February 14-19, 1955: Snoopy hates that balloon

February 14

Sight gag.  Did kids of Charlie Brown's age play hockey?  I think he's around seven at this time.

The splash lines around Charlie Brown's head are very effective.  If I have occasion to draw a splash, I find I do it the same way.  I probably picked that up from Peanuts.

February 15

Modern times.  If this strip were updated for the present day Charlie Brown's farm would probably be industrial agribusiness.

February 16

Brutal honesty.  More cartooning banter between Charlie Brown and Schroeder.  What is it about Schroeder that makes him a good test audience for C.B.'s work?  It might have to do with him being the mot artistically-developed of Schulz's personalities.

February 17

Turnabout.  That is a very angry Snoopy there in panel three.  On panel two though, in my experience deflating balloons don't go swish.  Instead they make a noise that is charitably referred to as a raspberry.  I wonder if this has to do with a change in balloon construction in the fifty-five years since this strip.

February 18

Unexpected honestly mixed with ignorance.  This is the first time any of Schulz's characters has really engaged in writing. While the  intellectual development of the characters is fluid depending on the needs of the strip, there does seem to be a sort of consistency to it.  To my knowledge Schulz doesn't use Lucy for jokes about school reports, like he does for Peppermint Patty or Sally, which sort of implies the character is a good writer just from the absence of examples of her being bad at it.

And can't you just imagine Lucy writing a newspaper column?  Probably "Diary of a Fussbudget" can be found on the Opinion page.

February 19

Another sight gag.  More lines like the surprise lines in the first strip.  Sometimes Snoopy is disdainful of being expected to perform dog-like activities, but sometimes he goes along with it.

October 27, 1953: Addressed to Abu Dhabi

The stamp pressed directly upon Lucy's head like that reminds me of the old Garfield strips where he'd attempt to ship someone he didn't like (usually Nermal) to Abu Dhabi.

This is another of the sequence of strips where Lucy demands something of Charlie Brown, but goes too far in her demands resulting in some act of sudden rebellion. Interestingly, the act is never depicted itself; you only ever see its results. I would term these strips turnabout strips; it doesn't necessarily mean a chase is involved.

This kind of understatement is everywhere in Peanuts, once you start looking for it. It's not that Schulz doesn't or can't show the violent act, just that A. as with the chase strips, it's often more effective/less upsetting if the result is left unshown, and B. it makes those moments where the violence is shown (Lucy pulling away the football, Snoopy grabbing the blanket, Lucy slugging someone, Charlie Brown hit by a line drive) more effective.

July 25, 1953: Fussing with Lucy

We've already seen strips in which Lucy fusses over something to Charlie Brown, who blandly walks away, sometimes after dumping something on Lucy's head. This won't be the last one, either. Charlie Brown seems to lose this ability as Lucy becomes a more formidable opponent. These are "turnabout" strips, even though they don't involve a chase.

This strip also brings in another developing concept, Lucy's propensity to go wildly overboard in describing something, first seen back when exulting in her Checkers winning streak.

May 4, 1953: Charlie Brown has a big, round head

More turnabout/chase shenanigans with Lucy. It's another version of the beach ball strip. (And in fact, it seems fairly easy to get CB's goat.)

By the way, May 3 is not up at comics.com. Does anyone know if the strip is in Fantagraphics' compilations?

April 22, 1953: Another chase strip

Usually turnabout/chase strips only concern two characters, but Patty in this one is just a bystander.

So, let's return to the subject of the implications when one character chases another. Why does a character do so? It usually happens when the chased insults the chaser, or uses an exceptionally bad joke, usually appears angry while chasing, and it is implied that the chaser seeks violence. (Otherwise, what would that character do if he catches the other? Make him or her see reason through argument?)

Because of this, when a girl chases a boy it is funnier than when a boy chases a girl. We have reason to believe that Schulz saw it this way too; he has been recorded as saying a girl punching a boy is funny, but a boy punching a girl is disturbing.

The implications here are slightly allayed due to Lucy's spirited "WHEEE" in the last panel. At the very least she doesn't seem to feel threatened.

January 13, 1953: Schroeder has standards

This is a rather funny strip; the turnabout in the last panel is pretty sharp. Again, for this one to work you have to know about Schroeder's music snobbery, which isn't information you can glean from this strip by itself. Of course now we all know about Schroeder and his peccadilloes, but Peanuts wasn't in a huge number of papers in those days.

