March 22-24, 1954: Three don't you see

Read this strip at gocomics.com.

More badly-framed strips from that odd place in the internet Peanuts archives, probably caused by an oversight when these were scanned in from print compilations.

March 22, 1954:
At this point in the strip, examples like yesterday notwithstanding, Patty is kind of like the female Charlie Brown.  Not in the sense of being defeated by the world, but in the sense of being an every-person suitable for use in general.  She is rather more competent than Charlie Brown though, and clearer-headed.

Again, the difference between Peanuts and other strips?  Poorer strips would probably end with a sarcastic comment from Patty and make that the punchline.  Competent strips would end with Charlie Brown pointing at Snoopy, and letting the reader laugh at that dumb kid himself.  Peanuts gives us that last panel, which sympathizes with Charlie Brown.  It recognizes that, hey, we're all stupid like this sometime, and when we realize that we are we should be embarrassed about it.  But we should also get out of the weather.

March 23, 1954:
MUDPIEZZZZZ

Violet's fixation on the preparation of mud pies is one of the earliest recognizable traits exhibited by a specific Peanuts character.  We haven't seen it for a while though.  As I've said previously, when you're sentenced to come up with a joke a day for the rest of your life, you use what you think of.  Schulz attacked this somewhat dismal craft without complaint, and frequently with genius.

March 24, 1954:
Charlie Brown's insecure personality is developing clearly now, but Schulz still gives him an out sometimes, with the kids calling for him. 

Sunday, March 21, 1954: Eight stages of grief

Read this strip at gocomics.com.

Beginning with panel eight:

1. Shock
2. Disbelief
3. Confirmation
4. Anger
5. Blankness
6. Taking off your shirt(?)
7. Wide-mouthed frowning
8. Sighing

They might not be the official stages, but they work for Charlie Brown.

This is possibly the most directly hostile act so far seen in Peanuts.  It would be worthy of Lucy.  There are no extenuating circumstances, and nothing sets Patty off, yet she accomplishes her self-appointed task with relish.  It's kind of out of character.  Even when she's part of the team act with Violet against CB, their methods are less overt.

Switch the gender roles here and the strip would turn out quite different.  Even this early, it doesn't seem to be in Charlie Brown's nature to do something this mean.  It's the kind of thing Calvin might do to Susie, but not without some form of judgmental comeuppance from the cartoonist.

March 18-21, 1954: Three in a tree

Read these strips at gocomics.com.

Another triple.

March 18, 1954:
If you're as small as Linus, a bag of blocks is in fact a very useful thing to have.  Of course most little kids don't have the block-stacking skill or the utilitarian frame of mind to make the proper use of them.

March 19, 1954:
Linus' block-stacking powers have met their match.

March 20, 1954:
This is sort of a response to Charlie Brown giving Violet chocolates for Income Tax Day back on Monday.  Charlie Brown's "Wow!" in the first panel is mighty fancy, like a small version of the looping letters Schulz sometimes draws large.

March 15-17, 1954: Three for free

Read these strips at gocomics.com.

Three more conjoined strips, caused when whoever scanned these forgot to crop.

March 15, 1954:
A funny strip in general.  Charlie Brown is not one to let a card go to waste, even if it's not really suited for its purpose.  At least we should be glad Schroeder isn't giving out Beethoven's Birthday cards.  Yet.

March 16, 1954:
Snoopy is using thought balloons!  I think he used them one time before, but this time I think it "takes."  Good faces on Snoopy here.

March 17, 1954:
Patty is unexpectedly a marbles shark.  Not as bad as Lucy at checkers, but still.  What do marbles champs do with all their winnings?  She must have a huge collection of the things by now.  I wonder if the marbles companies engineered the whole "playing for keeps" idea, the same way Wizards of the Coast put playing "for ante" in the official rules to Magic: The Gathering?

Sunday, March 14, 1954: Snowball Fail

Read this strip over at gocomics.com.

Charlie Brown doesn't have it in him to make a really evil face, such that Calvin could or, closer to home, Lucy of a few years from now.  There is sort of that aspect of Calvin picking on Susie here, although it's usually more of an outside source that gives him his comeuppance.

Chagrimace!

March 11-13, 1954: Three again, again

Read these strips at gocomics.com.

