July 4-9, 1955: Getting more unpopular every day

July 4:

The "fussbudget" joke continues. Despite what Lucy says this is far from the last we'll be hearing of it.

July 5:

But here we have the beginning of another running gag, that of Lucy teaching her brother about the world. This time, broadly speaking, her lesson is accurate (if a bit depressing). Tomorrow however....

July 6:

It's funnier when Lucy, who as we've already established with Charlie Brown has a somewhat tenuous grasp of the world, spreads well-meaning disinformation to Linus. It's only a matter of time before this is giving Charlie Brown headaches too.

Notice the different backgrounds in each of the panels here. I think Schulz changes them up as a way of illustrating that the "camera" in each is pointing in a different direction.

July 7:

Well, yeah. They're called adults. They still exist, even if we almost never see them in the strip.

When I first saw this strip I assumed the bike had to be a Penny Farthing bicycle or something, which would make Linus' reaction more understandable. But that's not an old-timey bike, that's a reflector on its front, or at least I think that's what it is.

July 8:

For being a comic strip about children, parents are mentioned seldom, probably because mentioning them too often might bring up questions about why we never see them.

The drawing of Lucy walking away in panel three is also a rarity; usually characters either leave the scene to the side, or they just disappear between panels and leave us to figure out they left the scene. We also have another example of serif lettering in panel 3.

July 9:

Charlie Brown is committing an error in his reasoning, conflating "not liking," with "dislike." You don't dislike people you've never met, but neither can you like them.

Yeah, I'm a real hit at parties. Bleah!

Sunday, March 27, 1955: Bumpety-bump

Read this strip at gocomics.com. 

The best thing about this strip is the lead panels, the two that some newspapers would strip out.  That hilariously cold way Charlie Brown greets Lucy, who immediately shows why he's responding that way.  It's difficult to mistake "fussbudget" for a compliment this time.

Linus' display of skill is typical for him -- almost everything he tries he turns out to be great at.  Imagine Charles Schulz sitting hunched over his desk, thinking of all the ways be can write out the word "bumpety" and "bump."

Imagine him doing that, and imagine him thinking to himself afterwards, "How did I manage to land this wonderful job?"

March 14-19, 1955: ALL RIGHT, THAT'S ENOUGH

March 14

Lucy sticks with this fussbudget thing for a good while.  I don't think she ever gets it into her head that her mother wasn't complimenting her.

March 15

Back in the first fussbudget strip, Charlie Brown seemed like he understood that Lucy's mother was complaining when she called her daughter a fussbudget.  It's not as obvious here if Charlie Brown is in on the joke.  He's either forgotten, or he's exceptionally straight-faced in his sarcasm.  It could really be either -- there are other strips in which Peanuts characters say sarcastic things without breaking expression even slightly.  When I saw the fussbudget strips as a kid, I didn't get that the joke was on Lucy.  (And to this day, I'm not sure on the origins of the word, or even how it's said.  Is it really "fuss-bud-jet"?)

March 16

Snoopy seems awfully pleased about his pink collar.  I dunno, it doesn't seem really like a Snoopy sort of color.  

March 17

Schroeder's mania continues.  His Beethoven fixation is slowing being made an object of fun, which culminates, I think, in his carring around signs informing people as to how many shopping days it is until Beethover's birthday.

March 18

Why is Charlie Brown sighing here?  Should that be coming from Schroeder instead?

March 19

I think this is the first time Lucy really, really rags on Charlie Brown, which of course becomes a common event in the strip.  It's a chase strip, but going by the rather silly and idiosyncratic rules I've made up, not really a turnabout strip.

February 14-19, 1955: Snoopy hates that balloon

February 14

Sight gag.  Did kids of Charlie Brown's age play hockey?  I think he's around seven at this time.

The splash lines around Charlie Brown's head are very effective.  If I have occasion to draw a splash, I find I do it the same way.  I probably picked that up from Peanuts.

February 15

Modern times.  If this strip were updated for the present day Charlie Brown's farm would probably be industrial agribusiness.

