January 24-29, 1955: Snoopy unmoors from reality

January 24

Another early Linus/Snoopy interaction. That's a rather overstated frown in the last panel there.

January 25

A simple gag about a kid not understanding an idiom. Yeah yeah, let's get to the real reason we're here:

January 26

THIS. One of the most important strips in Peanuts' entire run. The first strip in which Snoopy fantasizes about being something else. In these four panels we see the origin of the World War I Flying Ace, Joe Cool, and a hundred World Famous things. They are cute strips of course, but there are strange depths buried there.

This strip is a bit problematic mechanically though. Schulz uses a thought balloon for Snoopy's thoughts in the first panel, but in the second the balloon does double-duty as a thought and speech balloon, which makes it seem like Snoopy is speaking in English.

Charlie Brown's wide, amused smile is, in its way, as funny as Snoopy's snarl.

January 27

Lucy is willfully wrong about something else. Some notes here:
1. The subplot about Charlie Brown's paddleball is a nice touch.
2. The letters asked about and responded with are written with serifs and with little single-quotes around them.
3. Charlie Brown's annoyance that Lucy refuses to believe 'F' follows 'E' in the alphabet is interesting. He seems to care that Lucy get her facts straight, and takes it personally when she refuses to see reality. That's admirable in a way, but will probably cause him problems later in life, for there is no shortage of Lucys in the world.

January 28

When I was a kid, I would read these strips where Lucy is referred to calmly as a fussbudget, and the sarcasm flew roughly two miles over my head. It didn't help that Lucy would then respond without a trace of irony. The humor of Peanuts could be really dry sometimes.

January 29

Violet's smile throughout this strip is vaguely infuriating.

November 22-27, 1954: Phooey to you, Charlie Brown!

November 22, 1954

People haven't really given apples to teachers, that I'm aware of, in the years since 1954, where as Charlie Brown remarks was already an outdated notion. And yet, we get this joke, the lore of teacher-apple-giving still lives. (My guess, which could easily be wrong, is that the custom arose as a way of helping to support teachers, who were traditionally spinsters.)

November 23, 1954

Oh, how I love this strip. It's awesome. I love it so much that, over on Metafilter, I've started using "phooey" as a general term of disdain, usually against people who are trolling or spouting incredibly stupid opinions. (Them: "I don't vote, and I don't see why anyone should!" Me: "Phooey to you. Phooey all over you.")

I think why I love this, more than how funny and yet satisfying it is to read "Phooey to you Charlie Brown," is that Schroeder says it twice. The first time we don't know why he's angry; the second time reminds us of his anger. It is perfectly constructed, it reads great, the sentence has a great rhythm, just, wow. This is one of my favorite strips to date.

November 24, 1954

This is either the beginning, or close to the beginning, of Lucy's obsession with bugs, which drives a good number of strips to come.

November 25, 1954

In case you hadn't noticed, Charlie Brown embarrasses easily.

November 26, 1954

A strip like this reminds us of how relatively recent casual sexism was. I'm not sure many comic characters could get away with Charlie Brown's rude summation, although to Schulz's credit it is rare that a male character gets away with declaring superiority to females without some form of rejection, refutation or comeuppance. Calvin might declare how much better boys are than girls, but he certainly wouldn't be allowed to get away with it.

November 27, 1954

The animated adaptions of Peanuts, in addition to not showing adults, also replaced speech with muted trumpet noises. I think the later days of the comic tried to get away with not printing adult words, but in the early days at least Schulz was not above the occasional adult speech balloon.

October 11-16, 1954: Charlie Brown's dog begins to drive him mad

October 11, 1954

There is a role-playing game out there called Call of Cthulhu, which involves players encountering horrible creatures from beyond time and space. That game gives players a statistic called "Sanity," or SAN, which is rated on a scale from 0 to 99. Whenever something happens to a character that tests his grasp on reality, he's told to make a sanity roll, rolling a couple of dice to generate a number from 1 to 100. If he rolls beneath his sanity, he loses no or a few points. If he rolls above, he loses more, sometimes a lot more.

