February 6-13, 1955: Square Balloons and Valentine's Day

We have a fairly uninteresting Sunday strip to lead off, so I included the following week with it. And then just to go that little bit farther, I included the next Sunday strip in with it.

Sunday, February 6

Well, they can't all be winners. Although the sight of a snowman with extremely long arms is kind of amusing. Next!

February 7

More of Linus' square balloons. This does make it a lot easier to store them. By the way, I like how the cartoon convention that blown-up balloons automatically float upward is ignored here. People don't typically exhale helium dammit.

February 8

I wonder if Charles Schulz drew this one in response to letters asking Violet's question.

February 9

This is a good example of something Schulz is good at, taking an absurd premise and elaborating upon it entertainingly. I believe it's not impossible to create a balloon that would blow up into a cube, but I don't know if you could do it with just latex.

February 10

We've seen Lucy at the piano before, and we've seen Schroeder cut her down, but this, I think, is the first time when the setting retreats into the background and it's really settled into the Schroeder/Lucy formula. This strip could just as well shown up ten years later.

February 11

Chagrimace. More willful ignorance from Lucy. I guess some skepticism is healthy, but what a thing to be skeptical of.

February 12

Every year, thousands ones of children accidentally construct cages around themselves using building sets. Won't you please give today to the cause of outlawing these horrible toys?

Particularly noteworthy: this is the first time Linus makes an utterance that isn't obviously either baby talk or an internal monologue. From here, it's only a matter of time before he starts quoting the Old Testament.

Sunday, February 13

That car in the first two panels is entirely a throwaway, but it helps to underscore just how much the world has changed in the years since 1955.

That's an uncharacteristically mocking attitude from Schroeder in panel 2.

This is the first strip that focuses on Charlie Brown's problems with Valentine's Day, I think. Although the object of his affections isn't the Little Red-Haired Girl, this is definitely the kind of silly mistake he'd make with her later.

Sunday, September 5, 1954: Lucy, Patty and Violet

The beginning of this strip demonstrates how Patty and Violet are slowly becoming a double-act, reinforcing each other's opinions and building up the will to confront Lucy. Lucy is also true to form here, fussing and throwing a tantrum about "not playing her way." (That generic reason for the confrontation and tantrum seems kind of weak, but it serves to keep the focus on the characters and their reactions, and not whatever game it is they're playing.)

This strip also demonstrates that Lucy's behavior is, to some extent, an act she puts on to attempt to get her way. When it's evident that her ruckus is to no avail she comes around quickly.

The drawings of her tantrum are very energetic. Panels five through ten show particularly varied reactions. Schulz must have put some thought into how to illustrate characters pitching fits or otherwise expressing anger/dismay. Note, Charlie Brown hit his own head against a tree not long ago, and now Lucy is doing it too.

Sunday, June 13, 1954: Charlie Brown and a Kite

Read this strip at gocomics.com.

Last Sunday Charlie Brown's kite contributed to a more general neighborhood chaos. This time a statement is definitely being made about his kite-flying skills. We don't yet know if it's an aspect of his character that sticks or if was just intended to be a one-off joke. Probably the latter.

November 17, 1953: Lovecraftian horror!

Read this strip at gocomics.com.

Oh it's not Nyarlathotep, the Crawling Chaos; or Shub-Niggurath, Black Goat of the Woods with a Thousand Young.  It's just Linus.  Just little, innocent Linus!

OR IS IT?

This is a retread of the "girls in stadium boots" strip from just ten months back, although the horror is more vague here.  Notice that it's entirely Charlie Brown who's getting worked up.  Lucy knows exactly what's going on.

July 24, 1952: Lucy and Snoopy

1. Lucy's edging still-closer to the position of strip bully. That's rather a weird choice, I'd think, for a character who was introduced as one of the youngest of the cast, and a girl at that.

2. Snoopy's personality develops a bit too. That's a devious expression he's wearing in the last panel.

3. We also discover another thing he can say, and he can say it in serif lettering!

4. Scribble of ire!

September 15, 1951: Because Charlie Brown stands in the way?

It's funny, but also seems to suggest that either Charlie Brown is incredibly accident prone, or the other characters are resigned to him standing between them and the post.