April 4-6 & Sunday April 10, 1955

April 4

A bit of simple wordplay, but one could take it to provide a lesson on the difficulty in living up to the divine. If one was disposed that way, that is."Pig-Pen" was the first minor character introduced into Peanuts, and is by far the longest-lived. Although present only in a very small proportion of strips, Schulz obviously found the character more compelling even than later "major" characters like Frieda and Eudora. Unlike the rather bland Eudora however (about the most I can remember about her is that she wore a hat and was a girl), Pig-Pen still has a strong personality, and is almost unique among the Peanuts kids in that he doesn't really seem to have any hangups. Linus is the closest to that blissful state, but even he had the blanket for a while, and the Great Pumpkin too.

 
April 5

A weird hanging question ends this strip. The point is clear -- there is nothing to say what we believe now won't be seen as similarly bizarre to people hundreds of years from now.

 
April 6

I think the Neighborhood League, if such an organization actually exists, should probably reconsider their retaping regulations.This is probably a joke on kids playing with laughably decrepit baseballs, but not having had what one might call a sporting childhood I am unfamiliar with the lore in that area.

 
gocomic's archive is missing strips for the 7th through the 9th of April, 1955. Can anyone tell us what the Fantagraphics collections have for those days?

 
Sunday, April 10

Oh, what a tremendously formative strip. It's not the first time Charlie Brown has expressed a mania for baseball (I think we've had one other strip so far where he's wanted to play while everyone else has gone inside), but this one seems rather more Charlie Browny, especially his expression in panel 7, that's pretty iconic right there.

March 27-April 2, 1955: The Martian Chronicles

March 27

 A fairly intriguing sequence this week, continuing the prior spaceman strips.  Schulz gets some good mileage out of halftone shading, a system which I don't think I recall him using much outside of these strips.  Maybe he got given a free sample of halftone transfer sheets or something and figured, in a thrifty midwestern sort of way, that he should at least get some use out of them.

March 28

More halftone language gags.  What sound is Charlie Brown actually producing in these strips?  I like to think it's like radio static, but that's difficult to shout like in the third panel here. 

March 29

 Whatever sounds C.B. is actually making, Lucy seems to be learning to understand it.

March 30

And to translate it!  But this all is simply a throwaway joke for CMS, something to use one week then never refer to ever again.

April 1

 This strip proves that the halftone speech effect is not a representation of distortion provided by the helmet but some sound Charlie Brown was actually making.  Lucy takes the opportunity to rag on C.B.'s round head again.

April 2

 Hey kids, don't try this with a cat!  I love how Schulz leaves the actual rubbing undepicted -- you can tell what happened just from context, Snoopy's fur, and the look on Snoopy's face.

March 21-26, 1955: What did you expect?

March 21

This is an early version of a later strip in which Lucy complains that she didn't get what she wanted for Christmas, which was "REAL ESTATE."

March 22 

A callback to Charlie Brown's pretending to be a martian earlier.  It's interesting how television aerials were considered to be futuristic back then.  It's very much Jetson-chic.

March 23

This one's mostly an excuse to draw more funny pictures of Snoopy.  And I am not complaining at all.

March 24

Another serif'd word, the "Hey" in Lucy's speech in the first pane.  I wonder what it was that inspired Schulz to use serifs for emphasis.

March 25

This strip is the beginning of the long war between Snoopy and Linus -- to the victor goes the blanket.  Snoopy may hate cats, but he's definitely picked up this maneuver off of one of them.

March 26

But... then what prompted this exchange?  Does Charlie Brown really have that short an attention span?  TV is still young yet, so we can't blame that.

March 14-19, 1955: ALL RIGHT, THAT'S ENOUGH

March 14

Lucy sticks with this fussbudget thing for a good while.  I don't think she ever gets it into her head that her mother wasn't complimenting her.

March 15

Back in the first fussbudget strip, Charlie Brown seemed like he understood that Lucy's mother was complaining when she called her daughter a fussbudget.  It's not as obvious here if Charlie Brown is in on the joke.  He's either forgotten, or he's exceptionally straight-faced in his sarcasm.  It could really be either -- there are other strips in which Peanuts characters say sarcastic things without breaking expression even slightly.  When I saw the fussbudget strips as a kid, I didn't get that the joke was on Lucy.  (And to this day, I'm not sure on the origins of the word, or even how it's said.  Is it really "fuss-bud-jet"?)

March 16

Snoopy seems awfully pleased about his pink collar.  I dunno, it doesn't seem really like a Snoopy sort of color.  

March 17

Schroeder's mania continues.  His Beethoven fixation is slowing being made an object of fun, which culminates, I think, in his carring around signs informing people as to how many shopping days it is until Beethover's birthday.

March 18

Why is Charlie Brown sighing here?  Should that be coming from Schroeder instead?