That paragraph is just to explain the following statement: In the next year Charlie Brown will receive a ton of sanity rolls. A lot of things seem to drive the poor kid crazy.

This is another version of the strip for September 20, 1953, although much shorter.

October 12, 1954

Does it seem to any of you that, sometimes, Schroeder is a bit defensive about Beethoven?

October 13, 1954

Snoopy was very energetic as a young dog. Someone should drop a piece of candy just to give him a focus for all that nervous tension.

October 14, 1954

The lid may be on the pot for now... but the fire is lit, and the water boils.

October 15, 1954

Lucy has seen Snoopy's nose enough times that she should know it's not a handball. Snoopy's nose is a bit strange though, as dogs don't really have round noses like this, and this joke is as much a self-referential sequence about Schulz's art style as were all the jokes about the size and shape of Charlie Brown's head. Schulz had been known to say later on that it was difficult to get the size of Snoopy's nose exactly right.

October 16, 1954

Most of the time, when characters express annoyance or frustration at Charlie Brown, he internalizes their words and gets depressed. This looks at these exchanges from the other point of view; Violet really is overreacting.

February 25, 1953: The Peanut Butter Sandwich That Broke the Camel's Back

Read this strip at gocomics.com.

I love this one.

How is Peanuts unlike other comic strips?  Look here.  It's not that Charlie Brown ripped the sandwich apart.  It's Lucy's expression of dismay, and her horrified observation, "He tore it to pieces with his bare hands...."

February 13, 15, 16 and 17, 1954: Lucy, Patty and Violet

The strips for February 9-12, and the 14th, are currently missing from Universal's website.  We'll skip those for about a week, then will probably try to get them from another source.

February 13, 1954:

Lucy seems to be exhibiting problems with her indoor voice.  When she's shouting, notice the post of dismay Violet is wearing.  But Lucy doesn't have "angry eyebrows" in any of these panels.
Sometimes Charles Schulz will draw a doll in one of the panels, and I'm always amazed by the effort that goes into them.  Like I said about the last strip, showing a character small isn't really like just drawing it at a smaller scale.  The doll here shows so much attention to detail looks like it could well have been a new character.

February 15, 1954:

 Here is what I meant by "angry eyebrows."
I assume this is before class started, or else I'd think Violet's outburst would cause a disruption.
The change in Charlie Brown's poses from panels 2 to 3, and from 3 to 4, are strange.  He goes from happy, to flinching like he's about to be hit, to a kind of casual leaning back.  Violet is still pretty angry in the last panel though.
For some reason my attention is drawn to Violet's exclamation in the third panel.  It doesn't have an exclamation point, and it has an apostrophe noting the removal of the "e" in "the."
This is not the first strip that shows characters in a school setting, but it might be the second.

February 16, 1954:

This is classic Lucy, and helps to show what a terror she's developing into.  Although there's no spite shown on her face it's difficult to avoid assuming some.  We also get a somersault here, although it's not the side-view one we usually get later.

February 17, 1954:

The question presented by this strip is, is Patty's long pause her intended to be hers, or are we just sort of seeing Charlie Brown's mental state illustrated?  The latter is a bit of a stretch, so I believe it's the former.
Note Charlie Brown's expression in the last panel is not a chagrimace.  It's more like a frown.

December 10, 1953: Limits to Lucy's fussiness

Read this strip at gocomics.com.

Here Schulz subverts the pattern he's used several times, where Lucy finds fault with some kindness of Charlie Brown's and he upends something on Lucy's head in response.  Thing is this time Lucy has a point, but puts up with it anyway if there's no alternative.

November 24, 1953: Charlie Brown *still* has a big, round head

Read this strip at gocomics.com.

