Sunday, January 23, 1955: Charlie Brown's deep attachment to an ephemeral thing

Read this strip at gocomics.com.

This is one of those strip concepts Schulz returns to later. I remember there being a similar strip involving Snoopy, who befriends a snowman, and is heartbroken when it melts away. Cut to Charlie Brown and Linus, who have been watching. Linus: "Poor Snoopy, he's too sensitive." CB: "I notice he's not too sensitive to eat the carrot." I'm paraphrasing, but it happened more or less like that. Even the carrot eating is here, which makes me wonder if that later strip weren't a conscious callback on the part of Schulz.

Anyway, this strip provides a good example of Charlie Brown's developing depression. He really takes this too seriously. I mean, going so far as to beg the sun to stop shining? Wow. A futile statement of man protesting against the universe! I smell a thesis coming on....

As the first panel indicates, snowman building is an artistic statement with Charlie Brown. He's a sculptor who works in the medium of snow, and he's at least got Schroeder's admiration for it.

I wonder if this isn't some kind of statement, conscious or not, by Charles Schulz about the ephemeralness of his own medium? Peanuts will probably be around much longer than other concluded strips, mind you. There are a lot of forgotten newspaper comics out there.

EXTRA: R. Crumb on C. Schulz

From Crumb on Others (warning: link is NSFW -- I mean, how could it be, it's R. Crumb):
"I liked Peanuts for a while. In the late '50s, early '60s, I read it. It was good; well written and funny. I didn’t mind the minimalist drawing style. He caught on because his stuff was so cute and still kind of poignant and meaningful that everybody liked it. Everybody! How could you not like it? Who could dislike it? [laughs] There’s not a thing unlikeable about it. And because of that, Shultz became the richest cartoonist – one of the richest men in America. I met him once actually, at a book fair in San Francisco. He told me he liked my work, which took me aback."

EXTRA: XKCD makes a subtle Peanuts joke

Page: http://xkcd.com/972/
Hover over the image on that page to see the source of the joke made overt.  It's a reference to a very silly Lucy/Linus Sunday exchange, which starts off when Linus tells his sister "I'm aware of my tongue."

January 17-22, 1955: It Snow Trouble

Another snow pun for a title! Get used to them, it's far from the last....

January 17

We had another strip like this not long ago, where Charlie Brown didn't seem to come out of it too badly, but poor Snoopy was overwhelmed. Like in that strip, the funniest thing to me is how effortlessly Charlotte Braun belts out her words. There's a good set of lungs on the girl.

January 18

Oh no. Oh, no no no no no. What character in comicdom can get something as willfully wrong as can Lucy Van Pelt? Other than Mallard Fillmore, of course. Lucy actually knows she's wrong unconsciously, I think, which is why she sets herself against Charlie Brown's disagreement before she even hears his opinion. She's so happy with her discovery.

January 19

Notice... both here and in the previous strip, Schulz draws forward-facing characters with neutral expressions without a mouth, possibly for parity with the way he draws his characters when they face the side. He experimented with this a time or two before. He abandons it eventually.

January 20

I've had conversations with people that have gone exactly like this, right down to my depressed skulking away at the end.

January 21

Another mouthless face. And Lucy called Charlie Brown's face funny-looking.

Charlie Brown has some standard ways of expressing displeasure, which are already beginning to get set in. 1. "Good grief." 2. "I can't stand it." 3. "My stomach hurts."

January 22

Schroeder is practicing his scowl for the role.

Sunday, January 19, 1955: Nervous energy

Read this strip at gocomics.com.

Charlie Brown started out very slightly antisocial. Now he's moved into obsessive compulsive disorder. He's shown some signs of depression, but it hasn't really set in yet. The market isn't yet large enough to support five cent psychiatrist booths, but it's coming.

January 10-15, 1955: Lucy is hard on toys

January 10

A disturbing insight into Lucy's attitude towards property.

January 11

For some reason this strip reminds me of that disco version of Beethoven's 5th Symphony.

January 12

That's kind of hyperbolic. Lucy didn't even know what a metronome was before Monday!

January 13

Girls in Peanuts tend to be rather more rough-and-tumble than in other strips. Lucy, of course, eventually gets to where she won't think twice about returning a slug in the jaw for an insult. "Peppermint" Patty won't even be arriving on the scene for many years yet.

