Sunday, June 6, 1954: String and rope

Read this strip at gocomics.com.

This isn't the first time Charlie Brown has flown a kite, I think. It doesn't count as the beginning of the kite-flying-failure aspect of his character either, since all of the characters are holding (or jumping, or are tied to) some piece of string, and two are actually running with them.

Also different are the character's attitudes at the end. All of them are wearing a "dumbfounded" expression, including Charlie Brown. More frequently after causing a kite crash, Charlie Brown's expression is more like dismay, or disgust.

One thing I wonder about... in the last panel, three of the characters are sticking their tongues out. This is a bit of graphic shorthand sometimes used in comics (especially older ones) to represent dumbfoundedness or annoyance. But where did this convention get started? It doesn't seem like a particularly obvious connection to make, to stick out your tongue in the face of a blameless accident. How did this get invented? (While we're at it, when did "Z" become the universal signifying letter for sleep?)

Notice that Shermy is walking Snoopy here, making the dog's owner more doubtful again.

All of the current characters are represented in this strip except Linus.

Week of May 31-June 5, 1954: The Blanket

May 31:

I spoke too soon regarding the spelling of "coconut." Actually, it's possible this is the first time Schulz called it "cocoanut," and I misremembered. I sometimes scout ahead a few months so I know what's coming up, and I might be remembering this odd spelling from that.

Charlie Brown's distaste for coconut is one of those facts about the character that didn't really survive into the later strip.

June 1:

This is the first strip in which Linus holds a blanket, and the first one in which we're told he does it for security-related purposes, although the explicit term "security blanket" isn't in use yet.

June 2:

On the art of extracting comfort from flannel. Lucy isn't really opposed to it at this point -- in fact, I think you can probably find several strips in which Lucy is anti- and pro-blanket. Their grandmother, however, is less divided about it.

June 3:

Snoopy keeps one part of his brain awake at all time to watch for food opportunities. It's like a processor devoted to background tasks.

We get the serif-Z representing sleep here again.

June 4:

We've seen versions of this strip before. An early strip had them playing hide-and-seek, and the width of Charlie Brown's head gave him away.

In fact his head isn't that much wider than the others, it just seems to stick out more. Patty would have trouble hiding behind that tree without the sign (also because her dress extends out wider).

June 5:

Snoopy vs. The Yard: The Faucet

Even assuming the dog isn't familiar with the workings of human gardening apparatus, it's an oddly specific place to choose for a nap.

Week of May 24-29, 1954: Lucy's soul darkens

It's another full week post. What do you guys think about this format? I don't think I'm going to do all posts like this, but it's nice for making faster time through Peanuts' run. But there are a couple of interesting strips this time out though that might more deserve their own posts.
May 24:

Sir Edmund Lucy! A key moment in her development. It's unwarranted violence against her brother, and it's willful as it is arbitrary.
May 25:

By way of contrast, this is an aspect of Lucy's character that holds over from her original personality, her ignorance about the world expressed in humorous ways. It's when that ignorance becomes willful that we get the Lucy we know from later.
May 26:

Another Snoopy power: uncanny reaction time. Similar to the "great experiment" strip from a few months back, Snoopy's affinity for candy has the ability to brush aside such petty concerns as Newtonian physics.
May 27:

Another of Lucy's evolving attempts at cruelty. Another thing this strip foreshadows is, of all the characters, Snoopy is the one that her malice has the least power over.
One can accept Charlie Brown's statement, about considering being called a "dog" an insult, in one of two ways: either that it is an insult but Snoopy is ignorant of it, or that Snoopy is secure in his place. Later strips reveal that Schulz probably intended it the second way, which is the better meaning, but I consider the fact that he leaves it open for interpretation interesting.
May 28:

For the record, Easter Sunday fell on April 18 that year. We are left to decide for ourselves if Lucy is really late or extremely early in her decision.
May 29:

Aah. Yesterday when I talked about remembering another jack-in-the-box strip I was remembering this one. It's another example of Schulz's gag-writing strategy of taking some thing and permuting it through its possibilities.
It is worth noting here that the last strip in Schulz's Sunday-only experiment with continuity and adult figures is the one after this.

Week of May 17-22, 1954: Dirges and Disappointments

May 17:

Snoopy used to do more dog-like things, like howl at the moon. Most dogs don't bother pro-rating the volume of their howling according to the amount of moon visible, though, because they don't comprehend fractions.

May 18:

The story of this strip seems at first, pretty much, to be "character does something foolish, which is rapidly undone due to its foolishness, so there."

Here's a thought experiment. If this strip involved Lucy stacking a vertical column of blocks, which eventually went too high and toppled over, causing her to say "Rats!", would it be a strip-worthy scene? What if it involved another character, like leaving out a bag of candy which Charlie Brown or Snoopy then came along and ate?

