Showing posts with label disappointment. Show all posts
Showing posts with label disappointment. Show all posts

Wednesday, July 6, 2011

Week of May 17-22, 1954: Dirges and Disappointments

May 17:

Snoopy used to do more dog-like things, like howl at the moon. Most dogs don't bother pro-rating the volume of their howling according to the amount of moon visible, though, because they don't comprehend fractions.

May 18:

The story of this strip seems at first, pretty much, to be "character does something foolish, which is rapidly undone due to its foolishness, so there."

Here's a thought experiment. If this strip involved Lucy stacking a vertical column of blocks, which eventually went too high and toppled over, causing her to say "Rats!", would it be a strip-worthy scene? What if it involved another character, like leaving out a bag of candy which Charlie Brown or Snoopy then came along and ate?

For some reason I'm very interested in this idea, to an extent that surprises me. It is my view that this strip works more for the "Rats!" at the end than the situation itself; it's about Lucy's learning that the world doesn't work the way she expects, and the disappointment she feels. This is a frequent theme of Peanuts.

May 19:

The universe never supplies just the right amount of water, Snoopy.

May 20:

This joke is deceptively complex. Lucy confuses the mood of a piece of music as being a value judgement on its quality.

You know you can tell where a dirge is on a vinyl record by looking closely at the grooves with a magnifying glass? The plastic is grayer at that point.

May 21:

Didn't we see this one before, or something like it? I can't find it in the archives though, despite my at-times-obsessive tagging.

May 22:

What kind of gas is in that balloon to be able to hold up that thick rope? What kind of strength must Lucy have to be able to hold it so casually?

Thursday, April 15, 2010

Sunday, August 31, 1952: But it's his pool, right?

Peanuts

This is a case where Charlie Brown's responsible for his own disappointment, to some extent. It's his pool, right? That's why he filled it? I guess he doesn't want to throw his friends out when they're having such a good time. (Schroeder especially is getting into it, although I doubt he really needs to hold his nose as he jumps in.)

Why is it necessary for Charlie Brown to empty the whole pool just because Snoopy is sitting in it?

As a kid, I'm not entirely sure why, I loved the picture of Snoopy sitting, smiling, looking out of the pool at Charlie Brown. It's something about his profile, or his attitude maybe. Or maybe it's just really cute.

The shading on the underside of the pool as CB empties it is an unusual touch for Peanuts.

Tuesday, December 8, 2009

February 26, 1952: Dolls are not good melee weapons

Peanuts

It's been a while since we had a turnabout/chase strip! Patty threatening to hit CB with her beloved doll is nice.

Tuesday, November 24, 2009

February 8, 1952: Beware the Wrath of the Prodigy

Peanuts

Can't really blame Schroeder for getting angry over this one!

Two things. First, Peanuts characters seemed to mellow out a lot over time. Even the mighty Lucy rarely seemed to wear an expression of this ferocity. Second, the rules concerning the depictions of adults and their communications was much less in force here. In many later strips, you wouldn't have seen a word balloon over the radio, and the joke probably would have had to be reworked into a conversation between two of the kids.

Friday, September 25, 2009

November 17, 1951: The Smartest Dog Alive

Peanuts

Snoopy hasn't been appearing for a bit lately. His design is subtly different here; he's wider, his body is thicker, he's less puppy-like, and his ears are rounder. His personality also continues to develop.

The problem, or the continuing battle I should say, of drawing a comic strip for years and years is coming up with new expressive ways to draw the characters. If you don't continue to find new ways to have them express themselves then you might as well be using clip-art. The change in the way Snoopy is drawn between the second and third panels is important, to illustrate his increasing pleasure as being complimented. His uplifted tail, his eyebrows and that aura around his head increase the perception of happiness, so the effect is so much greater in the last panel when it comes crashing down.