February 16

Brutal honesty.  More cartooning banter between Charlie Brown and Schroeder.  What is it about Schroeder that makes him a good test audience for C.B.'s work?  It might have to do with him being the mot artistically-developed of Schulz's personalities.

February 17

Turnabout.  That is a very angry Snoopy there in panel three.  On panel two though, in my experience deflating balloons don't go swish.  Instead they make a noise that is charitably referred to as a raspberry.  I wonder if this has to do with a change in balloon construction in the fifty-five years since this strip.

February 18

Unexpected honestly mixed with ignorance.  This is the first time any of Schulz's characters has really engaged in writing. While the  intellectual development of the characters is fluid depending on the needs of the strip, there does seem to be a sort of consistency to it.  To my knowledge Schulz doesn't use Lucy for jokes about school reports, like he does for Peppermint Patty or Sally, which sort of implies the character is a good writer just from the absence of examples of her being bad at it.

And can't you just imagine Lucy writing a newspaper column?  Probably "Diary of a Fussbudget" can be found on the Opinion page.

February 19

Another sight gag.  More lines like the surprise lines in the first strip.  Sometimes Snoopy is disdainful of being expected to perform dog-like activities, but sometimes he goes along with it.

December 6-11, 1954: The Fussbudget Sonata

December 6

This is an intensified version of a previous snubbing strip.  Charlie Brown still hasn't quite started taking snubs to heart.

December 7

Charlotte Braun won't be with us long folks.  I mentioned before, I seem to remember, that her niche would be taken over by Lucy (whose fussing becomes better-illustrated as Schulz turns up her volume), and some parts of her character design would later be refined and used for Sally.

December 8

Charlotte Braun rarely appears in collections -- I think gocomics' archive and of course the Fantagraphics volumes are pretty much it.

December 9

Come on now, Lucy isn't really that bad a girl, at least not yet.

December 10

There's something about the way Lucy looks straight up that looks a little weird.  In the second panel, is that her chin or her cheek?

December 11

Is this an early example of Schroeder warming slightly to Lucy, or is it sarcasm on his part?

Lucy has been described, and has self-identified, as a fussbudget before, but I think here it's starting to become a defining attribute.  I think a lot of people's impressions of the characters originated from the early collections (some of which I read as a kid in first grade -- I devoured all their Fawcett Peanuts collections), and we're just starting to get to the era where strips would frequently be drawn from for those reprints.  That's the era that started frequently referring to Lucy as a fussbudget, so they would come to figure prominently in perceptions of the character.

The paddleball bit with Charlie Brown is a wholly unnecessary, but nice, touch.

Week of August 9-14, 1954: Things like that make my stomach hurt

August 9

As Lucy becomes more bullheaded and cantankerous, Linus would grow into the role of asking Charlie Brown science questions. In one memorable strip, he asks an angry-faced Lucy why the sky is blue. She snaps back at him "BECAUSE IT ISN'T GREEN!"

August 10

That coy smile on Pig-Pen's face in panel three is interesting, in a Mona Lisa kind of way.

August 11

This is a growing part of Lucy's personality, a refusal to acknowledge basic facts. At she isn't laughing about what a joker Charlie Brown is afterwards this time. Charlie Brown's stomachache of dismay when confronted with one of his friends' quirks is a developing part of his character, too.

August 12

It's been a little while since we've seen a fussy Lucy strip. This one fits right in with the pattern: Lucy looks a gift horse in the mouth, and the horse kicks. Charlie Brown's expression is a little different this time: it's a more introspective look of annoyance, more of a look of "why does this happen to me?" than "why do I put up with her?"

I might have to agree with Lucy, however, if there really are weeds in the lemonade.

August 13

Having trouble coming up with something to say about this one. Not the most complex joke we've seen.

August 14

This seems more like something Linus would do. Actually, Schroeder has been in a good number of non-musical strips around this time. He's catcher of the baseball team, he's Charlie Brown's cartooning audience, and he's also around as a bit character. I remember as a kind seeing Schroeder strips at the piano and wondering why I never saw him anywhere else. He seemed to exist in a piano-centered universe, with occasional visits from the Satan of his personal world, Lucy.