March 19

I think this is the first time Lucy really, really rags on Charlie Brown, which of course becomes a common event in the strip.  It's a chase strip, but going by the rather silly and idiosyncratic rules I've made up, not really a turnabout strip.

March 7-12, 1955: Candy and bugs

March 7

Snoopy's candy detecting powers at work again.  We've already established that Snoopy has a much longer detection range than this.  Note: both of them are probably inside here.

March 8

I've said it multiple times before but it really should be driven home: chocolate is toxic to dogs.  If we can bring ourselves to overlook that little thing, we can notice that chocolate creams are the default "good" candy of Peanuts.  Come back in two days to find out the default "bad" candy.

I seem to remember Snoopy doing the "mmmm" thing later on, and it annoying people.  I don't have a clear recollection of it though, it could be something else.

March 9

Linus is doing his googy face again.  It still looks funny to me.  I suppose this is the expression he makes when he sucks his thumb, but without his thumb in the way to obscure it.

March 10

Charlie Brown hates coconut.  Apparently, so does Snoopy.  (Their opinions on the issue closely mirror my own.)  In both this strip and March 8, the girl is used entirely as an observer, someone to which Charlie Brown can talk without seeming like he's talking to himself, or directly to the reader.

March 11

Lucy is at that magical time where she can say something that looks like pure glurge, but then turn it around 180 degrees in the last panel.  Charlie Brown exists in this strip to tip off the reader's reaction.  The second panel could be taken straight (it's a lesser reading, but possible), so Schulz put him in there to let us know it's supposed to seem sappy, and so we'll be able to see how loud Lucy is being in the last panel.

That disgusted look on his face in the second panel is not a standard Peanuts expression, I notice.

March 12

Somersault!  Aaugh!  You know, I think this might be Peanuts' very first "Aaugh!"

Bugs are not a part of the balance of Charlie Brown's back.

February 28-March 5, 1955: Everybody look down, it's all in your mind

February 28

The phrase "Good Ol' Charlie Brown" was used in the very first Peanuts strip, and continues to show up from time to time.  For a long while it shared the lead panel with the title.

March 1

This is the beginning of a sequence in which Charlie Brown pretends to be a spaceman.  I like the retro-look of the helmet, I might have to use that somewhere.

March 2

An often under-noticed problem with wearing glass space helmets on planets with both atmospheres and mischievous little girls.

March 3

One of my favorite things about the spaceman sequence is the straight face Charlie Brown keeps through most of it.  We have another example here of a character looking slightly silly when they look directly up.

March 4

Well, almost all of it.  Charlie Brown takes a lot of guff all because his head is styled a little differently from the others.

March 5

This repeated strip is probably a problem with gocomics.com's archive.

January 31-February 5, 1955: Charlotte Braun terrorizes the neighborhood

January 31, 1955

Charlotte meets Linus. This may actually be the only strip that features the two of them. Unlike Pig-Pen, who has a similar kind of gimmick attribute, Charlotte doesn't stick around for that long. This may be her last hurrah in fact.

February 1

The problem with Charlotte Braun is that she doesn't have much of a personality beyond loudness. Pig-Pen is so comfortable in his own skin that he kind of transcends his gimmick. Charlotte's gimmick lends itself to obnoxiousness though, so as Lucy becomes bossier she kind of steals Charlotte's niche.

Thinking about how Charlotte Braun disappears from the strip leads me to brainstorm completely made-up Peanuts characters who have similar one-note gimmicks. Maybe a girl who has really big hair? One who walks loudly wherever he goes?

February 2

I've noticed that this mistake, of assuming the range of one's experience matches that of the breadth of the world, is one that lots of people fall prey to, including myself from time to time.

February 3

This is far from the last time Lucy stomps something inches away from Snoopy's nose. There's a memorable bit later where she cures the common cold by having people cough on the ground, then she smashes the cold germs flat with her feet.

February 4

I think that counts as a chagrimace, but it's wider than usual, which I think is more from Schulz's developing art style than intent. It might be argued that Charlie Brown, after some earlier strips, is due to have a couple inches knocked off of him, but of course the characters eventually take it slightly too far.

February 5

I don't think this is the first time Patty and Violet have teamed up on Charlie Brown, but it's the most egregious example to date, and it only intensifies from here. But: "Charlie Brown lives in a purple house?" That's kind of reaching isn't it?

Sunday, January 30, 1933: Tum De Tum Te Da Te Dum ♫

Read this strip at gocomics.com.

Put a crayon in Lucy's hand and the world is her kitty.  Comic characters are susceptible to manias that would get real people committed.  Can't you just imagine a Batman villain whose schtick was drawing lines between dots?  "The Connector."  It can't be any less silly than the Riddler, whose gimmick is providing clues by which he can be caught.