Some more glued-together strips. I'm going to have to go in and fix these when/if they correct these images.

March 11, 1954:
More head-patting from Snoopy, with another word-bubble depiction of his thoughts. The big punchline in A Charlie Brown Christmas when the kid puts his ornament on the Christmas Shrub, is kind of a callback to this.

March 12, 1954:
Taken with the last three strips, Schulz has alternated between Linus block strips and Snoopy head-pat strips this whole week. When he on a whim (it seems to me) made Schroeder into a musical prodigy it became a permanent part of his character, but Linus' block-building skills don't seem to have survived into the later years of the strip.

March 13, 1954:
Snoopy's versatile ears come to the rescue of his sensitive head.

March 8-10, 1954: Three again

Read this strip at gocomics.com.

Three more strips that were presented glued together.

March 8, 1954: Linus and his blocks again. As we saw yesterday, the kid gets a lot of use out of them. For him, a pile of blocks is a protean meta-object, a thing that can become other things.

March 9, 1954: How does Lucy say the words "Pat him on the head"? Is it a suggestion? A request? Is she just narrating her own action?

Charlie Brown's a bit more familiar with Snoopy than the others, calling him "ol' pal." It's still some time before we have conclusive evidence Snoopy is his dog, though.

Snoopy's face on that second panel is a winner.  In the last two panels he thinks again using word balloons.  In the third he does so near humans, but none of them throughout the strip seem to recognize his discomfort so I think it's safe to say they can't understand him.

March 10, 1954: Give Linus a stack of blocks and a place on which to stand, and he will build the world.

March 4-6, 1954: Three more glued together

Read these strips at gocomics.com.

Second verse same as the first.

February 4, 1954:
Linus: kid of impossibility!  This is what I was talking about, some time back, about the Van Pelt children being kind of... uncanny.  While Lucy grows into her powers and becomes a supervillainess, Linus, taking Jesus Christ as his model, chooses the role of teacher.  Well, eventually.

February 5, 1954:
Poor ol' Charlie Brown.  Poor ol' frustrated Charlie Brown.

February 6, 1954:
This is a great strip!  I love the third panel especially:

We know these characters so well now that, even without the other three panels, we're pretty sure which of the two kids is saying YES and which was saying NO.  But even by their postures, Violet seems just that much more adamant.

A points of note in the art:
In the zoomed-in panel, notice that the characters don't look as angry in the other panels; their emotion is diluted by the energy they're putting into shouting.

P.S. There is a They Might Be Giants song for every occasion.

March 1-3, 1954: Three by necessity

Read these strips at gocomics.com.

Er, I think someone messed up.  These three strips are presented like this on gocomics' page.  Remember when some strips turned up missing a couple of weeks ago?  I think they were gone in order to fix another situation like this one, where multiple strips are glued together in a single image.  This probably happened when the strips were scanned out of a book; whoever did the scanning neglected to crop the other strips out of the one for March 1 (which is the one with Schroeder and Snoopy here).  The other strips are also in their respective places in gocomics' procession, but we might as well do all three now.

March 1: Not too interesting, although it is a Schroeder strip with nothing to do with music.  I do wonder how the car managed to make it up Snoopy's head; it's not a smooth trip between panels three and four.

March 2: This one's pretty funny.  The boys and girls in Peanuts, physically at least, are on equal standing, but it's still embarrassing for a young boy to be outmatched by a girl.  Notice the wavy lines around the feet; they're there to draw the eye and so confirm to the reader that they're standing on tip-toe.

March 3: Chase strip.  Also pretty funny.  In a way this one works as a joke on the size of Charlie Brown's head, which needs a large object like a stop sign to cover it up.  Oh, and isn't it very short for a stop sign?

Sunday, February 28, 1954: Willful Little Lucy

Read this strip on gocomics.com.

How much of this is meant to depict Lucy herself being stubborn, and how much just a very young kid rebelling against her parents?  I think often, in Peanuts, cases of the latter evolve over time into cases of the former.  That is, strips intended as general observations end up getting sorted by character, and so the kids accrete characteristics over time and in this way become complex.

In the lead-in panels, Schulz shows Lucy being contented with a word balloon containing a musical note.  I suppose it's meant to represent her humming.  It's not the first time he's done this.