November 22-27, 1954: Phooey to you, Charlie Brown!

November 22, 1954

People haven't really given apples to teachers, that I'm aware of, in the years since 1954, where as Charlie Brown remarks was already an outdated notion. And yet, we get this joke, the lore of teacher-apple-giving still lives. (My guess, which could easily be wrong, is that the custom arose as a way of helping to support teachers, who were traditionally spinsters.)

November 23, 1954

Oh, how I love this strip. It's awesome. I love it so much that, over on Metafilter, I've started using "phooey" as a general term of disdain, usually against people who are trolling or spouting incredibly stupid opinions. (Them: "I don't vote, and I don't see why anyone should!" Me: "Phooey to you. Phooey all over you.")

I think why I love this, more than how funny and yet satisfying it is to read "Phooey to you Charlie Brown," is that Schroeder says it twice. The first time we don't know why he's angry; the second time reminds us of his anger. It is perfectly constructed, it reads great, the sentence has a great rhythm, just, wow. This is one of my favorite strips to date.

November 24, 1954

This is either the beginning, or close to the beginning, of Lucy's obsession with bugs, which drives a good number of strips to come.

November 25, 1954

In case you hadn't noticed, Charlie Brown embarrasses easily.

November 26, 1954

A strip like this reminds us of how relatively recent casual sexism was. I'm not sure many comic characters could get away with Charlie Brown's rude summation, although to Schulz's credit it is rare that a male character gets away with declaring superiority to females without some form of rejection, refutation or comeuppance. Calvin might declare how much better boys are than girls, but he certainly wouldn't be allowed to get away with it.

November 27, 1954

The animated adaptions of Peanuts, in addition to not showing adults, also replaced speech with muted trumpet noises. I think the later days of the comic tried to get away with not printing adult words, but in the early days at least Schulz was not above the occasional adult speech balloon.

February 13, 15, 16 and 17, 1954: Lucy, Patty and Violet

The strips for February 9-12, and the 14th, are currently missing from Universal's website.  We'll skip those for about a week, then will probably try to get them from another source.

February 13, 1954:

Lucy seems to be exhibiting problems with her indoor voice.  When she's shouting, notice the post of dismay Violet is wearing.  But Lucy doesn't have "angry eyebrows" in any of these panels.
Sometimes Charles Schulz will draw a doll in one of the panels, and I'm always amazed by the effort that goes into them.  Like I said about the last strip, showing a character small isn't really like just drawing it at a smaller scale.  The doll here shows so much attention to detail looks like it could well have been a new character.

February 15, 1954:

 Here is what I meant by "angry eyebrows."
I assume this is before class started, or else I'd think Violet's outburst would cause a disruption.
The change in Charlie Brown's poses from panels 2 to 3, and from 3 to 4, are strange.  He goes from happy, to flinching like he's about to be hit, to a kind of casual leaning back.  Violet is still pretty angry in the last panel though.
For some reason my attention is drawn to Violet's exclamation in the third panel.  It doesn't have an exclamation point, and it has an apostrophe noting the removal of the "e" in "the."
This is not the first strip that shows characters in a school setting, but it might be the second.

February 16, 1954:

This is classic Lucy, and helps to show what a terror she's developing into.  Although there's no spite shown on her face it's difficult to avoid assuming some.  We also get a somersault here, although it's not the side-view one we usually get later.

February 17, 1954:

The question presented by this strip is, is Patty's long pause her intended to be hers, or are we just sort of seeing Charlie Brown's mental state illustrated?  The latter is a bit of a stretch, so I believe it's the former.
Note Charlie Brown's expression in the last panel is not a chagrimace.  It's more like a frown.

January 18, 1954:

January 19, 1954:

January 20, 1954:

January 21, 1954:

Let's do a few this time:
January 18: This strip is a callback to December 16, 1953.  Like that earlier strip, Schroeder's legs reveal attention to how they're braced against the fence.  Nowadays it seems weird that a kid would get off of school for his birthday, or that of any random classical composer.  That fence is weird -- it's in both strips.  This must be the edge of Schroeder's yard.  Chagrimace!