January 14

When someone tells you to close your eyes, yeah, it's usually a good idea not to if you can get away with it. Anyway, why doesn't Violet just rummage through her candy bag facing the other way?

January 15

An enthusiastic speech by Schroeder, boldly staking his claim as the neighborhood artist.

January 3-8, 1955: It snow problem

January 3

Snoopy vs. the Yard: Snowflakes

January 4

This is the first sign of strife between Lucy and Linus concerning Linus' blanket. Still, Linus' holding onto a security blanket hasn't been presented in anything other than positive terms otherwise -- this seems to be more Lucy selfishly claiming Linus' property as her own than shame or anger that he's carrying it around.

January 5

Lucy might have just a touch of OCD....

January 6

It is funny when a character defines a trait so completely that it causes extraordinary things to occur. Pig-Pen seems quite pleased by his accomplishment, and even the snowman itself seems happier than average.

January 7

Lucy's mood continues to sour. Although Linus hasn't spoken much yet, we can already see their relative ages beginning to approach each other.

January 8

It's like, the snow might all melt tomorrow, so might as well get your snowman quota for the year out of the way now.

---

It's becoming harder to find insightful things to say about every strip, and it was never the purpose of the blog to re-publish every strip anyway, so it is probable that soon we'll go back to only notable strips, of which there are still a good number at this point.

December 30, 1954-January 2, 1955: Once upon a time they lived happily ever after

gocomics' archives are missing the strips from December 27-29, 1954. Anyone have access to these strips? Perhaps it's just as well as, other than the Sunday strip, these aren't particularly inspiring, IMO.

December 30

The doggy tradition of eating anything offered to them has its pitfalls.

December 31

But the wool fibers are the best part!

January 1, 1955

Another of the surprisingly long-running series of strips involving Snoopy trying to watch television.

Sunday, January 2

This is a good one. The exchange in the lead panel, "Charlie Brown" in a sing-song voice delivered by Lucy followed by a weary "Good grief" from the other, was probably duplicated in at least one football strip. We've had one strip so far in which Lucy pulled away the football that Charlie Brown was trying to kick (twice), but it was accidental, and it hasn't become a yearly tradition yet. This strip brings us closer to the antagonistic relationship that is at the heart of the football strips.

It's also pretty witty. "Once upon a time they lived happily ever after. The end." That's what we call simplifying the equation right there.

Sunday, December 26, 1954: Schroeder's Mania

Read this strip at gocomics.com.

"You'll never believe this, but I was hoping you'd come over.." Gee thanks, kid.

This strip neatly encapsulates much of Schroeder's character. I remember seeing it in a compilation when I was maybe eight or so. Even then I had trouble believing in the existence of 12-volume biographies of Ludwig van Beethoven in comic book form, Beethoven ballpoint pens and Beethoven bubble-gum, but maybe there's some Beethoven subculture out there I've had no contact with. Is that Beethoven brand bubblegum, or is it bubblegum with Beethoven trading cards? Anyway, "Very scowly."

I imagine one of Schroeder's parents getting him the train in a desperate attempt to broaden the kid's interests outside his overpowering obsession. Because idolization is one thing, but this is bizarre.

December 20-25, 1954: Square Balloons and Christmas Day

December 20

Here's another early sequence, in which Linus confounds Charlie Brown by blowing balloons into cubes. I've joked about Linus having uncanny powers, but how else can you explain this?

December 21

At least you can stack them neatly this way.

December 22

Look at Lucy's look of horror in the second panel. This strip makes it a little more clear what Schulz is getting at with this sequence. Although blowing up balloons into squares is a marvelous skill, Charlie Brown seems to think it's something wrong somehow, and Lucy thinks it'll bring dishonor to her house. I guess people put more importance into balloon-inflating style back in 1954.

December 23

Even if he tries to blow it up into a rough sphere, it comes out square. This could be taken as a metaphor for something I suppose. Actually, multiple somethings.

December 24

What would happen if you gave Linus an innertube to blow up?

Christmas Day

"Hey! Come back with my pagan idol of music!" "Take it easy, I'm just replacing it with a good, honest Christian symbol! Er, that used to be an element of nature-worship. Merry Christmas!"

We'll have more of Charlie Brown and Schroeder and Christmas next time....