April 11-16, 1955: Phooey to you Schroeder

April 11

Charlie Brown doesn't have nearly the fixation on D. Crockett as Schroeder does on Beethoven, but his embarrassment makes the strip.

April 12

At first this seems like another joke on the size of C.B.'s head, but really any of the characters could see around that thin tree.  The angry look on Lucy's face is adorable.

April 13

There are a handful of strips that establish that Schroeder isn't simply a child prodigy, but actually has a music career.  Lucy's general apathy towards music makes her choice of crush an odd one; Schroeder doesn't actually have much personality other than his music.

April 14

The first line drive Charlie Brown ever dodged (although it looks more like it bowled him over, dodging is how it's described in later strips).

April 15

This is more of a Lucy kind of strip, but neither her right field position nor her incompetence at baseball have been firmly established yet.

April 16

 For some reason, I can easily imagine one of Thurber's dogs in Snoopy's place here.

Sunday, February 27, 1955: Phooey to you, Beethoven

Read this strip at gocomics.com.

This is one of my favorite Peanuts strips of all time.  I actually didn't know that it showed up so early in Peanuts' run; I thought it was an early 60s strip.

Lucy is rapidly developing into her full horrific powers.  She just smashed up Schroeder's bust with a <i>baseball bat</i> in his <i>own house</i>.  And yet, Schroeder was fully prepared for it.  Wow.  And Lucy still hasn't really had many strips in which she's been infatuated with Schroeder -- in fact, I think this strip does a lot to solidify that crush as strip "canon."

It's interesting to note the contrast between Lucy's anger, violence and triumph to Schroeder's plain-faced endurance.  The kid doesn't break expression the whole strip, except in panel 8, which is quite a weird look for the kid indeed.  It's not quite anger and it's not quite sadness.  There is almost something <i>pacifistic</i> about the way Schroeder handles Lucy here. It's really something.

Oh, and the strip is hilarious too.

November 22-27, 1954: Phooey to you, Charlie Brown!

November 22, 1954

People haven't really given apples to teachers, that I'm aware of, in the years since 1954, where as Charlie Brown remarks was already an outdated notion. And yet, we get this joke, the lore of teacher-apple-giving still lives. (My guess, which could easily be wrong, is that the custom arose as a way of helping to support teachers, who were traditionally spinsters.)

November 23, 1954

Oh, how I love this strip. It's awesome. I love it so much that, over on Metafilter, I've started using "phooey" as a general term of disdain, usually against people who are trolling or spouting incredibly stupid opinions. (Them: "I don't vote, and I don't see why anyone should!" Me: "Phooey to you. Phooey all over you.")

I think why I love this, more than how funny and yet satisfying it is to read "Phooey to you Charlie Brown," is that Schroeder says it twice. The first time we don't know why he's angry; the second time reminds us of his anger. It is perfectly constructed, it reads great, the sentence has a great rhythm, just, wow. This is one of my favorite strips to date.

November 24, 1954

This is either the beginning, or close to the beginning, of Lucy's obsession with bugs, which drives a good number of strips to come.

November 25, 1954

In case you hadn't noticed, Charlie Brown embarrasses easily.

November 26, 1954

A strip like this reminds us of how relatively recent casual sexism was. I'm not sure many comic characters could get away with Charlie Brown's rude summation, although to Schulz's credit it is rare that a male character gets away with declaring superiority to females without some form of rejection, refutation or comeuppance. Calvin might declare how much better boys are than girls, but he certainly wouldn't be allowed to get away with it.

November 27, 1954

The animated adaptions of Peanuts, in addition to not showing adults, also replaced speech with muted trumpet noises. I think the later days of the comic tried to get away with not printing adult words, but in the early days at least Schulz was not above the occasional adult speech balloon.