Week of August 23-28, 1954: Charlie Brown still has an ego

August 23

Only the second bit of negativity we've heard from Pig-Pen, the first being in his introduction.

August 24

That's not Snoopy, someone switched his bust of Beethoven for a figurine of the RCA dog!

August 25

Is this sarcasm from Schroeder, or condescension?

August 26

Charlie Brown still has some of the old ego in him, I see. I wonder when is the moment when that's finally pounded out of him, and when it happens, if ultimately it's Lucy, or Patty and Violet who are the cause

August 27

Her beleaguered mother has resorted to trying to play her and Linus against each other. Lucy takes the long view here. Lucy is forward-thinking in the next Sunday strip too, although she doesn't look quite so far ahead.

August 28

This is a fairly standard comic inversion. Not really terribly noteworthy, but I've commented on all the other strips this week, so why not?

(If I do leave strips out, I will still link to the gocomics page for the absent strips. I don't think it's proper to present strips I don't have much to say about, since I'm hosting these copies to avoid hot linking gocomics, and not to provide an alternate archive of strips. As I said before, they are presented here for commentary purposes only.)

Sunday, August 22, 1954: The aliens have arrived

Read this strip at gocomics.com.

I think this strip is more effect without the lead-in panels, which means our first glimpse of the floating wading pool will be the same as Charlie Brown's. Lucy's final comment also works better in that case; it's unnecessary with the first two panels included.

This is a very funny strip (especially "He pointed his flame thrower right at me!"), but it's a kind of humor that seems out of place in Peanuts, heavily reliant on sight gags. At least it's Charlie Brown who's the silly one here.

That's gotta be a pretty strong wind.

Week of August 16-21, 1954: Airplanes must fly around clouds or else crash

August 16

It is odd to think of Pig-Pen as going to kids and bumming sand off of them. I can understand if he's unnaturally attuned to the stuff, but it can't be that expensive can it?
August 17

Lucy is kinder here than she was back on February 15 16, but it's still a mean trick.
August 18

At this point Pig-Pen is rolling along as if he's going to become a major character. It won't be for too much longer I think.
August 19

One problem with the week-at-a-time format is, often there's just not much to say about a strip. I'll probably start leaving some out before long -- I didn't mean this to become a repost of every strip....
August 20

If Peanuts were still being printed er, I meant written today, Lucy would be denying climate change. Charlie Brown's reaction is priceless. I find this kind of reaction funnier than the headaches and stomaches the poor kid's afflicted with later.
In the last panel, Lucy's laughing expression, with the slanted eyebrows, is atypical for Peanuts.
August 21

Charlie Brown brings his hand to mouth in wonder in the third panel is nice. Peanuts kid arms are usually drawn as simple tubes, so I find the shape of his arm there interesting. Not hugely interesting, but still.

August 4 is Snoopy Day!

Happy Snoopy day!

Sunday, August 15, 1954: And cheap at that price

Read this strip at gocomics.com.

Another chapter in the unfolding story of Lucy's mother's desperate search for peace and quiet.

This is a particular favorite strip for me. It has several funny drawings that suit the story perfectly, it reveals something about Lucy's personality, and along the way it paints a vivid picture of the dynamic between Lucy's mother (who needs Lucy to be out of the house sometimes) and father (who foots the bill).

Week of August 9-14, 1954: Things like that make my stomach hurt

August 9

As Lucy becomes more bullheaded and cantankerous, Linus would grow into the role of asking Charlie Brown science questions. In one memorable strip, he asks an angry-faced Lucy why the sky is blue. She snaps back at him "BECAUSE IT ISN'T GREEN!"

August 10

That coy smile on Pig-Pen's face in panel three is interesting, in a Mona Lisa kind of way.

August 11

This is a growing part of Lucy's personality, a refusal to acknowledge basic facts. At she isn't laughing about what a joker Charlie Brown is afterwards this time. Charlie Brown's stomachache of dismay when confronted with one of his friends' quirks is a developing part of his character, too.

August 12

It's been a little while since we've seen a fussy Lucy strip. This one fits right in with the pattern: Lucy looks a gift horse in the mouth, and the horse kicks. Charlie Brown's expression is a little different this time: it's a more introspective look of annoyance, more of a look of "why does this happen to me?" than "why do I put up with her?"

I might have to agree with Lucy, however, if there really are weeds in the lemonade.

August 13

Having trouble coming up with something to say about this one. Not the most complex joke we've seen.