For some reason I'm very interested in this idea, to an extent that surprises me. It is my view that this strip works more for the "Rats!" at the end than the situation itself; it's about Lucy's learning that the world doesn't work the way she expects, and the disappointment she feels. This is a frequent theme of Peanuts.

May 19:

The universe never supplies just the right amount of water, Snoopy.

May 20:

This joke is deceptively complex. Lucy confuses the mood of a piece of music as being a value judgement on its quality.

You know you can tell where a dirge is on a vinyl record by looking closely at the grooves with a magnifying glass? The plastic is grayer at that point.

May 21:

Didn't we see this one before, or something like it? I can't find it in the archives though, despite my at-times-obsessive tagging.

May 22:

What kind of gas is in that balloon to be able to hold up that thick rope? What kind of strength must Lucy have to be able to hold it so casually?

Week of May 10-15, 1954: Jellybeans, Coconut, Baseball and Swings

May 10:

I really hope they aren't resting in a bowl of milk. Most breakfast cereals probably have close to that much sugar as it is.

May 11:

A nice understated last panel on this strip.

May 12:

This is similar to a certain Friz Freling-directed Sylvester and Tweety cartoon, in which, in an effort to get high enough to grab Tweety's cage, Sylvester swings back and forth in a swing, going higher and higher. Unfortunately, part of the arc happens to intersect the field of motion of a pole-driving machine, and....

May 13:

The more I think about this strip the more grossed-out I get. Maybe she should wash them off in a bowl of milk? (We already knows she likes putting her hands in milk from a previous strip.) Maybe Schulz had jelly beans on the brain at the time he wrote these.

May 14:

Every so often a character reacts with surprising self-knowledge. You don't tend to get that kind of reflection from Beetle Bailey. It's a bit unsettling when it happens, whether in the comics or in real life.

May 15:

Coconut-flavored cough medicine?

This is a structure Schulz uses sometimes, where a character reacts strongly in the third panel, and another character shows up in the last panel expressly to watch and explain why the first character is reacting. Violet's wide smile here is interesting -- why is CB hating coconut funny? My interpretation is, it's the joy of watching someone you know act in an expected fashion. "Good ol' Charlie Brown. Boy, does he hate coconut!" That radio is really an innocent party in this however. Charlie Brown is just kicking the messenger.

Notice that Schulz isn't spelling it "cocoanut" anymore.

May 9, 16, 23 & 30, 1954: Lucy at the Golf Tournament

We've come around to that strange place in Peanuts history where Charles Schulz experimented with putting adult characters in the strip as background elements, with continuity elements, with a relatively serious storyline, with titling, and with making Lucy a golf whiz.

Thing is, we already covered these strips last year.

I'm taking the day off from the blog, feel free to go back and reread my comments on the sequence, which is among the stranger moments in Peanuts' run, right up there with the time Alfred E. Neuman appeared in the strip.

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Read this sequence at gocomics.com:
May 9 - May 16 - May 23 - May 30

Week of May 3-8, 1954

May 3, 1954:

A comment remarked that the "Red Red Red" strip from a few days back was probably, actually, a reference to the Red Scare current around that time.  The current events angle of this strip is rather more obvious to a reader 57 years in the future.

May 4:

One of the most enduring gags of the strip, that of Lucy's utter ineptness as a fielder, begins here.  It's a funny example of the type, too.

May 5:

That piece of candy must be incredibly rich.

May 6:

This is partly a callback to the very first Peanuts strip.

May 7:

The fussbudget plot continues.  Lucy still doesn't seem to comprehend sarcasm when it's used at her expense.  This is classic Lucy here, the (literally) wide-eyed little girl is almost gone.  Not completely yet, but she's getting there.

May 8:

This joke isn't one of Schulz's best right here, but it does give us another glimpse of the prehensile talents of Snoopy's ears.

Sunday, May 2, 1954: I guess that black tape didn't help much

Read this strip at gocomics.com.
A simple, funny strip.  The decrepit state of the ball is particularly funny.

META: Client problems

If you're wondering about the lack of updates for a couple of days, well....

I have been making them, they just accidently went over to my game dev blog instead.  I've been trying out a blogging client and it's made it easy to accidentally crosspost.  I'm trying to move the affected posts here, stand by....

May 1, 1954: Warping a little girl's mind

Read this strip at gocomics.com.

What is Charles Schulz saying, that Lucy is interested in Charlie Brown's "Mangle Comics," "Disease Comics" and "Gory Comics," yet he's not interested in "The Little Bunnies," "Billy Bluebird," and "The Funny Foxes?"

Some possible takeaway points:
1. Boy's comics are ridiculously violent (although "Disease Comics" doesn't seem like the most marketable title).
2. Boy's comics are more universally interesting than girl's comics, which implies Lucy considers girls' comics to be lacking.
3. Lucy is brushing up on her evil skills. Although Charlie Brown presumably reads them all the time, and he's kind of fragile.