Sunday, July 6, 1952: Group picture

Lucy still has her round eyes (which look even weirder than usual in the second panel). Snoopy says "Shh!" And it's another turnabout/chase strip, demonstrating that, while Charlie Brown has been seeming depressed lately, he's still got a lot of his old self in there.

July 3, 1952: Cute little puppy dog

How does someone with a face covered with hair blush?

Looking at Violet walking here, she looks very similar to the style of the characters for the next few years. She's almost at the proportions of classic Peanuts now. Charlie Brown is the human character who still looks the most like the original, with his oval head and thick eye-dots. And Snoopy takes still more time, and doesn't get to the familiar look for many years.

Turnabout strip! What does it say about the Peanuts world that chasing someone, presumably to inflict violence, happens so often?

June 16, 1952: A reasonable request

There is a whimsicalness to early Peanuts that I find appealing. It's not just that Lucy washed her hands in Charlie Brown's glass of milk, it's that she asked nicely first like this is standard Lucy protocol.

Turnabout strip!

May 24, 1952: Lucy is non-repentant

A rather different context for the chase/turnabout formula. This is a solid step along the way to Lucy's later personality. Her expression in panel two is like a shadow spreading over the strip. Lucy's on her way and she's not bring flowers and candy canes!

May 15, 1952: Exit, pursued by girls, stage left

It's another turnabout/chase strip, although the cause this time isn't Charlie Brown smarting off, or at least not on purpose.

What is it about comic characters chasing each other that works? What would they do if they caught him? Inflict violence? Is that funny?

I don't seem to remember Lucy being the chaser in many turnabout strips. Generally, she's probably more likely just to slug someone and get it over with.

March 22, 1952: About face

It's a turnabout/chase strip in which Charlie Brown didn't intentionally insult Patty. He seems to be growing out of his smart-aleck phase.

February 26, 1952: Dolls are not good melee weapons

It's been a while since we had a turnabout/chase strip! Patty threatening to hit CB with her beloved doll is nice.

August 13, 1951: Comic magazine

A prescient strip. Here's the article from inside that issue.

(Also, it's another turnabout chase strip.)

June 22, 1951: Nyuk nyuk nyuk

Patty gets back at Charlie Brown for past chase strips.

Two things:
1. Charlie Brown's mouth looks a little weird in the last panel.  Ever see Grim Fandango?
2. It's a bit less funny when it's a boy chasing a girl after a bad joke.

May 5, 1951: Groan

Another chase.  I have to disagree with Charlie Brown in the last panel, that was not really all that notable a joke.

April 5, 1951: Who's on first?

Turnabout, chase, bad joke, etc.  Charlie Brown's quip this time, "Someday I'll probably drive this poor girl crazy," shows Schulz's recognition of the pattern.  It's pretty funny this time anyway.

Whose house is Patty and Charlie Brown in in this one, Patty's?  Which is it usually?  Does Charlie Brown ever go home?

EDIT: Somehow I didn't get the embed code into this one the first time. Shame, as this is one of the funnier strips I've seen yet.

March 15, 1951: Charlie Brown's youth-preserving regimen

Another turnabout joke, that being my name for these strips where there's a sudden rush of anger in the last panel based on something a character said, flipping the mood instantly from casual conversation to rage.

The cause here is another insult to Patty, resulting in another exclamation point, and another comment from Charlie Brown during the following chase. The joke here is actually rather funny.

February 14, 1951: Valentine's Day

Another turnabout strip, another chase, and more of CB's playful insulting of Patty's looks.  The punchline, "It's risky, but I get my laughs!" is almost the same as a prior chase strip, I notice.

At first, Peanuts didn't take much notice of holidays. My theory is that, as a cartoonist's run continues, their initial stockpile of ideas and energy becomes depleted as the enormity of the task settles in, and they start having to riff on whatever comes to mind. That is the true test for a published cartoonist, not how great the strip is at first, but can they keep it up?

January 22, 1951: He's asking for it

Another chase here, after Charlie Brown slyly insults Patty, who is beginning to show almost Lucy-like characteristics of ire.  Also, check out Charlie Brown's Shakesperian posing in the third panel.  It's best not to compare the length of his arms to the size of his head here.

Another thing to notice here is that the characters, viewed from the site, don't look tremendously different from their modern incarnations.  When we get a head-on or three-quarters view, however, they'll still look fairly alien.