Peanuts story theme, Lucy's willful ignorance. She's come a long way from her doll-like, third-person-referring, self-pitying ("Poor Lucy") early personality. Her mistaken knowledge of the universe, and her spreading that knowledge to Linus, is an upcoming cause of Charlie Brown's stomachaches.
The way the path behind Charlie Brown, in the first panel, curves up only to disappear is strange when you notice it. I think it's being represented as disappearing over a hill and Schulz didn't draw the horizon. My guess is, drawing the horizon line would connect the two characters visually, subconsciously connecting them when the whole theme of the strip is disconnection.
Lucy's pose in the second panel is great. She puts a lot of energy into her mockery.
Ho ho ho!
Wednesday, May 18, 2011
February 18, 1954: Lucy's quest
Read this strip over at gocomics.com.
Charlie Brown's patience with Lucy over her misguided project begins to wear down here.
Labels:
astronomy,
charliebrown,
countingstars,
lucy,
moon,
night,
quixotic
Monday, May 16, 2011
February 20, 1954: Violet's short attention span
Sunday, May 15, 2011
February 18, 1954: Baby Linus has a lot of energy
Read this strip at gocomics.com.
Schulz uses a few different styles of large-form lettering, and we can see them all here in close proximity. We find outlined and filled in examples of:
serif:
![]() |
| serif-ed |
![]() |
| sharp-cornered (in the M) |
![]() |
| square-cornered |
![]() |
| rounded simulated pen strokes 1 |
![]() |
| rounded simulated pen strokes2 |
Subscribe to:
Comments (Atom)