Of note for trivia contests: Schroeder's birthday is January 18.

January 19: It would be so easy to derive a political message from this strip.

January 20: This strip is something of a callback to July 2, 1953.  In that strip the kids are saddened by the prospect of being left with a babysitter.  Here, they're gloating at the prospect of the other being left behind.  Gradually, their relationship is evolving.

January 21: I like this one for how the shape of the notes in the last frame fill in the space between the top and the piano.

December 16, 1953: For your calendars

View this strip at gocomics.com.

The old mania shows through.  This obsession with all things Beethoven only grows over time, until it becomes perhaps Schroeder's most endearing characteristic.  I don't think the teacher is going to buy it as an absence excuse though.

According to Wikipedia, we're not actually sure when Ludwig Van Beethoven's birthday is, but it does say that December 16 is our best guess.

Concerning the art:
How about that jacket Charlie Brown is wearing?  Is that leather?  Denim?  Or just (yawn) corduroy?  
Those are some pretty well-thought-out poses for Schroeder on the fence there.  Schulz draws him having to lift himself up to see over the fence, which is exerting, so he braces himself against his feet in a couple of ways.    Very nice!

November 13, 1953: Excitable, isn't he?

Read this strip at gocomics.com.

Patty doesn't mean to drive Charlie Brown to hysterics, but it is kind of frightening to think about.  The space-filling overtelling of one of the characters here is acceptable, as it improves the joke.

It struck me just now that gender relations in Peanuts are already surprisingly equalized.  This is far from stereotypical girl behavior.  Patty gets used more as being a foil for Charlie Brown than for being female.  Maybe girls are considered to be more impish, and that explains why Patty is happy to point out C.B.'s mistake in the first panel; it's hard to imagine Shermy being happy there.

Look at that expression of fear in panel 3.  It's really a kindness that Charlie Brown doesn't realize that he'll actually be in school for 46 more years.

October 26, 1953: The mystery of Snoopy's snout

Snoopy's head is one of the most problematic entities, artistically, in Peanuts. From the side it's great, but from a three-quarters perspective it is weird. His cheeks round out a bit, to give his mouth more room for expression.

It's still less of a cheat, in my opinion, than late-era Snoopy, which rounded out his head in profile but is more problematic in terms of eye and mouth placement. (Of course, there's no law against cheating, especially if most people never notice the cheat!)

September 19, 1953: The end of the picnic school saga

Concerning school, none of the characters have been shown in school (pre- or real) yet. It's a little weird considering how often Linus sighed over Ms. Othmar, Sally spazzed-out over impending classes and Peppermint Patty fretted about D-minuses. Technically, I think none of the characters are old enough for first grade, or if they are it's just barely.

July 18, 1953: Picnic-school

This is the first time in my life I've ever heard of picnic-school.

January 29, 1953: GET OUT OF MY HEAD, TELEVISION

The TV has a point I guess. This is a rare strip in which the source of humor comes from outside the characters. While no adult is seen here, one can only guess that an adult wrote that sign and put it on the air.

By the way, it is not true that Peanuts has never pictured an adult figure! We'll see that for ourselves before very long.

Shermy's hair seems darker here than before.

January 11, 1951: The chair recognizes Patty

Revealed!  The secret origin of all those Peppermint Patty in school strips in the later days!  (No relation to the original Patty, of course.)  This is a pretty topical strip even today.  It's not hard to see one of the better modern strips using this joke.

November 22, 1950: But he's too young for school!

I bring this one up specifically because, next year, it's revealed that Charlie Brown is too young for school.  In fact, a previous strip established that he's only four at this time!  There's a sense in these early strips that the characters are not intended to have consistent stories, that they're more generalized stand-ins for types.  This may derive from the characters' origins as cartoons for the Saturday Evening Post.  No one asks who owns Thurber's dogs.