Every once in a while Schulz allows himself a metajoke.  The strips in which people make fun of the size and shape of Charlie Brown's head are among these ("Is that a beach ball?"), as are the ones where Charlie Brown can't hide behind a tree because his head is too wide.  One strip Schroeder even threatened to put in a transfer to a different comic strip.  The last panel here is another such joke.

Some time later, Lucy will ask Charlie Brown if he thinks she has beautiful eyes, and, perhaps risking a pounding, Charlie Brown says they look just like little dots of india ink.

The first frame here is one of Schulz's more abstract lead panel designs.

January 24-29, 1955: Snoopy unmoors from reality

January 24

Another early Linus/Snoopy interaction. That's a rather overstated frown in the last panel there.

January 25

A simple gag about a kid not understanding an idiom. Yeah yeah, let's get to the real reason we're here:

January 26

THIS. One of the most important strips in Peanuts' entire run. The first strip in which Snoopy fantasizes about being something else. In these four panels we see the origin of the World War I Flying Ace, Joe Cool, and a hundred World Famous things. They are cute strips of course, but there are strange depths buried there.

This strip is a bit problematic mechanically though. Schulz uses a thought balloon for Snoopy's thoughts in the first panel, but in the second the balloon does double-duty as a thought and speech balloon, which makes it seem like Snoopy is speaking in English.

Charlie Brown's wide, amused smile is, in its way, as funny as Snoopy's snarl.

January 27

Lucy is willfully wrong about something else. Some notes here:
1. The subplot about Charlie Brown's paddleball is a nice touch.
2. The letters asked about and responded with are written with serifs and with little single-quotes around them.
3. Charlie Brown's annoyance that Lucy refuses to believe 'F' follows 'E' in the alphabet is interesting. He seems to care that Lucy get her facts straight, and takes it personally when she refuses to see reality. That's admirable in a way, but will probably cause him problems later in life, for there is no shortage of Lucys in the world.

January 28

When I was a kid, I would read these strips where Lucy is referred to calmly as a fussbudget, and the sarcasm flew roughly two miles over my head. It didn't help that Lucy would then respond without a trace of irony. The humor of Peanuts could be really dry sometimes.

January 29

Violet's smile throughout this strip is vaguely infuriating.

Sunday, January 23, 1955: Charlie Brown's deep attachment to an ephemeral thing

Read this strip at gocomics.com.

This is one of those strip concepts Schulz returns to later. I remember there being a similar strip involving Snoopy, who befriends a snowman, and is heartbroken when it melts away. Cut to Charlie Brown and Linus, who have been watching. Linus: "Poor Snoopy, he's too sensitive." CB: "I notice he's not too sensitive to eat the carrot." I'm paraphrasing, but it happened more or less like that. Even the carrot eating is here, which makes me wonder if that later strip weren't a conscious callback on the part of Schulz.

Anyway, this strip provides a good example of Charlie Brown's developing depression. He really takes this too seriously. I mean, going so far as to beg the sun to stop shining? Wow. A futile statement of man protesting against the universe! I smell a thesis coming on....

As the first panel indicates, snowman building is an artistic statement with Charlie Brown. He's a sculptor who works in the medium of snow, and he's at least got Schroeder's admiration for it.

I wonder if this isn't some kind of statement, conscious or not, by Charles Schulz about the ephemeralness of his own medium? Peanuts will probably be around much longer than other concluded strips, mind you. There are a lot of forgotten newspaper comics out there.

January 17-22, 1955: It Snow Trouble

Another snow pun for a title! Get used to them, it's far from the last....

January 17

We had another strip like this not long ago, where Charlie Brown didn't seem to come out of it too badly, but poor Snoopy was overwhelmed. Like in that strip, the funniest thing to me is how effortlessly Charlotte Braun belts out her words. There's a good set of lungs on the girl.

January 18

Oh no. Oh, no no no no no. What character in comicdom can get something as willfully wrong as can Lucy Van Pelt? Other than Mallard Fillmore, of course. Lucy actually knows she's wrong unconsciously, I think, which is why she sets herself against Charlie Brown's disagreement before she even hears his opinion. She's so happy with her discovery.

January 19

Notice... both here and in the previous strip, Schulz draws forward-facing characters with neutral expressions without a mouth, possibly for parity with the way he draws his characters when they face the side. He experimented with this a time or two before. He abandons it eventually.

January 20

I've had conversations with people that have gone exactly like this, right down to my depressed skulking away at the end.

January 21

Another mouthless face. And Lucy called Charlie Brown's face funny-looking.

Charlie Brown has some standard ways of expressing displeasure, which are already beginning to get set in. 1. "Good grief." 2. "I can't stand it." 3. "My stomach hurts."

January 22

Schroeder is practicing his scowl for the role.