The first panel demonstrates a curious aspect of Peanuts' artwork from around the time. Characters wearing a neutral expression viewed front or from the diagonal are often drawn without mouths. I thought it was weird the first time I saw it, and I still think it's weird now.

Sunday, February 28, 1954: Willful Little Lucy

Read this strip on gocomics.com.

How much of this is meant to depict Lucy herself being stubborn, and how much just a very young kid rebelling against her parents?  I think often, in Peanuts, cases of the latter evolve over time into cases of the former.  That is, strips intended as general observations end up getting sorted by character, and so the kids accrete characteristics over time and in this way become complex.

In the lead-in panels, Schulz shows Lucy being contented with a word balloon containing a musical note.  I suppose it's meant to represent her humming.  It's not the first time he's done this.

February 25, 1953: The Peanut Butter Sandwich That Broke the Camel's Back

Read this strip at gocomics.com.

I love this one.

How is Peanuts unlike other comic strips?  Look here.  It's not that Charlie Brown ripped the sandwich apart.  It's Lucy's expression of dismay, and her horrified observation, "He tore it to pieces with his bare hands...."

November 19, 1953: Third use of "Fuss-budget"

Read this strip at gocomics.com.

Fuss-budget became one of those terms that identified Peanuts, like "good grief!"  It's probably about time to stop calling out every usage, though.

August 28, 1953: Lucy fusses, again

We've seen this setup several times by now. Whether Lucy's asking for a glass of water, or for sandwiches with the crusts cut off, she just doesn't seem satisfied. CB's reaction this time is the same as the previous instances. Lucy doesn't yet have the muscle to back up her demands.

July 30, 1953: Lucy is inappropriately happy

Lucy's being pleased at her own orneriness is interesting. Being happy that she's difficult to be around is a very Lucy attitude. This might be overthinking a joke somewhat, but it does point the way to her increasing willfulness.

In this strip, Lucy is alone but she's still talking. Her speech is more like her thoughts than things she is actually saying. This is akin to the theater trope where characters turn and address the audience, unheard by others in the scene. Overturning this, later on there will be strips in which a character actually overhears another character's internal dialogue, which could be taken to mean that either Schulz is playing around with the convention, or that his characters really do frequently talk to themselves.

April 13, 1953: Second Use of "Fuss-Budget"

The first time it was used Lucy wasn't really all that fussy. Her behavior has been edging closer towards making the label a reality.

March 16, 1953: Lucy's sense of propriety

More of Lucy's fussiness. What is interesting I think is that later on Lucy's fussy behavior is actually mostly taken for granted, it's more told than shown in later strips. (Her actual behavior is mostly Selfish-Evil.) So it's nice to see some genuine fussy behavior from her.

February 7, 1953: Lucy's Fussiness

At this point we've heard Lucy described as a "fussbudget" once, but the only times she's really been fussy are with Charlie Brown, and even then not much.

In the second panel it's unclear that Charlie Brown is actually holding two glasses. The shading makes it look strangely like he has arm hair.

November 7, 1952: Fussbudget

This is the first time the word "fussbudget" has been used in the strip. Now this word is almost impossible to separate from Peanuts. It is always, or nearly always at least, connected with Lucy.

Lucy hasn't been extremely fussy up to this point, but in Peanuts, when another character makes explicit reference to some trait supposedly possessed by another character, that tends to be the point where that other character begins exhibiting that trait as a defining characteristic. In other words, when someone is labeled, the label becomes indelibly part of them.

This is how most Peanuts characters evolved over time, and especially how they gained the traits for which they became memorable.

March 3, 1952: Dear god, it's HER

Aww, isn't she cute? Little did anyone, least of all Schulz himself, know that with the introduction of that (literally) wide-eyed little girl jumping rope, there was created perhaps the most concentrated entity of wrath ever to grace the comics page.

The Fuss-Budget. The Mistress Crabby. The Atom Bomb. She that doth provide the football, and she that taketh it hence.

So faint not dear reader, but yet be warned! It has awakened!

LUCY APPROACHES.