Maybe I should start categorizing these.  This is a type of joke we've seen several times before, beginning with the beach ball strip.  That began as a kind of comment Schulz made about his art style.  This is Lucy's second time making a joke at the expense of Charlie Brown's head.  The "WHEE!" is new however.

This is a chase strip, but it's not a "turnabout" strip because Charlie Brown has a reaction shot in the penultimate panel.

November 17, 1953: Lovecraftian horror!

Read this strip at gocomics.com.

Oh it's not Nyarlathotep, the Crawling Chaos; or Shub-Niggurath, Black Goat of the Woods with a Thousand Young.  It's just Linus.  Just little, innocent Linus!

OR IS IT?

This is a retread of the "girls in stadium boots" strip from just ten months back, although the horror is more vague here.  Notice that it's entirely Charlie Brown who's getting worked up.  Lucy knows exactly what's going on.

November 11, 1953: Schroeder conducts in front of Snoopy, Take 2

Read this strip at gocomics.com

The previous Sunday strip had mostly the same idea, but with a different payoff.

I think this could be taken to show how careful Schulz is to mine his premises well. As I've said before, drawing a daily comic strip is one of the most creatively demanding occupations one could hope to find. Imagine the pressure of having to come up with one joke a day for the rest of your life. Schulz is showing good sense by getting additional gags out of his premises.

July 6, 1953: Whither the pigs?

Chagrimace!

Lucy has quickly become the most frequent female character, and second only to Charlie Brown in recent appearances. Patty and Violet are nearly interchangeable now. Although Violet joined the cast as a "young" kid character, she was never as naive as Lucy can be.

Lucy is especially unique because she can combine her naivety, somehow, with sarcasm. That combination sticks to the character for quite some time.

March 21, 1953: Charlie Brown Is Not A Manipulator

Shermy's developed a fair amount since the early strips. Here's a strip with him from March 28, 1951, just two years before:



Of course Violet's changed a lot too, but we so rarely see Shermy.

The very earliest strips, to me, look like the kind of thing that might be drawn for a magazine periodical like the New Yorker, which fits Schulz's early sale to the Saturday Evening Post. The characters as we see them in today's strip up above are actually less stylized, they have proportions closer to the human norm, but they're also more obviously something of Schulz's own devising.

February 12, 1953: Hey! Hey!

Doesn't this actually just serve as more evidence that Charlie Brown's right? If Shermy had used Snoopy's name Charlie Brown wouldn't have thought he was being called.

November 19-21, 1952: Lucy's winning streak

Lucy's winning streak continues. If you think that's an unlikely number of wins, wait until you see what it gets up to.

September 24, 1952: Linus' third strip

Schroeder has been redefined as the strip musician, so Linus plays the role of stereotypical baby for a while, the third such character to fill that role in less than two years.

July 3, 1952: Cute little puppy dog

How does someone with a face covered with hair blush?

Looking at Violet walking here, she looks very similar to the style of the characters for the next few years. She's almost at the proportions of classic Peanuts now. Charlie Brown is the human character who still looks the most like the original, with his oval head and thick eye-dots. And Snoopy takes still more time, and doesn't get to the familiar look for many years.

Turnabout strip! What does it say about the Peanuts world that chasing someone, presumably to inflict violence, happens so often?

May 23, 1952: Snoopy is not weighed down by life

This is a great strip. It has a theme I heartily agree with, it's cute, and shows a hint of Snoopy's developing personality. It could pass for a strip a few years later all except for the art style, which looks even better, I think, with old-style Snoopy doing it.

Notice that word balloons with music notes do not count against Snoopy's no-talking prohibition.

May 6, 1952: The monster is sighted

This is the first strip in which Lucy does something actively antagonistic against another character (who is not her unseen father). It is also quite a clever little joke on pool ol' Charlie Brown.

May 2, 1952: When Schroeder Met Snoopy

I believe Snoopy and Schroeder have been in the same strip before (a Sunday baseball one), but this seems to be the first one in which the two interact.

I suppose we should be thankful that Snoopy isn't a musical prodigy too.