August 14

This seems more like something Linus would do. Actually, Schroeder has been in a good number of non-musical strips around this time. He's catcher of the baseball team, he's Charlie Brown's cartooning audience, and he's also around as a bit character. I remember as a kind seeing Schroeder strips at the piano and wondering why I never saw him anywhere else. He seemed to exist in a piano-centered universe, with occasional visits from the Satan of his personal world, Lucy.

The first panel demonstrates a curious aspect of Peanuts' artwork from around the time. Characters wearing a neutral expression viewed front or from the diagonal are often drawn without mouths. I thought it was weird the first time I saw it, and I still think it's weird now.

Sunday, August 8, 1954: Lucy in right field

Read this strip at gocomics.com.

This isn't the first time Lucy's played baseball, but it confirms her position in right field. This is the first bona-fide joke about how bad Lucy is as a fielder. Charlie Brown's comment in the first panel implies that Lucy already has a negative reputation as a ball player.

Week of August 2-7: Linus is very good at building card houses

This week, there is no sign of Patty, Shermy or Violet.

August 2:

The existence of fingerprints is a little convenient, don't you think?

August 3:

In 1954 Linus would be called a prodigy. Now, he'd probably get labeled autistic, or diagnosed with ADD. Although his ability to build things like card houses so quickly, or gravity-defying stacks of blocks, borders on the magical.

The first baby in the strip was Schroeder, who developed into a musical genius. Here we kind of see Schulz taking the same steps with Linus, although his personality became rather different.

August 4:

Do they have little flourishes at the edges of the ridges? Do the whorls form a delightful swooping pattern?

August 5:

Be careful what you beg for, Snoopy. I hope Linus didn't go back to sucking on that thing afterward. Notably, we don't actually see Snoopy link the thumb; we infer it from his reaction.

August 6:

Charlie Brown seeks to branch out into adventure comics. Adventure comic strips are a sad and moribund category any more so some of you might not be familiar with them. The real money now, such as it is, is in comic magazines*, with their X-people and their Superfolk and their Batguys and their....

* I've decided: I'm reviving this usage. Who's with me?

August 7:

Silly Lucy, everyone knows only the index finger contains a gun barrel.

Sunday, August 1, 1954: Whoops!

Read this strip at gocomics.com.

Sometimes the heavy stylization of Peanuts works in the service of a gag. In this strip, it isn't clear what exactly it is that Snoopy is doing until he tells us in the last panel. Although "whoops!" is kind of a weird thing to say in response to something cold pressed against your back.

Snoopy isn't as long in these panels as he was a few weeks back, he looks to be of a more reasonable size compared to when he's sitting down. But we do have a few panels where we see his face in three-quarters' perspective and get that weird broad face. Snoopy's snout really only exists in profile.

Week of July 26-31, 1954: Astronomy class with Lucy

July 26:

Charlie Brown began as kind of a smart-aleck. We know his destination is to be a kind of downcast everyman. Here's a bit of a transitional state, that of being kind of paranoid about what others think about him.

July 27:

I image Snoopy moving here in much the same way that snakes do. It's a fun illustration.

July 28:

July 29:

In the first of these strips, Lucy doesn't have a good sense of relative distances. In the second, she's gotten the distance down but wonders, if Mars is so far away, why she should care. Lucy is the type of person who can make a leap from ignorance directly to dismissal.

July 30:

More Pig-Pen strips. Not being bothered by girls is a questionable virtue. I can see the mosquito thing, but I'd think the presence of other vermin might make up for it.

July 31:

Although Schulz returns to Pig-Pen periodically throughout Peanuts' run, it's without any great fervor. Jan in comments a few days ago remarked that, in all of Peanuts, there are only around 140 Pig-Pen strips. We've now seen ten of them.

While there's something admirable about Pig-Pen's lack of self-consciousness, as that prior commenter said, there's not a lot you can say about him. I think Schulz returns to him every once in a while because A. he's kind of a link to the early days of Peanuts, and B. it's a character quirk that never needed updating.

Peanuts lasted up to the dawning days of the 21st century, and throughout that time some updates to the cast were necessary. Lucy changed her dark blue dress for a track suit. Eudora's clothes would have been unthinkable in 1951. Need I even remind you of Franklin? Snoopy's typewriter was out of date at least a decade before he wrote that final letter.

There have always been, and probably always will be, messy kids, so Pig-Pen never needed revising or replacing.

It's funny to think of a dog as being afraid of getting his mouth dirty. Most dogs I've known haven't been what I'd call discriminating eaters.